Amoeblog

Remember The Oscars?

Posted by The Bay Area Crew, March 26, 2020 04:05pm | Post a Comment

By Jon Longhi

It seems like the Oscars were a million years ago, but they were actually just last month. This column was supposed to run a while back but it’s been in limbo for the past few weeks as civilization has been collapsing. I wasn’t a fan of Joker, but the other two Oscar nominees/winners in this column are totally worth checking out during your virus lockdown. Parasite, especially, is not to be missed. It’s the best movie I’ve seen in the past couple years.

JokerJoker, Warner Brothers:
This steaming pile of Oscar excrement is the most torturous couple of hours I’ve spent in the past few months. Sure, Joaquin Phoenix grunts, weeps, spasmodically chuckles, and even interpretive dances his way through a role and that’s acting with a capital A; but most of the time I just feel like I’m watching a terminally constipated man squeeze out the world’s most reluctant turd. It’s acting with a capital A in a movie that’s a bummer with a capital B. The slow moving script is beyond ham-fisted; it’s like they grafted a herd of wild boars to their forearms. There are multiple layers of irony in the film, but the most annoying one is that a movie called Joker doesn’t have a funny moment in it. The whole thing is utterly grey and joyless. It’s like Cormac McCarthy's The Road, only more depressing. The pacing is glacial. At one point my wife said, “God, this movie is so slow,” and we were only ten minutes past the opening credits! There’s no super villains, fights, or explosions to break up the pace, just one excruciatingly sad scene after another. Unlike Marvel, DC seems to have given up on actually entertaining us. Not even Robert De Niro could save this. I mean, it’s well written and acted. The script had some literary sophistication to it. I appreciated the political and socio-economic metaphors and liked the references to the horrors we’re experiencing in the age of Trump, but at the same time you can see the major plot points coming from a mile away. When he lost his job, I turned to my wife and said, “I bet before the end of the night he’s going to have turned to a life of crime and 'Send In The Clowns' will be playing somewhere in the background." And sure enough… Joaquin Phoenix gives it his all until he pretty much breaks out in a sweat in every scene. I’m not saying he’s trying too hard, but by the last time in the movie he does a little interpretive dance I was ready to open a beer, not because I wanted to drink it but just so that I could throw the bottle at the screen.

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California Fool's Gold -- Exploring Little Seoul

Posted by Eric Brightwell, May 19, 2014 07:53pm | Post a Comment
INTRODUCTION TO LITTLE SEOUL 


Welcome sign at Brookhurst

Drive down Garden Grove Boulevard with your windows up (paying proper attention to the road in front of you) and you might not notice that you're passing through Little Seoul. There are no banners, memorials, murals, monuments or that many fluttering South Korean flags. Pass through on a bus and maybe you'll notice the Hangul signs and blue tile roofs. The best way to experience Little Seoul, despite some drawbacks, is by walking in it – although your hair might pick up the smell like bulgogi by the end of your ramble. The other day I headed over there to explore it, accompanied by Una Zipagan and host of the excellent Notebook on Cities and Culture podcast, Colin Marshall


Another blue tile community

*****


Los Angeles currently has the largest population Korean-Americans. In fact, 17% of all Korean-Americans live somewhere in the Southland. Korean business districts have sprung up in Los Angeles's Koreatown and Garden Grove's Little Seoul as well as in Buena Park, Cerritos, Fullerton, Rowland Heights and elsewhere whilst Koreans have more often chosen to make their homes in places like Anaheim, Gardena, Glendale, Hacienda Heights, Huntington Beach, Irvine, La Palma, Santa Clarita, and Torrance (as well as Buena Park, Cerritos, Fullerton, and Rowland Heights).

Korean Psych-Folk Classic, NOW, Back On Wax!

Posted by Kells, January 31, 2012 03:53pm | Post a Comment
Sometimes nothing brings more pride and satisfaction to the Amoeba Music experience than browsing the selections in vinyl new arrivals and finding a classic, diamond-in-the-rough title like Now by Kim Jung Mi and songwriter/producer/arranger/guitar shaman Shin Joong Hyun properly reissued with loving care!



Recorded in 1973 during the height of Korea's rock music scene, this little elemental wonder, reminiscent of Fairport Convention's savvy blending of folk-tradition-meets-kaleidoscopic-rock, is chock full of poetic musings about springtime weather patterns and other precious things voiced by Shin's protegée Kim Jung Mi - a bookish wallflower-cum-chanteuse à la Marianne Faithful or Francois Hardy. The newly reissued version of this quintessence of psychedelia features Korean/English lyric translations, rare photos, re-mastered audio, and comprehensive liner notes by Kevin "Sipreano" Howes and Shin Joong Hyun expert Jae-Myeong Ro (director of the Korean Classical Music Record Museum, and author of the book Shin Joong Hyun and Beautiful Country. The 180 gram vinyl version of Now comes in a deluxe old-style jacket, avec obi, and has a full color insert with liner notes and rare photos. Scoop yours up soon!

Also, it must be said that this record rates high on the list of apropos album artwork in relation to the record's overall sound. But don't take my word for it, find out for yourself! Click play on the album's opening track below and have a long, lingering look at that cover photo. Careful now, overexposure might lead to excessive use of the word "vibe" as a verb and an unconscious referral to the word "energy" in the plural form.

Kim Jung Mi - "Haenim"