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New "What's In My Bag?" Episode with Act of Defiance

Posted by Amoebite, July 2, 2018 06:30pm | Post a Comment


Act of Defiance What's In My Bag? Amoeba Music

Henry Derek and Chris Broderick of metal band Act of Defiance were at Amoeba Hollywood recently for a cool What's In My Bag? interview. The band members' picks often went beyond the realm of metal and included artists like gospel-bluesman Washington Phillips, Beat writer William S. Burroughs, and performance artist Anna Homler, whose alter-ego Breadwoman Derek found particularly fascinating. "Apparently she was influenced by the population of homeless women in downtown Los Angeles," he told us, adding "she developed her own language that she sings in." Both members of the band had an eclectic mix of records, making for an interesting and entertaining video.

Act of Defiance Old Scars, New WoundsLos Angeles-based supergroup Act of Defiance fuses death metal, thrash, hardcore, and speed metal to create harsh, abrasive, extreme metal. Formed in 2014 after Megadeth guitarist Chris Broderick and drummer Shawn Drover both departed the group, Act of Defiance also features the talents of frontman Henry Derek (Scar the Martyr, Thrown Into Exile) and bassist Matt Bachand (Shadows Fall). 

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Recap: Nick Thune Hosted a Charity Auction at Amoeba Hollywood for the Silverlake Conservatory of Music

Posted by Amoebite, October 6, 2015 02:14pm | Post a Comment

Nick Thune Hosts a Charity Auction at Amoeba Hollywood

On Saturday, October 3rd we had a great time at Amoeba Hollywood with our first-time host, comedian and actor Nick Thune! For this month's charity auction, we teamed up again with the awesome folks at NerdMelt and raised money for our friends at the Silverlake Conservatory of Music. Nick hails from the Great Northwest (Seattle), where he spent his early years growing up. His absurdest view and deadpan wit combined with the soothing lull of his guitar, have distinguished his unique style of comedy. He has appeared on the Tonight Show eight times, and on each occasion, he won. Nick has also appeared on Conan, Late Night with Jimmy Fallon and has his own Comedy Central special. His comedy special, Folk Hero, is available on Netflix and iTunes and you can get a copy on vinyl at Amoeba, of course. 

Silverlake Conservatory of Music

Nick auctioned off a vast and crazy array of concert tickets, gift certificates to local hot spots, and random promotional stuff---with all proceeds benefitting the Silverlake Conservatory of Music's scholarship programs. Their mission is to facilitate basic music education, focusing on the youth of the community while welcoming everyone to participate.The Conservatory offers private music lessons at a reasonable cost and grants scholarships to children in need, providing free lessons and instruments. The study of music enriches not only the life of the student, but the community and society as well. 

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Personal Picks: Kelly's Best of 2012 Year-End Recap

Posted by Kells, December 31, 2012 02:30pm | Post a Comment


Well, here we are. We weren't thrust into a new dark age oblivion, the world didn't end and neither did my workaday quest for the best music for the day. This year was rife with records that just had to be snatched -- reissues, compilations, and a fair few newbies too.

Here follows my personal, "show and tell" style best-of list for 2012:  the year that didn't stop the big wheel a-turnin'. Rather than just dicing up a list of cold-cut favorites, I've included personal events and trends herein that shaped the music I sought and gravitated towards within the past year.


BEST NEW ALBUM OF THE YEAR: Jessica Pratt - JP. No contest. I have naught but the best of things to say about this disc of spun gold and I'm not alone. It seems every Barry, Rob, and Maurice in the blogosphere has been falling all over this record like autumn leaves in the rain. If you really want to know my take check out my real talk review of JP here, otherwise please do enjoy the album's opening track, "Night Faces" below.





 
BEST 2012 REISSUE: It's a tie between two (Numero related) comps: WTNG 89.9FM: Solid Bronze and & Personal Space: Electronic Soul 1974 - 1984. Both platters piled high with private press oddments and rarities one could hardly go more wrong than to miss out on these two exemplary feats of the compilation arts. The former being a point of revision for many in that it is essentially a mix of largely unheard "yacht rock"/AOR triumphs of seventies song-writing sensibilities (man, is it ever sensibly sensitive) that confronts one's moral definition of guilty (listening) pleasures. The latter comp, Personal Space - a seemingly dark horse among the usual reissue fare fleshing out the the soul comps shelf space, made the rounds among Amoeba staff regularly thus enjoyed a healthy amount of in-store play as well. Chock full of rhythm-box workouts a la Sly Stone, Timmy Thomas and Shuggie Otis, it's a far-out soul/funk excavation of the highest order. Both of these are solid front-to-back listens for the home vinyl library/curio corner.

An honorable mention smoothing out the angles in this Bermuda triangle of smooth sailing comps would have to be that Tim Findlay (of Groove Armada) mix for the Late Night Tales series, Music for Pleasure. Holy horse latitudes is this mix ever the very essence of a guilty, yacht-rocking pleasurecraft. I'd swear it's been a banner year for harnessing the soft, ever-lilting easy breezes of boxed-wine status AM Gold.
 

REIUSSUE RADNESS: Thin Lizzy, Takeshi Terauchi, Judas Priest, Stan Rogers, Can, My Bloody Valentine and so, so many other reissues really lit up the old hi-fi this year. Of the pack I'd say that the Light in the Attic reish of Thin Lizzy's self-titled album and Allen Toussaint's Southern Nights (out via 4 Men with Beards) have been fighting it out for turntable dominance most of this past year. I'm still digesting the Can - Lost Tapes box set and don't even get me started on the glory that is the live at the '83 US Fest DVD that comes packaged with the latest remastered reissue of Judas Priest's 30-year-old masterpiece Screaming for Vengeance. Other notable reissues include the waves of fuzzy shoegaze nostalgia imparted to the middle bit of 2012 thanks to the My Bloody Valentine reissue tsunami, the continuation of the very long overdue reissue of Canada's working man's maritime-folk troubadour Stan Rogers' back catalogue (what began last year) and the release of Nippon Guitars -- a killer comp ofering an overview of the life and work of Japan's godfather of surf guitar, Takeshi Terauchi. It's so good we can't even play it in the store on a busy without selling out by the end of track three.

speaking of compilations...

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Jacked Up on the Irons: top ten reasons NOT to miss the Maiden England 2012 tour!

Posted by Kells, August 4, 2012 03:07pm | Post a Comment

Iron Maiden may be senior classmen in the school of rock but they manage to keep outperforming (while, in most cases, shaming to filth) touring rockers the world 'round with their professionalism and showmanship. Last night's show at the Shoreline Amphitheater (even singer Bruce Dickinson seemed perplexed as to just where the venue was supposed to represent, resorting to, "Scream for me Shoreline!" after asking, "Where the fuck are we supposed to be? San Francisco? Oakland?") was so phenomenally epic, a two hour an epoch in my life. And, according to further Bruce banter between songs, due to the limitations of the venue -- I believe he referred the Shoreline as an "old hippie bandshell" -- the band wasn't able to fully bring their show to life. Nevertheless, they certainly seemed to pack as many pyrotechnics, flames and Eddies on stage as they could in the hopes that, as per Bruce's comments, "burn fucker down to they can build a better one!". Here's hoping they achieve their fully realized set up tonight in Sacramento.

Anyway, find yourself on the fence about hopping the Maiden train this summer? Here's ten good random-order reasons (i.e. every reason could and should be reason number one anyway) to drink the kool-aid!

Reason number one: event tees! The Maiden England 2012 California event tee, pictured above, features Eddie riding an unchained bear, ripping the Golden Gate a new one? Yes please! I'm lucky I got me one of these last night as they were sold out even before the show began. Looking forward to wearing this sweet baby out. 

Reason number one: love that patent twin axe-attack "guitarmony" sound? Man do I ever. And Maiden one-ups the advance with the promise of a triple threat what with Dave Murray, Adrian Smith and Janick Gers on guitar. Add to that the galloping bassmageddon of founding member Steve Harris and there you have the classic recipe for a flaming face-melting of harmonized rifflines.

Reason number one: here comes Eddie!


Reason number one: Christian soldiers and Jesus freaks still congregate outside shows like this. One of them brandished a "Get out of HELL free" coupon. In retrospect I feel should've taken it, just in case.


Reason number one: Dave Murray's facial expressions during guitar solos


Reason number one: the setlist includes "The Prisoner", "Seventh Son of A Seventh Son" (first time played live since Dec. 12, 1988 for both songs) and "Phantom of the Opera" which Bruce calls "une petite histoire française" in this here footage captured during Maiden's most recent pillaging of Motreal.



Reason number one: being more that a bit of an aeronautical nerd myself, I feel Bruce deserves the compulsory mention of his being not only Iron Maiden's vocal frontman but also piloting Ed Force One, the band's personal flying carpet thus allowing them bring their show to fans in far flung locales like Bali. Two paychecks Bruce, good on you.


Reason number one: this!


Reason number one: this!



Reason number one: this...



and this:


UP THE IRONS!!!

The Art Of The LP Cover- Royalty

Posted by Mr. Chadwick, March 31, 2012 03:15pm | Post a Comment

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