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Pivotal Year In Jazz Icon John Coltrane’s Career Captured On New Impulse! Vinyl Collection "1963: New Directions" 5LP Box Set

Posted by Billyjam, December 10, 2018 10:51am | Post a Comment
 
For jazz great John Coltrane 1963 was both a prolific and a pivotal year; one that’s comprehensively captured on the new Impulse! must get box set collection John Coltrane 1963: New Directions [5LP Box Set] (also avail as a 3CD box set).  All recordings from throughout '63, presented in chronological order, the 30 song set rewinds back fifty five years ago to an artistically significant time in the career of the legandary jazz saxophonist. Ahead of his time on many levels, Coltrane truly made a major impact in his all too short 40 years on this earth that came to a premature halt in July 1967.  From a historical perspective 1963 is viewed as the key transformation period from ‘Trane’s earlier bebop and hard bop years into his free jazz and fully championing experimental, avant garde, genre-expanding jazz. It’s the iconic artist’s creative period that fell exactly two years after his American standards interpretive My Favorite Things and two years before his avant-garde and free jazz masterpiece  A Love Supreme.  Or as Impulse! Records so aptly noted in their pre-promotion of this box set; “In the brief, bright arc that is the career of John Coltrane, 1963 marks a point of transition between past jazz masterpieces and future work which would transcend the boundaries of the music itself.” 

As seen in the picture above this vinyl box set contains five albums, each numbered in chronological order of their recordings, plus additional content such as the lovingly presented 20 page booklet. Scroll down to see the full 30 track listing of the box set contents that features 1963 recordings of the albums Live at Birdland, Newport ‘63, Dear Old Stockholm, John Coltrane and Johnny Hartman, and the album that presumably inspired this box set;  Both Directions at Once: The Lost Album. Initially released six months ago, a full fifty five years after its recording, this literally “lost album” draws its title in part from the famous John Coltrane quote, “I start in the middle of a sentence and move both directions at once.”

Pioneering Experimental Turntablist Jazz Trio Livehuman Celebrate "scratchBop" With March 16th Amoeba San Francisco In-Store

Posted by Billyjam, March 11, 2017 02:28pm | Post a Comment
Livehuman celebrate "scratchBop" with Amoeba SF in-store Thursday March 16th @ 6pm

San Francisco progressive jazz trio Livehuman have been together now for two full decades. In that time the turntablist/bass/percussion experimental ensemble, comprised of DJ Quest, Andrew
Kushin, and Albert Mathias, have performed countless concerts both locally and internationally including at the prestigious Montreux Jazz Festival and released a string of critically acclaimed albums. But it is only now with the recent release of their 2017 album scratchBop that these hard-working musical perfectionists feel that they've finally found their proverbial groove. They will celebrate the new album with an Amoeba San Francisco in-store Thursday March 16 at  6pm.
"Livehuman was born of an inspiration I had listening to Miles Davis' doo-bop record," percussionist Albert Mathias told the Amoeblog this week. Added the artist who cites among his other "jazz heroes"
as Charles Mingus, Charlie Parker, Thelonious Monk, Sun Ra, and The Art Ensemble of Chicago, "That was a long time ago and for me scratchBop is what I dreamt might be possible….though I didn't realize it would take most of my adult life to achieve it." This insight by the gifted percussionist should not come as a total surprise to longtime fans of the band, familiar with such past album releases as Monostereosis: The New Victrola Method or Elefish Jellyphant, since scratchBop displays somewhat of a new musical chapter for the trio. Or as bassist Andrew Kushin calls it, "an uncovering" of sorts following years of tirelessly playing together and honing a distinct innovative jazz style. 

Rare Steve Lacy LP Shows Up In Hollywood

Posted by Rick Frystak, October 7, 2013 03:43pm | Post a Comment

Steve Lacy has always been one of my favorite horn players since I first hear him in the mid 70’s. He delivers a liquid, speech-like sound with his soprano saxophone which he plays exclusively.  Influenced by trad jazz players, Cecil Taylor, Thelonious Monk and Gil Evans, Mr. Lacy composes and improvises with a quirky sense of melody unlike any other player around at the time or since, and his compositions reveal his very personal way of telling his stories. His staccato yet fluid attack, and almost vibrato-less legato stands out within the history of his axe. He has made many, many records (hundreds) and almost each one has its own individual sound and ultimate expression. Straight up swing to musique concrete to free improvisation are where Steve could be found at any moment, often simultaneously. His accompanists range from sitar duos to big band improv to sax/synthesizer/ drum outings, exploring all avenues of audible art. He also made many solo concerts, with just his soprano sax perhaps speaking the musical dialog about what was shaking at the moment. These concerts and recordings are a wonderful document of this artist’s creative depth.

I am fortunate to have met Steve when I had an in-store appearance with him while I was managing Rasputin’s Jazz and Soul record store in Berkeley, California in 1981. Steve is second from left, just to my right in this photo of that day (Rick Gillman far left, Lacy, Frystak, Michael Finney far right).

A kind and soft spoken personality belied his passionate, forward surging playing style.  His many bay-area fans that day were in heaven to be near this musical icon, myself included. He played later in the evening at U.C.Berkeley to a packed house. Steve passed in 2004 at age 69 years young, and I was fortunate to see him play multiple times, always searching and swinging in whatever context he found himself in.

Beaucoup Bins of Beautiful Boom

Posted by Rick Frystak, October 31, 2011 04:05pm | Post a Comment
Whazzup?! Tons of great records coming over our buying counter lately, much of it landing in "The Choice Bin," and circumnavigating my world. There's so much going on I don't where to start. Let's sample some of my choicest morsels of the past weeks and hope to nourish your auditory appetite!


Walt Dickerson

To My Queen
New Jazz NJ8283  1963 

A wonderful, somewhat neglected jazz music experience, with delicately grooving vibraphone and piano, gently singing over the percolating grooves of drummer Andrew Cyrille and bassist George Tucker. Andrew Hill on piano takes the passenger's seat to Walt Dickerson's moves on this date, and the results are a nice, ethereal journey that always swings and keeps the fire burning while keeping each note sensitive and meaningful. Cyrille's versatility here is a treat, as I'm used to hearing him mostly with Cecil Taylor, and his bubbling, bopping percussion is exemplary. The photo of Walt's "queen" on the cover sets the tone for this marvelous journey.
 
Steve Lacy Axieme Vol. 1
Steve Lacy

Axieme Vol. 1
Red Record VPO 120 1977

All Enchanting Audio Artifacts Considered

Posted by Rick Frystak, October 2, 2011 01:02pm | Post a Comment
Hear Ye, Hear Ye!  Welcome to The Choice Bin, where only thee most "choice" long-play records traded in over our magnificent buy counter in Hollyweird are considered and discussed as art and a most logical slab of entertainment and inspiration. Now and again a noteworthy compact disc or book will slide across the buy counter, blip my radar and fall into my orbit, but it's 2011, so O.K.  I'll be your host as we ponder the spectacular and the insane. And if we're really fortunate, and nobody's glommed the goods, most of these gems will be available in Amoeba's "Buy Stuff" section, 'cuz after all....we're also a store! Follow the linkage...

Michel Redolfi Sonic Waters
Michel Redolfi

Sonic Waters
Hat Art 2002
(2-LP)


Mr. Michel Redolfii is, among other things, an architect of wondrous underwater acoustic installations...sometimes pools, sometimes oceans. This is a 2-LP set on the Swiss Hat Art label in a sweet little cardboard box package with lots of notes that documents Michel's electronic compositions done on a Synclavier II in the studio, and then being performed in a heated pool and in an underwater aquatic parks. The studio recordings are broadcast under the water through underwater speakers, while hydrophone mics pick up the transformation through the liquid medium, and it's natural mixing with underwater natural sounds. The stuff is eerie, gelatinous sonic stew that totally delights me with every listen. He calls it an "aerodynamic and amphibian" music. Indeed, Sire!

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