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Local Stuff: Best Coast/Iggy Pop, Poolside, IO Echo

Posted by Billy Gil, July 6, 2012 11:12am | Post a Comment
Best Coast & Iggy Pop - "Let's Boot and Rally"
 
Insane amount of Best Coast happenings. First there was her not one, but two Fleetwood Mac covers, “Storms” and “Rhiannon,” the latter on an upcoming F-Mac tribute album, Just Tell Me That You Want Me, and now she’s teaming with Iggy Pop on a cool song for “True Blood.” It premieres on this Sunday’s episode of “True Blood,” and you can hear it now via KCRW, whose Gary Calamar co-wrote the song, as music supervisor for the show. Hopefully it makes it onto a “True Blood” soundtrack, I love the song, it sounds like X at their most rockabilly.
 







 

Poolside Album preview

 
L.A. duo Poolside continue to drum up buzz for their upcoming full-length album, Pacific Standard Time. Right now it’s streaming from our friends at KCRW ‘till July 16. After that you’ll have to wait a bit to pick up a physical copy of the disc. For now, enjoy the sweet sounds of this proggy, sunny electro duo’s music with a cocktail. Something blue, maybe with a tiny umbrella.
 








IO Echo – “When the Lillies Die” video

 
It’s absurd, how many great indie pop acts there are from L.A. right now: the aforementioned Poolsdie, Haim, Kitten, and IO Echo, a duo that combines a variety of influences — Asian-inspired melodies and instrumentation, shoegaze aesthetics and pop vocals — into something very cohesive and enjoyable. It’s a nice reminder of how small changes to a familiar and beloved sound (reverby indie rock) can yield awesome results. Their debut album, Ministry of Love, comes out Sept. 11 on IAMSOUND.
 

 

Shows picks this weekend:
 
Friday: Bass Drum of Death, DZ Deathrays, Pangea @The Echo (8:30 p.m., $10)
 
Saturday: Mates of State, The Stepkids, New Life @The Echo (5 p.m., $13, Pick up tickets at Amoeba!)
 
Sunday: Part Time Punks Darkwave Night with The KVB, Deathday, DVA Damas @The Echo (10 p.m., $8, basically just move to the Echo this weekend)

Local Stuff: Videos From Poolside, Best Coast, Kitten

Posted by Billy Gil, June 15, 2012 11:30am | Post a Comment

Poolside – “Slowdown”
 
(Sally Struthers voice) Do you like watching scrawny L.A. hipsters swim and sing catchy tunes that sound like hip-hop without the rapping? Sure, we all do.
 
Poolside’s big summer single bowed yesterday on Pitchfork, along with its trashy summer vibes video. This thing was made to soundtrack the Ace and Standard hotels, all easy beats and lush synth hooks. Scoff if you must; this sort of thing is rarely done as well as it is here. Their nicely titled Pacific Standard Time album comes out July 9.




Best Coast – "The Only Place" video and KCRW performance
 

Best Coast
debuted a super cute video for “The Only Place,” from the album of the same name, this week where Bethany Cosentino and Bobb Bruno run around L.A. and give viewers a tour of the “real” L.A.: tacky souvenir shops, backyard pools, bikes, our gross but awesome river. And lots of Bobb! It’s as sweetly low-key and breezy as the song.
 







 
 
Also, Best Coast had an awesome Morning Becomes Eclectic performance this week, really displaying Cosentino’s growth in confidence with her voice, particularly on their cover of Fleetwood Mac’s “Storms” from Tusk, which I coincidentally picked up on vinyl yesterday.

 
Kitten – “Cut it Out” video
 

A couple of weeks ago, I talked about the awesomeness that is the shoegazey pop of L.A.’s Kitten an their single “Cut It Out,” from the forthcoming EP of the same name, due Aug. 28. Kitten and singer Chloe Chaidez vibe Britney Spears and My Bloody Valentine with equal glee, sort of along the same lines as School of Seven Bells. Now they’ve got a video for it that reminds me of somewhere between Smashing Pumpkins “1979” and Jimmy Eat World’s “The Middle.”
 




 
Shows This Weekend:
 
Friday: Tonight’s a tie! Either Jesus and Mary Chain at Hollywood Park ($10 before 8:30, $20 after) or Japandroids at the Echoplex (8:30, $13-15). Really can’t go wrong either way.

Saturday: Make Music Pasadena — it’s free, it’s all ages, it’s all day and features Grimes, Cults, The Chain Gang of 1974, and locals like Dam-Funk (see photos of his Amoeba DJ set), Electric Guest, Dengue Fever, Grouplove, So Many Wizards, The Lonely Wild, NO, The Happy Hollows and more.
 
In the evening, there’s How to Dress Well at the Echo (6-10 p.m., $12-14)
 
Sunday: Part Time Punks at the Echo (10 p.m., $8-10) with RØSENKØPF, Bestial Mouths and Vex Ruffin

70's Pop/Rock Artist Bob Welch Departs this Life

Posted by Billyjam, June 8, 2012 11:40am | Post a Comment

Bob Welch "Ebony Eyes" (1978)

Is it just me or does it seem like the frequency with which we are losing artists has been rapidly increasing over the past year? It seems like every week word of some great musician who came to fame in the '60s, '70s, or '80s has passed on. The latest to add to that sad, long list is '70's rock artist Bob Welch, known for both his solo work and membership of Fleetwood Mac, who died yesterday at age 66. Unlike many of the other artists who have passed on recently due to natural causes, the singer/songwriter/guitarist whose career never quite reached its full potential, was the victim of a self-inflicted gunshot wound to the chest.  As one of my fellow WFMU DJs noted following this tragic news, Welch qualified as a "classic tortured shoulda-been left-behind '70s artist."

  Welch recorded some timeless pure pop-rock perfection, including his hits "Hot Love, Cold World,” “Precious Love,” "Sentimental Lady" (originally recorded with Fleetwood Mac but then later reworked by Bob Welch), and 1978's "Ebony Eyes" (video above), which would be the biggest hit of his career.  But despite all of the successes Welch enjoyed, he never really reached the level of appreciation he deserved. He was unfortunate in that he had split Fleetwood Mac before they became hugely popular and then, on top of this, his own solo career stagnated back in the '80s. The two post-Mac groups he formed, Paris and Avenue M, never really took off and, as accurately noted in today's LA Times, his "early contributions [to Fleetwood Mac] helped pave the way for the sound the band is celebrated for today." Welch rarely gets much credit for those contributions.

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Best Coast's Bethany Cosentino Talks 'The Only Place,' Dad Rock

Posted by Billy Gil, May 8, 2012 10:26am | Post a Comment
Best Coast's The Only Place comes out next week (pre-order from Amoeba here). Without spoiling it too much, I can say Bethany Cosentino, Bobb Bruno and producer Jon Brion have produced the album you hope for, with Cosentino's voice maturing markedly over gorgeous cleaned up sonics, while the lyrics retain the directness and charm that made Crazy For You so appealing. I spoke to Cosentino a bit about what went into making the album, and asked her to produce a list from her beloved "Dad Rock" genre, which she graciously did. (See Best Coast with Abe Vigoda at the Wiltern May 18!)

PST: How has the way the vocals are presented on record changed? Does the way that has changed have to do with confidence, or was it always an aesthetic choice?
 
Cosentino: The vocals are just more present and up front — which has a lot to do with confidence and me just learning how to use my voice in other ways. Singing on stage every night for the last three years has given me the confidence to sing differently, and I wanted that growth to be showcased n this album. I’m a singer — that’s what I’ve always been, and I want people to hear that.
 
PST: “The Only Place” (download free from Amoeba) to me sounds like what I want to hear when I cross the state line into California. It has a similar vibe to a number of California songs but I think feels more L.A. specific because of its punkier feel, kind of like a fantasy of California mixed with the real thing. What was the goal with that song?
 
Cosentino: I wanted to write an homage to this place that makes me so happy and relaxed and I wanted to make other people feel the love I have for California. In a way too, I wanted To write a song that would make people be like “whoa wait — California seems awesome.” I’m trying to get the state tourism board to accept it as the new CA anthem!
 
PST: “Dreaming My Life Away” sounded really cool and different in its earlier version, sort of more overtly melancholy and somber than some other Best Coast songs. How does the new recording change things?
 
Cosentino: It has a pretty creepy feel to it, almost like David Lynch or something. The original recording had the same sort of feel, I just think the new recording includes a few new elements and sounds better than the first because it’s sonically better and my singing is stronger.
 
PST: What influences did you tap into on this record that you think are new influences or you didn’t tap into as much before?
 
Cosentino: I listened to a lot of Fleetwood Mac while making this record, and though they were a band that I loved while recording Crazy For You, I don’t think the influence was very obvious. It might be a bit more on this record. I also just got really inspired by female vocalists, and I used those influences to sing to he best of my abilities.
 
PST: You stayed as a three-person live band sans bass for a long time but recently switched to a four-piece and worked with orchestral pop maestro Jon Brion. Was that important to keep Best Coast as its original form for as long as you could? How do you think you’ll continue to expand upon what Best Coast means, either live or on record?
 
Cosentino: We stayed as a three piece because we didn’t have time to add another live member — we literally toured for two years straight, and we knew we wanted a bass player, we just were like — when the fuck are we going to find the time to do this? When we went in to record the new record, we wanted to change it up, and we had the time to put together a new line up and we wanted to have a stronger live show, so we worked on that a lot. The band all always be Bobb and myself — we will never add another permanent members. That’s something we agreed upon from the start.
 
PST: Speaking of Jon Brion, he certainly makes the list of producers (like Steve Albini, Alan Moulder, Dave Fridman etc.) who really make their presence felt on a record. How did you balance what he brought to the record with your own style?
 
Cosentino: Jon didn’t want his fingerprint on this record — he didn’t want it to sound like a Jon Brion record — he just wanted to make a Best Coast record with a more sonically enhanced sound, and I think that’s exactly what he did.
 
PST: Would you consider making us either a list of songs or top 10 albums of your favorite Dad Rock?
 
"Dust in the Wind" - Kansas (from the album Point of Know Return)











eagles one of these nights"Lyin' Eyes" - The Eagles (from the album One of These Nights)











steely dan gaucho"Hey Nineteen" - Steely Dan (from the album Gaucho)











fleetwood mac rumours"Go Your Own Way" - Fleetwood Mac (from the album Rumours)











saturday night fever"How Deep is Your Love" - The Bee Gees (from the Saturday Night Fever soundtrack)










"Sister Golden Hair" - America (from the album Hearts)











bob welch french kiss"Sentimental Lady" - Bob Welch (from the album French Kiss)











boston don't look back"A Man I'll Never Be" - Boston (from the album Don't Look Back)











bruce springsteen born in the usa"Born in the USA" - Bruce Springsteen (from the album Born in the USA)











"Right Down the Line" - Gerry Rafferty (from the album City to City)

Races Release EP, Play the Echo

Posted by Billy Gil, November 14, 2011 04:17pm | Post a Comment

Races: Lucas Ventura, Devo Higgins, Wade Ryff, Breanna Wood, Oliver Hild and Garth Herberg. Photo by Bryan Sheffield.

L.A.'s Races will release their Big Broom EP tomorrow on Frenchkiss Records. To commemorate that release, they'll play the Echo tonight at 10 p.m. with dark dancers The Chain Gang of 1974 (as part of their November residency there) and Polaris at Noon — the show starts at 8:30 and it's free.

Atmospheric rockers Races played their first show just two years ago in October of 2009, haphazardly assembled from friends playing in other bands, and already have drawn a following with their big sound, built from the ground up by six members playing smoothed out classic rock licks with a gentle percussive roll and Asiatic synthesizers, something like an indie-minded update of Fleetwood Mac's hevenly pop.

Frontman Wade Ryff, whose warm vocals wrap his songs like a wool sweater, said he'd been frustrated with trying to fit his songs into other bands and spoke with his friend, guitarist Garth Herberg, about forming a one-off band. The band now features Devon Lee on vocals/percussion, Breanna Wood on piano/vocals, Oliver Hild on bass/moog and Lucas Ventura on drums/percussion.

“I think we all sensed that there was something really special there and we just kept playing together because it felt good.,” Ryff said.

With so many members in one band spread across our great city — in Mt. Washington, in Chino Hills, in the Valley — it can be tricky to find all of Races in one place. The band members also keep busy in other projects, with Ryff, Herberk and Ventura backing up bands like Peter and the Wolf as a rhythm section, for example. But this is very much a locals' band, working with local label Jaxart and playing in and around Echo Park often. Ryff said his favorite local spots are Stories “because its one of the few coffee shops where you can still smoke on the patio, Tribal Cafe for the juices, Prado for the babes, and the portabello mushrooms at Elf are off the chain.”

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