Amoeblog

Noir City 15: The Big Knockover, January 20-29

Posted by The Bay Area Crew, December 28, 2016 07:06pm | Post a Comment
Noir City

The Film Noir Foundation's world-famous and fabulous yearly NOIR CITY film festival returns to San Asphalt JungleFrancisco's legendary Castro Theatre for its 15th year anniversary, January 20-29. This year's theme is "The Big Knockover" and the fest delivers 24 exceptional films ranging from the late-1940s to today and from all parts of the globe. That's almost 70 years of heists, hold-ups, and schemes gone wrong.

NOIR CITY 15's lineup explores the desperate lengths to which people will go to beat the system and hit the big time, charting a veritable history of the heist film from black & white Hollywood classics such as Criss Cross (1949) and The Asphalt Jungle (1950) to stunning contemporary thrillers like El Aura (2005) and Victoria (2015).

"This year's focus on heist movies provides the perfect opportunity to venture beyond the 1940s and '50s to show how noir has expanded and transformed over the decades," said NOIR CITY festival producer and host, Eddie Muller. "To me, it's one of the most exciting programs we've ever done. The movies are terrific individually, but viewed as a 66-year chronological storyline, this program is a uniquely powerful experience."

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Top 10 Horror and Exploitation Blu-rays of 2016

Posted by The Bay Area Crew, December 26, 2016 05:24pm | Post a Comment

by Gabriel Wheeler

Most of us live in world where we can stream movies 24/7, but there are still quite a few of us who want physical copies of our favorite films, whether it’s for the artwork or the inclusion of extras like commentary, alternate cuts, behind-the-scenes photos, and more. Many amazing horror and exploitation movies found their way to Blu-ray this year, so without further ado here are my top 10 sleazy and scary Blu-rays for 2016.


Blood Father10. Blood Father (2016. Jean-Francois Richet. Lionsgate Films)

This is the only movie on the list that actually hit theaters in 2016. Mel Gibson plays John Link, an ex-biker on parole who runs a tattoo parlor out of his trailer in the desert. Out of the blue, his missing daughter gives him a call asking for money and so begins their high-octane journey full of mayhem. This is the ultimate dad film mixing elements of Breaking Bad and Mad Max. Also available on DVD.


 

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Korla Pandit, the Grand Mogul of Exotica

Posted by The Bay Area Crew, December 20, 2016 05:59pm | Post a Comment

Korla Pandit

By Kai Wada Roath
Ambassador of Confusion Hill and host of the Super Shangri-La Show

Kai and Korla
The author, relaxing.

"For wisdom is better than rubies, and all things to be desired are not to be compared unto it. We bring you musical gems from near and far, blended into a pattern of glorious harmony."
~ Opening monologue of Korla Pandit's Adventures In Music television show

Are you still seeking for that magical present for your favorite Auntie Zuki-Neenee? Well, seek no further, for your quest triumphantly ends here! And the gift you ask? The newly-released documentary Korla on DVD!

Directed by folk art lover John Turner and produced by Eric Christensen, this documentary takes you into the mysterious world and history of Korla Pandit (minus Korla's famous "couch-hopping" that's said he did with female fans in his later years...that ol' moochie suave smoothie). The two filmmakers even got August 20th to be officially recognized as Korla Pandit Day with a proclamation from the City of San Francisco back in 2015.

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The Jungle Echoes of Chaino

Posted by The Bay Area Crew, December 15, 2016 06:02pm | Post a Comment

Chaino, Jungle EchoesBy Kai Wada Roath
Ambassador of Confusion Hill and host of the Super Shangri-La Show


Are you planning your next loincloth-clad romping weekend in the Jungle Rock Room at the Madonna Inn but don't feel you have the right tunes for your portable record player? Are Martin Denny and Eden Ahbez just a tad too mellow for the primitive thoughts you have swirling in your mind? You have Frank Hunter’s White Goddess album already, but you need more raw, mating-ritual music? You need Chaino.

As the story goes, long ago in the Congo, there was a hidden tribe that possessed extraordinary mental and physical powers and could even communicate with the wild animals. Then one day, a nearby jealous and hostile tribe attacked the secret tribe’s village, killing everyone but one little boy named Chaino. Found and saved by a passing Chaino, Night of the Spectremissionary, Chaino was brought to the United States to be “educated” and it was discovered that he had percussion talents from beyond this world.

Practicing 17 hours a day, Chaino would soon master 7 drums at a time. Although it was said, that he was quiet and reserved away from his drums, his "savage" beginnings seemed to resurface when he would play his music, allowing his primitive spirit to project through his drums. This, my friends, is the story Omega Records tells you on the back of Chaino’s record.

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Shohei Imamura's "Vengeance is Mine"

Posted by The Bay Area Crew, December 13, 2016 01:22pm | Post a Comment

Vengeance Is MineBy Nazeeh Alghazawneh

At least once a month an elderly woman approaches me and tells me that I remind her of her son, either in the way that I look or because of my demeanor or simply because of my age. They’re very sweet and a little bit sad but most of all, full of nostalgia, which is always more sweet than sad until you think about it too much. They love to tell me about them. These mothers love to tell me about the love they have for their sons - an unconditional, boundless love that’s familiar and intimate at the same time but mostly uncomfortable. However, I nod my head and I listen because a heart is speaking to me and that’s the best thing about mothers: they always speak with their hearts.

It’s 1979 and Japanese New Wave director Shohei Imamura releases his first feature-length fiction film, Vengeance is Mine (available on DVD and Blu-ray), after a decade of making documentaries. For 140 minutes we’re introduced to Iwao Enokizu (played by Ken Ogata), a textbook sociopath with a penchant for murdering innocent people for reasons he couldn’t explain. Based on the real life serial killer Akira Nishiguchi, the film depicts the 78-day killing spree with faithful objectivity; Enokizu’s exploits aren’t glorified or celebrated, but they are fully realized. Imamura’s camera hangs low and aloof behind our protagonist, following him with that lecherous sense of dread and paranoia that a hunted murderer on the run probably feels. Ogata’s performance finesses a presence on the screen that is volatile, dripping with an anxiety that ultimately makes you feel uneasy, but dedicated to him nonetheless. The worst part is just how charming he is. It’s a concoction of Kit’s (Martin Sheen) aimless nonchalance from Terrence Malick’s Badlands and Bronson’s (Tom Hardy) gleeful desire for violence from Nicolas Winding Refn’s Bronson. Enokizu lacks any regard for anyone in his life, including himself, which appears to fuel his desire to kill; he seems to be angry that he’s even alive.

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