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Mdou Moctar: Desert Blues in Oakland, April 18

Posted by The Bay Area Crew, March 17, 2019 06:38pm | Post a Comment

Akounak: Purple Rain, Mdou Moctar

MATATU's Nomadic Cinema series continues with Mdou Moctar: Purple Rain on Thursday, April 18th at 7pmAkounak: Purple Rain, Mdou Moctar at Oakland's Red Bay Coffee, the largest Black specialty coffee roaster in the nation. Nigerien musician Mdou Moctar and his band perform following a screening of his film Akounak Tedalat Taha Tazoughai, also known as the Tuareg Purple Rain! This is his third appearance with MATATU, after two consecutive sold-out years. Get your tickets now!

The robust rock tradition among the Tuareg people — a Berber group with origins around the southern Sahara — has long been represented internationally by artists like Bombino and Tinariwen. Moctar, a singer-songwriter, offers a subtler, more intimate variation on their desert blues with his most recent albums Sousoume Tamachek and Blue Stage Sessions.

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Having A Movie Moment with Jon Longhi: Art & Zombies

Posted by The Bay Area Crew, March 5, 2019 07:30pm | Post a Comment

By Jon Longhi

Welcome to this month’s Having A Movie Moment With Jon Longhi, where I review recent Blu-ray releases. I figured I’d make things a little more highbrow this month, so I’m starting off with a recent Criterion Collection edition of a classic Orson Wells film:

The Magnificent Ambersons, Criterion Collection:
The Magnificent Ambersons is not a magnificent movie; it's a mediocre movie magnificently made. Orson Magnificent AmbersonsWells was such a genius that he could polish a turd even as weak as this script. As a result, we are just carried along from the beginning of the movie by one beautifully filmed and staged deep focus set piece after another. The cinematography is breathtaking and inventive and flawlessly sharp in this new Criterion Collection remaster. The only problem is that if you stop and think about the movie there isn't much "there" there. The whole thing comes off as the best filmed episode of Lifestyles Of The Rich And Famous. Wells was trying to create another definitive American myth of wealth and power but unlike his masterpiece Citizen Kane, the central characters of this film are just not that interesting or likable. The main protagonist George Amberson is especially unlikeable -he's really just a spoiled brat and a jerk. Kane at least had obsessions and demons that drove him to memorable scenes of pathos and drama, George Amberson on the other hand is just kind of a dick. The film follows the ups and downs of the Amberson clan, who were the richest family in Indianapolis, Indiana at the turn of the last century. Some of the most engaging scenes are where Wells examines the changing fashions and technology of those long gone times. After describing the city, the era, and the other family members, Wells focuses his attention on spoiled brat and only child George. Unlike the people around him, George is a hedonist with no goals in life. The only career he aspires to is "yachtsman." George treats everyone around him like shit and views money as an endless resource, but times change and fortunes fall. When things start to go bad, this clan of aristocrats are particularly unprepared for it.

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Having A Movie Moment with Jon Longhi: Two British Classics

Posted by The Bay Area Crew, February 19, 2019 07:35pm | Post a Comment

By Jon Longhi

Welcome to this month’s Having A Movie Moment With Jon Longhi, where I review recent Blu-ray releases. This month I look at two fantastic British films.

The Horror Of Dracula, Warner Archive:
There have been some nice recent releases of Hammer horror films and this is one of the best of them. The Horror of DraculaThis was the first of many vampire movies that Hammer produced and in many ways it is a template for the horror films that came after it. The Hammer dream crew worked on this: screenplay by Jimmy Sangster, produced by Anthony Hinds, and directed by Terence Fisher. These three men were behind the very best Hammer films. But it's the movie's two central stars, Peter Cushing and Christopher Lee, who really make this work. Their dynamic was at the core of Hammer's best films and anything that the two of them star in is worth watching.

When this was released in 1958, it was a huge commercial and critical success and, along with 1957's Curse Of Frankenstein, led to Hammer reinventing the classic Universal monsters in lurid modern technicolor. The plot of this sticks pretty close to Bram Stoker's original novel, but where it radically departs from the source material is in its tone. One of the most unsettling things about this movie is Terence Fisher's decision to portray vampirism as a sexualized form of addiction. The victims of Dracula are overcome with a lust where they can't wait for him to come each night and suck their blood, and the portrayals of this behavior are truly disturbing. Christopher Lee's acting is central to this vision; his Dracula can be handsome and charming or an unrelenting sexual predator whose frenzied hunger is almost animalistic. Other than possibly Bela Lugosi, I think that Christopher Lee is the best actor who has ever donned Dracula's cape. Peter Cushing is like the other half of the circle. His vulnerability and humanity are the perfect foil for Lee's undead villain. Watching the two of them playing off each other is pure pleasure. This film works on every level. Even the cinematography is marvelous with every scene soaked in rich gothic colors, which look fantastic in this hi-def remaster. If you have never watched a Hammer horror film, this is a perfect one to start with. It is one of the five best vampire movies ever made.

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Having A Movie Moment with Jon Longhi: The Genius of Dan Curtis

Posted by The Bay Area Crew, January 15, 2019 07:00pm | Post a Comment

By Jon Longhi

Welcome to this month’s Having A Movie Moment With Jon Longhi, where I review recent Blu-ray Trilogy of Terrorreleases. This month I review three movies created by the brilliant Dan Curtis.

Dan Curtis was one of the most successful director/producers in the history of television. History will always remember him as the creator of the long running TV show Dark Shadows but that was just one of many major achievements. He also produced and/or directed some of the biggest movies in the history of television. Three of these films just got deluxe Blu-ray releases. One of his two biggest films was Trilogy Of Terror, (Kino Lorber Studio Classics). This is a fun little horror flick but no one could have predicted that it would be one of the most watched TV movies of all time. It held the record until Roots was televised later that decade. The movie tells three horror stories that are connected by the main star of the film, the magnificent Karen Black. She pretty much makes this movie. She is the main character in all three vignettes and chews up the scenery so mightily that everyone else in the picture is little more than a bit player. In the first segment she plays a mousy professor exploited by a blackmailer, in the second she's a pair of polar opposite sisters, but it's her role in the third segment, "Amelia," that history will remember her for. "Amelia" is one of the best little horror movies ever made and it scared the viewing public to a degree that few could understand in this jaded day and age. Karen Black's portrayal of the vulnerable, psychologically fragile Amelia makes the horror she suffers even more visceral. The story is fairly simple and all takes place in one tiny apartment. Amelia finds a Zuni fetish doll in a second hand store and buys it as a gift for her anthropologist boyfriend. The doll comes with a curse and, when she gets back to her apartment, Amelia unwittingly brings it to life. What ensues is one of the scariest things I've ever seen on television. This segment really holds up even after all these years. It's tense, harrowing, and genuinely scary. Being attacked by a doll could easily have been laughable, but in Curtis's skilled hands the story becomes utterly terrifying. This was one of the most memorable movies of the seventies and it left an indelible mark on everyone who saw it.

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Noir City 17: Film Noir In The 1950s, January 25 - February 3

Posted by The Bay Area Crew, January 6, 2019 05:57pm | Post a Comment

Noir City 17, San Francisco

Dive into NOIR CITY 17 at San Francisco's historic Castro Theatre January 25-February 3 to Trappedexperience (through a lens, darkly) the 1950s -- a turbulent and transitional time in American history, culture, and cinema. Nothing would ever be the same. Film Noir Foundation president and the man known internationally as the "Czar of Noir," not to mention the host of Turner Classic Movies' popular weekly series Noir Alley, Eddie Muller, will once again lead audiences on a ten-night excursion through "Hollywood's only organic artistic movement." Strap in for danger, desire, and despair!

This year's program extends last year's chronological pairings of "A" and "B" from the 1940s into the 1950s, offering viewers a slate of films that track noir through the declining studio system and into a fresh cinematic landscape where noir was refashioned, both subtly and radically, for a new generation.

“I call it curated time-travel," says Muller. "We start out in the classic era at the peak of the noir movement and with each successive show we move relentlessly toward revolution—a 1960 double bill of Psycho and Breathless, two movies that effectively changed noir, and movies, forever.”

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