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Jill Tracy Performs Original Score for Nosferatu at SF's Presidio Officers' Club, 2/18

Posted by The Bay Area Crew, February 7, 2016 05:51pm | Post a Comment

Jill Tracy's Nosferatu

San Francisco-based singer, pianist, storyteller, and one-time featured Amoeba Music Homegrown Artist Jill Tracy at Amoeba San Francisco, 2010Jill Tracy brings her mesmerizing score for F.W. Murnau's silent German Expressionist classic Nosferatu, A Symphony of Horrors back to San Francisco with a live performance at the Presidio Officers' Club on February 18th. As part of the venue's Presidio Dialogues series, Jill Tracy will perform the score live with The Malcontent Orchestra during the screening of the haunting 1922 vampire masterpiece, preceded by a short musical set.

Murnau’s Nosferatu was the first screen adaptation of Bram Stoker's 1897 novel Dracula, but it was unfortunately also unauthorized. The Stoker estate sued for copyright infringement and won, thus ordering for the incineration of all existing prints. Luckily for film history and fans of vampires everywhere, a few copies had already been distributed worldwide.

There is no other composer and performer better suited to musically evoke the eerie sensuality of Nosferatu than Jill Tracy. This event is one night only, FREE, and seats are limited, so make your reservations now HERE!

Classic Monster Movie Week with "Jack Pierce: The Man Who Made Monsters" at Balboa Theatre in SF

Posted by The Bay Area Crew, October 1, 2015 01:43pm | Post a Comment

Jack Pierce, FrankensteinCelebrate the month of October with a week full of classic Universal horror movies at Balboa Theatre, from Friday, October 2nd through Thursday, October 8th. Frankenstein, his Bride, the Wolf Man, Dracula...they'll all be there.

But have you ever wondered who gave these classic monsters their winning good looks? Who sculpted Boris Karloff's architectural forehead for Frankenstein? Who designed the widow's peak on Bela Lugosi's Dracula? Who glued yak hair to Lon Chaney, Jr.'s face for The Wolf Man? That man was renown make-up artists Jack Pierce (1889 – 1968), a Greek immigrant who changed the face of horror forever. Catch the new documentary about Pierce, El Cerrito filmmaker Strephon Taylor's Jack Pierce: The Man Who Made Monsters, at the Balboa along with his classic works he's is most known for.

Bring in an Amoeba Music receipt for any purchase made during October 2015 to the Balboa Theatre for these monster screenings and get a FREE popcorn!

Tickets/info.

Jack Pierce, Balboa Theatre

Coming Soon

Posted by phil blankenship, November 17, 2008 04:33pm | Post a Comment
Universal Pictures Coming Soon  Coming Soon Narrated by Jamie Lee Curtis

Coming Soon with Dracula, Frankenstein & the Mummy

Coming Soon plot synopsis

MCA Home Video 55126

Terror en Pointe: Maddin's Dracula proves that holiday ballet is not just for Christmas anymore!

Posted by Kelly S. Osato, October 31, 2008 11:43am | Post a Comment
Zhang Wei Quiang and Tara Birtwistle in Guy Maddin's Dracula
Last year, for a few nights before Halloween, my roommate and I enjoyed a brief, Dracula themed movie marathon. Nested on the saggy couch in our 100 year old Chinatown flat, the two of us watched Dracula after bloody Dracula, eventually lighting on a few nuggets of pure entertainment delight. By the end of our brief waltz through several cinematic portrayals of Transylvania we discovered that we'd yet to hear a satisfactory soundtrack to F.W. Murnau's silent and beautiful Nosferatu (we alternated between two musical interpretations that were ultimately disappointing), that we loved the excellent extras that accompany the recent, two disc reissue of Francis Ford Coppola's heady and deeply symbolic Bram Stoker's Dracula (the mini-doc about the in-camera, naive effects employed in the film making is absolutely amazing), and that we sat awestruck in front of the TV while a brilliant collaboration between Canada's Royal Winnipeg Ballet and Canadian cult director Guy Maddin tantalized our eyes with their film Dracula: Pages From A Virgin's Diary (a marriage of said ballet's interpretation of Dracula and Maddin's singular, super-charged visual style). I have seen and loved many dance movies, but this has to be one of mguy maddin's draculay very all time favorites because the dancing is more than just a part of the film, it is the film! Add to this the touch of Maddin's hand and I swoon like Lucy ready to receive her eternal kiss. It's that entrancing.

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Happy Halloween!!!

Posted by Mr. Chadwick, October 31, 2008 10:15am | Post a Comment
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