Amoeblog

What We're Doing With What They've Done: Amoeba's "Vinyl Vaults"

Posted by Rick Frystak, April 28, 2013 07:15pm | Post a Comment

If you don't already know, we here at Amoeba are very much underway with our monumental archiving project for our website Amoeba.com, simply called the "Vinyl Vaults". It's a really spectacular beginning to what is and will be a huge undertaking in offering to the public digital transfers of the most remarkable older, oblique and hard to find works of creative peoples around the globe throughout the history of recording. I myself, am curating a large part of this, and have been very excitedly pulling out many, many unique pieces of vinyl out of the used LP buys that we take in at Amoeba's buying counters, and sending them into the ether (ie,our great team) to be archived and considered for sale on Amoeba.com. Our sound team takes these copies of the LPs, 7" singles and 78 rpm discs and digitizes them via ProTools, into 24-bit files, and then make mp3, mp4 and 16 bit .wav files (CD quality) from the 24-bit master and split up the sides into tracks for folks to download. We sometimes offer of the highest resolution 24-bit file as well for a certain title. And in many cases the original LP or 78 or 45 we used to digitize the sides is available right there next to the download. 


How do I decide what we save to digitize and offer to the public as I go through all these LPs? The records almost speak to me as I sift over the aquisitions we've purchased in the collections we buy. If I don't  know the record, I'll see the look of the cover, the paper texture, and the era of manufacture as the first things revealed. Even the weight and smell of the "thing". Exotic LPs have a feel to them, a way they communicate to the holder that they are something interesting, distinctly special, and a thing to be investigated further. If you've held a phonograph record in your hands  you know what I mean. Often the packaging will tell me what's inside, but how many records say "vocals" or "guitar" or "piano", and yet how different can all these records be? The actual sound on the disc is an exciting mystery of immense promise before I hear it. So then, to play a little bit, I "needle-drop" (sample bits of) so many records in a day. And it just so happens that Amoeba offers 1 1/2 minutes of free sample listening for all the records' songs, so this is comparable to how I listen to potential pieces for the Vaults. Once chosen, a disc will undergo a discerning ear's analysis and judgement for condition, and a little research to see if folks already know about this record. Ultimately, the bliss of finding a transcendent musical performance by a deceased or obscure artist or on a long-defunct label is intoxicating. And to think that others can later enjoy these provocative sounds via the "Vinyl Vaults"  is exhilarating.

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10 Records You May Have Missed in 2012

Posted by Billy Gil, January 11, 2013 01:39pm | Post a Comment

We’ve already done our fair share of end-of-the-year lists, but with all the hooplah about Kendrick Lamar this and Beach House that, we were bound to miss a few records that some of us really loved. Below are 10 you can download from Amoeba.com.

 

Iris Dement - Sing The Delta

$9.98

Dement’s woozy voice and salt-of-the-earth lyrics have please roots country fans for years, and in 2012 she released one of her best collections yet, Sing the Delta. She can sing a blues ballad to break your heart (“Before the Colors Fade”) or a rollicking country rocker (“The Night I Learned How Not to Pray”) with equal ease, her voice carrying a remarkable tone that pierces through like a biting wind chill.

 

 

 

 

Bobby Womack - The Bravest Man In The Universe

$9.98

Former Blur and Gorillaz frontman Damon Albarn produced this welcome return from soul legend Bobby Womack, not treating him overly reverentially but instead offering here-and-now electro-blues soundscapes for Womack’s voice, wizened yet raw after years of tribulations, to scrawl his memories over. A duet with Lana Del Rey (“Dayglo Reflection”) comes off better than anyone could have hoped. Womack is at his best on the bold title track and rave-up “Jubilee (Don’t Let Nobody Turn You Around).” Watch a teaser of our interview with Bobby Womack below; see the full interview here.

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