Amoeblog

New "What's In My Bag?" Episode with Shannon Shaw

Posted by Amoebite, February 5, 2019 03:22pm | Post a Comment

Shannon Shaw - What's In My Bag? - Amoeba Music

We were delighted to have Bay Area indie/garage artist Shannon Shaw visit Amoeba Hollywood recently to talk about some of her current musical interests and a few of the records that shaped her tastes in our latest What's In My Bag? episode. "I found a box of tapes that changed my life," she told us. Among those beloved tapes were an OMD album, '80s skate thrash, and the oldies compilations Cruisin' that feature old radio DJ interludes. Having found an LP of Cruisin' 1960 at Amoeba, she waxed nostalgic about obsessively listening to those tapes for two years. "I feel privy to a slice of life that I missed." 

Shannon Shaw is a founding member of the eponymous Shannon and the Clams. After bassist/vocalist Shaw met guitarist Cody Blanchard at California College of the Arts in the late '00s, the Shannon In Nashvilleduo began performing their signature hybrid of classic garage, doo-wop, and old school R&B. The band's current lineup solidified with the recruitment of keyboardist Will Sprott and drummer Nate Mahan. The group's debut album, I Wanna Go Home, was released in 2009. Sleep Talk followed in 2011. Next came Dreams in the Rat House (2013), Gone by the Dawn (2015), and Onion (2018), which was produced by Dan Auerbach for his Easy Eye Sound label.

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Best of 2018: Kelly's Top 5 Picks

Posted by Kells, December 31, 2018 03:35pm | Post a Comment
Kelly Rowland ‎Kelly song single destiny's child
It's that time of year again—the end! But before I dive into my five faves of 2018, I'd like to briefly salute Destiny's Child Kelly Rowland's new single "Kelly" for adding some much needed beef to the existing "Kelly" songs menu. It's a shameless strut of an anthem that blows the hatches off Air's sweetly space-crafted "Kelly Watch the Stars" and stomps the throat of Woody from Cheers' dopey "The Kelly Song". But for all it's sass (and "ass"), Rowland's "Kelly" can't surpass the scandalous charm of Del Shannon's wistfully two-timing "Kelly", not by my reckoning anyway. That's just this Kelly's opinion though, and, no matter what, it is good to know that that Kelly's "got flex", et cetera. In other words, i.e. her own words, "go Kelly go—go, go Kelly go"! 
 
Read on for more of this Kelly's opinions re: top five records of 2018, it's been one helluva year...

dick stusso in heaven hardly art best of 2018 roadhouse rock saloon country
BEST DAMN RECORD
Dick Stusso - In Heaven
(Hardly Art)

Best of 2016: Kelly's Personal Picks (now with more cat)!

Posted by Kells, December 31, 2016 02:18pm | Post a Comment
best of 2016 vinyl tony molina egyptian lover blonde redhead tele novella violent change dick stusso dry spells the she's bandit beyonce solange baskets twin peaks eden ahbez
Looking back at 2016, it was a good year for music, if for nothing else. If you're reading this—hey!—you survived the ride. How did you do it? Was it the music? Without a doubt, music has saved my life, or at least my mood, as often as once a day (very probably) over this past year and for that I am thankful (most definitely). Here follows a little list of personal favorites that really came through for me in 2016. My cat may be in some of these pictures...

tony molina confront the truth 45 slumberland
Tony Molina
- Confront the Truth
(Slumberland)

I never know what to expect from Tony Molina, aside from hella Bay Area bombast and great short songs, and Confront the Truth further confused matters for me (save for the short songs tip) in the best way possible. This lovely 45 is brimming with just the sort of comfortably spun, little-bit-country/little bit folk 'n roll melodies I like. It can also be said that it's brimming with conspicuous influences, namely bits n' bobs reminiscent of The Beatles, Elliott Smith, and perhaps even a little early Skynyrd (think "The Seasons"). Nevertheless, it's easy to appreciate the truth of Molina's heartfelt songwriting and superb ability to navigate a softer power as he coaxes and bends his strums and twangs 'til the bitter end on this ten-ish minutes long, eight song confrontation. Or 'til the bittersweet end, as the cherry on top is a loving cover of Thin Lizzy's wistful instrumental "Banshee" rounding out the record like a would-be bonus track. Altogether a perfect example of how beautifully moving even the most fleeting music can be.

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