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Peter Murphy Residency at The Chapel in San Francisco

Posted by The Bay Area Crew, February 24, 2019 06:24pm | Post a Comment

Peter Murphy at Amoeba SF

Amoeba Music, (((folkYEAH!))), and The Chapel proudly present a unique career-spanning residency Peter Murphy San Francisco Residencywith the “Godfather of Goth,” Peter Murphy, at San Francisco's The Chapel, March 5th through March 27th! Murphy will join SF audiences for 14 nights and 17 shows, performing legendary albums in their entirety from throughout his career.

First emerging from the British underground in the late '70s, Murphy (along with bandmates Daniel Ash, David J, and Kevin Haskins) fronted the groundbreaking, iconic post-punk band Bauhaus, which spawned four seminal albums as well as keystone singles “She's In Parties,” "Silent Hedges,” and, of course, "Bela Lugosi’s Dead," before disbanding in 1983. Murphy launched a successful solo career with Should the World Fail to Fall Apart in 1986. 

Three of these soon-to-be legendary shows (3/21-3/23) will be all-Bauhaus sets featuring special guest David J, and the last two shows (3/26 & 3/27) are tributes to David Bowie.

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Beatles or Stones?... or Goth-Pop Beatles Covers!?

Posted by Aaron Detroit, September 5, 2009 12:50am | Post a Comment

Beatles Or Stones?” I’m one of those people who is definitely more Rolling Stones than Beatles. That’s not to say there aren’t Fab Four songs or albums I enjoy or even adore (White Album!), but The Stones suit my tastes and aesthetic preferences in music and art much more. The Stones have a classically debaucherous mythos attached to them and their vibe was always darker, nastier and convincingly Satanic compared to their Liverpool rivals.  True: The Beatles certainly had their more nefarious moments (“Helter Skelter,” “Happiness is a Warm Gun,” The Butcher Cover and Aleister Crowley's appeance on the Sgt, Peppers' album sleeve), but I’m definitely more “Paint It Black” than “Good Day Sunshine.”

However, some people still believe The Beatles held the keys to the infernal gates of Hell. Certainly several of my teenage Goth-Pop icons saw a dark thread in the Beatles' work (or maybe it was just their genius for unforgettable melodies – those do help bands cross-over!) Siouxsie Sioux’s devotion to the Fab Four turned out two great covers; first, an incendiary and punked-out “Helter Skelter” on the Banshees’ 1978 debut Scream:



...and the band scored one of their biggest International hits with their lush 1983 reading of “Dear Prudence.”


Banshees’ contemporary Daniel Ash (Bauhaus/Tones on Tail/Love & Rockets) displayed his shine for John, Paul, George and Ringo via a (now somewhat-dated) cover of “Day Tripper” on his 1991 solo album, Coming Down.