Amoeblog

Sunken Continent Mental Vacation Needed

Posted by The Bay Area Crew, January 31, 2019 06:05pm | Post a Comment

By Kai Wada Roath
Ambassador of Confusion Hill and host of the Super Shangri-La Show

"Knowing her fate, Atlantis sent out ships to all corners of the Earth,
On board were the Twelve: The poet, the physician, the farmer, the scientist,
the magician and the other so-called Gods of our legends.
Though Gods they were...
And as the elders of our time choose to remain blind,
Let us rejoice and let us sing and dance and ring in the new...Hail Atlantis!"
~ Donovan, "Atlantis," 1968

Were you too thwacking the side of your head to get the salt water and crummy dialogue out of your brain after seeing the new DC AquaDude movie? Good grief, give me a 1966 Marvel Sub-Mariner cartoon on VHS any day over that overload of computer-graphic garbage...for nothing beats the fear of being trapped in the Quagmire of Doom!

Not to mention, the fear of being killed by a giant man-eating clam, much like the lyrics to "Leah," my favorite Roy Orbison song.



Like many, my first introductions to Atlantis as a kid were from watching In Search of with Leonard Warlords of AtlantisNimoy and Arthur C. Clarke giving his theory on the lost continent while twirling a rainbow parasol and strolling on a beach in Sri Lanka. It was not till I was in my mid-20's that I discovered such breathtakingly "beautiful" films as Beyond Atlantis (1973), The Giant of Metropolis (1961), Warlords of Atlantis (1978), and the George Pal classic Atlantis, the Lost Continent (1961) with the menacing Giant Death-Ray Crystal! Mind you, what takes my breath away may just give you bad breath...but it's worth it, much like chewing on Riley's delicious Jalapeno beef jerky.

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Something Weird This Way Comes

Posted by The Bay Area Crew, December 30, 2018 04:45pm | Post a Comment

Something Weird's Greatest HitsBy Kai Wada Roath
Ambassador of Confusion Hill and host of the Super Shangri-La Show

 "Don't tell me you believe those ridiculous stories about evil spirits and witch doctors that turn themselves into giant alligators and all that rubbish"

"I'm sorry but I'm afraid I do."

~ from Death Curse of Tartu, 1966

Do you remember your body being possessed by a "Dancing Demon" in your living room after the first time you heard "Pass the Hatchet" by Roger and the Gypsies on a Las Vegas Grind LP? This is the same feeling my body parts got when I first heard Syd Dale's "The Hell Raisers" on Something Weird's Greatest Hits double LP.



Death Curse of TartuSince the early 1990's, Something Weird has been re-releasing such delightful bottom-shelf flicks as Blood Feast, Night of the Bloody Apes, Nude on the Moon, and one of my personal favorites, Death Curse of Tartu, in which some unthoughtful students have a dance party on the burial site of an ancient Indian medicine man who gets steaming mad and returns from the beyond for revenge!

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New "What's In My Bag?" Episode with Waxwork Records Co-Founder Kevin Bergeron

Posted by Amoebite, November 19, 2018 05:46pm | Post a Comment

Kevin Bergeron - What's In My Bag? - Amoeba Music

We were pleased to sit down with Waxwork Records co-founder Kevin Bergeron at Amoeba Hollywood and check out his latest record finds. Since his label specializes in reissues of cult flicks, Bergeron couldn't help but recommend a couple of recent soundtracks, including the score to Good Time, by Oneohtrix Point Never. "I recently just found out about this composer," he told us. "I'm really impressed with people that can make an album like this...(and it's just one dude) because it's really, really good and really dynamic." It wasn't all soundtracks though for Bergeron, who had an eclectic collection of electronic, industrial, and punk records, making for a fun and educational What's In My Bag?

In 2013, Kevin Bergeron co-founded Waxwork Records with Suzy Soto. Fans of cult films and long-forgotten soundtracks, Bergeron and Soto launched the label to bring quality vinyl reissues of classic Waxwork Recordshorror scores as well as commercially unavailable, little-known finds to a loyal audience of collectors. The label's first release was the Re-Animator soundtrack; it set the template for the Waxwork Records approach, which involves giving each release the fancy reissue treatment, with recordings sourced from the original master tapes, liner notes from influential figures involved with the film, and new artwork from contemporary artists. 

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