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New "What's In My Bag?" Episode with The Brian Jonestown Massacre

Posted by Amoebite, February 20, 2017 06:20pm | Post a Comment

The Brian Jonestown Massacre What's In My Bag? Amoeba Music

Been recording a lot of flutes in the studio lately? Well Anton Newcombe of The Brian Jonestown Massacre has just the right record for you: The Best of Herbie Mann. "When I'm in the studio, producing people, recording people, and I say, 'I would like you to be very free on this part,' this is a good example," says Newcombe of the LP. "He's just soloing, endlessly, in a very, like, hippie way." Newcombe's wry exuberance and seeming irreverence were on full display on his recent trip to Amoeba San Francisco, where he was looking for records to listen to around his studio in Berlin. Needless to say, his visit made for an entertaining "What's In My Bag?" episode.

The Brian Jonestown Massacre Third World PyramidThe Brian Jonestown Massacre was founded in San Francisco by American multi-instrumentalist Newcombe, and although their early sound was rooted in shoegaze, the band quickly became known for their hybrid of psych and garage rock. Their first release was 1993's limited run LP Spacegirl and Other Favorites; its follow-up, Methodrone, received a wider release courtesy of Bomp! Records. In 1996, the Brian Jonestown Massacre released a slew of well-received albums, including Their Satanic Majesties' Second Request, Take It from the Man!, and Thank God for Mental Illness. A year later the band put out a sixth studio LP, Give It Back!Footage from the album's recording sessions was included in the 2004 documentary Dig!.

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Stream Record Store Day 2015 Releases Before They Come Out

Posted by Billy Gil, April 15, 2015 07:31pm | Post a Comment

Record Store Day is happening April 18, with more than 500 exclusive and first-run releases coming out that day. Ahead of RSD, you can stream some of those releases now.

Johnny Marr – “I Feel You” (Depeche Mode cover)

johnny marr i feel you record store day depeche modeOK, breathe, ’80s rock fans: Former Smiths guitarist Johnny Marr has covered Depeche Mode’s bluesy 1993 single “I Feel You” for a limited-edition RSD 7”. It’s backed by (breathe again) a live cover of The Smiths’ “Please, Please, Please Let Me Get What I Want.” Stream it via Slicing Up Eyeballs.

 

Anton Newcombe and Tess Parks – “Cocaine Cat”

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TAMBOURINE MAN: Interview with Joel Gion of The Brian Jonestown Massacre

Posted by Joe Goldmark, October 12, 2011 01:50pm | Post a Comment
The VinylBeat expands its focus this week to present a fun interview with Amoeba’s own Joel Gion, tambourine man with The Brian Jonestown Massacre.  Joel hips us to the good, the bad, and the ugly in the world of tambourines as he shares his collection with us.  Enjoy. 



To check out extensive LP label and price guides, head to the Vinyl Beat website!

Kick Out the Tambs: An 'Extended Play' Interview with Joel Gion!

Posted by Kelly Sweeney Osato, May 5, 2011 12:30pm | Post a Comment
joel gion interview extended play solo record brian jonestown massacre tambourine
Although I can say I knew Joel Gion before I knew he was famous, his stardom seems so effortless and fitting that it never ceases to surprise me; he wears it so well. His recent solo release, Extended Play, further showcases his charisma and psychedelic savoir-faire above and beyond a warm "San Francisco Nights" degree. I caught up with him recently to chat about the new jams, future plans and his adventures as a modern tambourine man.
joel gion interview extended play solo record brian jonestown massacre tambourine
How long was this record in the making? Have you been sitting on these tunes for long?

Joel Gion: I started writing for this in 2009, but recording was off and on because there was a lot of Brian Jonestown Massacre touring in that year and the year after. Originally I was going to do a full length album, then I wanted to do four 7 inch singles over the course of the year, but in the end I went for two 12 inch E.P.s. I have more tunes ready and I'm also working on new stuff for the next one. One of the things that made it fun doing this as a self-release was to be able to change my mind whenever I wanted because it's mine.

There are many folks out there familiar with you via Brian Jonestown Massacre; how would you explain the sound of this record to BJM fans?

Danielson’s Best of Gloucester County—Dancing in Tall Clover

Posted by Chuck, March 14, 2011 04:00pm | Post a Comment

danielson

I don’t know about you, but usually whenever I hear there’s a new Danielson album coming out I feel a curious little pang of nervous energy—the kind that you get whenever dealing with the “touched.” It’s like that with Anton Newcombe of Brian Jonestown Massacre, and it’s like that with his spiritual antipodes, Daniel Smith, the Light of the Danielson Famile tree. This time though, after five years of zero new recorded output, it was more just simple curiosity.

Would Brother Danielson still hold as art-pop’s askew? Would he still bring the Spirit kicking and screaming (and finally rejoicing) through the music? Or, heaven forefend, would the pendulum have swung so that the indie-Bible jubilee of the previous seven albums was compelled towards darker forces . . . towards, indeed, the dastardly craw of the Beelzebub? And would it be possible for him to perform this new set of songs dressed as a nine-foot fruit tree with a backing female faction of nurses (like he used to do)?

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