Amoeblog

New "What's In My Bag?" Episode with Shannon Shaw

Posted by Amoebite, February 5, 2019 03:22pm | Post a Comment

Shannon Shaw - What's In My Bag? - Amoeba Music

We were delighted to have Bay Area indie/garage artist Shannon Shaw visit Amoeba Hollywood recently to talk about some of her current musical interests and a few of the records that shaped her tastes in our latest What's In My Bag? episode. "I found a box of tapes that changed my life," she told us. Among those beloved tapes were an OMD album, '80s skate thrash, and the oldies compilations Cruisin' that feature old radio DJ interludes. Having found an LP of Cruisin' 1960 at Amoeba, she waxed nostalgic about obsessively listening to those tapes for two years. "I feel privy to a slice of life that I missed." 

Shannon Shaw is a founding member of the eponymous Shannon and the Clams. After bassist/vocalist Shaw met guitarist Cody Blanchard at California College of the Arts in the late '00s, the Shannon In Nashvilleduo began performing their signature hybrid of classic garage, doo-wop, and old school R&B. The band's current lineup solidified with the recruitment of keyboardist Will Sprott and drummer Nate Mahan. The group's debut album, I Wanna Go Home, was released in 2009. Sleep Talk followed in 2011. Next came Dreams in the Rat House (2013), Gone by the Dawn (2015), and Onion (2018), which was produced by Dan Auerbach for his Easy Eye Sound label.

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(Où l'on considère les chanteurs français.)

Posted by Job O Brother, March 22, 2011 04:32pm | Post a Comment

When you work at Amoeba Music there’s certain questions you answer over and over again:

“Where’s the restroom?”

“Why’s this one this price and this one this price?”

“Where can I find Edith Piaf?”

That last question is occasionally (to my endless amusement) pronounced as, “Where can I find Edith Pilaf?” to which I always want (but never) answer:

“We file her in-between Condoleezza Rice and Tim Curry. They all go great together.”

My internalized snarkiness aside, I’m all for Edith Piaf. Who could hate La Môme Piaf (her French nickname, literally translated as “That short woman in the black dress with the amazing voice but tragic make-up which someone should seriously having a talking-to-her about”)?

But I think too many people stop with Piaf and don’t investigate the chanson française of her peers, which is a shame because there’s so much to love. Below I offer some performers I think are à l'opposé de terrible.

Lucienne Boyer

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Experiments In Health Care

Posted by Mr. Chadwick, November 20, 2009 11:00pm | Post a Comment







Billboard Hot 100 All-Time Top Songs

Posted by Whitmore, September 20, 2008 02:38pm | Post a Comment

In celebration of 50 years of its Hot 100 chart, music industry’s Billboard Magazine has collected its Billboard Hot 100 All-Time Top Songs. The list collects the top 100 songs from August 1958 through July 2008 -- and the songs' slots are allotted based on their actual performance on the weekly chart, with an inverse point system figuring into the ranking (i.e. weeks at No. 1 earn greater value than weeks at No. 100).

Lists of the greatest this, or best that, or most influential whatever always irk the crap out of me, though I am perpetually intrigued. Is Citizen Kane or Gone with the Wind the greatest film of all time? I don’t know, but an evening on the couch with some popcorn and a beer watching the Big Lebowski is a hell of a lot more fun. Is Jimmy Stewart the greatest movie star of all time? Of course not, it has to be Cary Grant or maybe Humphrey Bogart, at least that’s what I think, but according to the experts, I am wrong.

Anyway, Drum Roll please … the Number One Single of all time …
Chubby Checker’s “The Twist.”

Now I have to admit I was somewhat stunned to see “The Twist” up there up on top, all by itself. But then again, "The Twist" is the only song ever to go to #1 on two separate chart runs. The first time was on Sept. 19, 1960 for one week, but after Chubby Checker made an appearance on The Ed Sullivan Show in late 1961, “The Twist” once again hit the spot, this time for two weeks starting on Jan. 13, 1962. It also set a record for the most weeks, 39, on the Hot 100 by a number one song, a record it held until UB40's “Red Red Wine” lasted 40 weeks in 1988.

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