Amoeblog

Essential Records: Portishead's 'Dummy'

Posted by Amoebite, October 27, 2014 04:24pm | Post a Comment

Essential Records Portishead Dummy

During the summer of 1996, I became obsessed with Portishead. Dummy had been released two years earlier, so generally speaking, I was late to the game, but in the suburban town where I was about to start high school, I was definitely way ahead of the game. Because when it came to underground music, culture or film, there was no game.

I was just about to turn fifteen and leave all the friends I'd known for nearly a decade to attend the state's largest high school on my own. It was a deeply mopey time. At the same time, I was starting to realize that the music on Top 40 radio made me feel like something was missing, that musically-speaking, there must be more out there. So, I started tuning into the local alt-rock station after school, alone in my room, and that's where I first encountered Portishead's "Sour Times."


Portishead - Sour Times
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I hated this song. I thought it was irritating and abrasive. Singer Beth Gibbons would wail "Nobody loves me/it's true/not like you do" with her '60s jazz influenced vocals and I would get pissed off that I'd have to sit through it for the next three or four minutes. (For some reason I never went as far as actually turning the radio off.) Every time I heard it, I would get angry at it, angry that I had to sit through it, angry that the station's Music Director had poisoned the rotation with this grating, slightly terrifying few minutes of song. 

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New York State Of Mind Amoeblog #98

Posted by Billyjam, September 24, 2014 11:00am | Post a Comment

Billie Holiday "Autumn In New York" (1952)

NYSOM #98 of 100: Since Fall or Autumn officially arrived a couple of days ago here in New York City (and you can feel it in the air especially with chilly cold evenings this past days) Billie Holiday's classic "Autumn In New York" comes to mind.  Hear the song, that is found on such collections as The Best of Billie Holiday, above in homemade slide show video of NYC over the decades. Speaking of weather and NYC the big event here over the past weekend was the huge Climate Change March that attracted (depending on which news source you can believe) anywhere from a quarter of a million to 450,000 participants. The big march included numerous well known actors and musicians including the Bay Area's Michael Franti of Spearhead - seen in photo left that also includes movie stars Edward Norton and a barely recognizable bearded Leonardo DiCaprio. That was Sunday but the following day's Flood Wall Street protest down on Wall Street (also in the lead up to the UN Climate Summit 2014 that began yesterday here in New York), which drew much fewer protestors, had more arrests numbering about a hundred when more vigilant protestors gathered to voice opposition to the corporations who aren't investing in green initiatives.


Prolific Producer L'Orange Unleashes His Finest Work To Date: "The Orchid Days"

Posted by Billyjam, May 14, 2014 06:40am | Post a Comment

L'Orange "The End (feat. Billy Woods)" from The Orchid Days (2014)


Hot on the heels of his collaborative album with Stik Figa (The City Under The City) talented prolific producer L'Orange now returns just six months later with more of his refreshingly unique sound: the highly recommended The Orchid Days that was released last month and that, like City, comes via the high caliber indie label Mello Music Group. "Two and a half years ago I got out a piece of paper and wrote down every single thing I wanted to do in the next year and at the very bottom of it I wrote Mello Music Group," the artist told me of finding his ideal label home after self-releasing some free albums digitally. "This is where I have seen myself for a long time and it is definitely an honor to be counted among the roster." His brand new Mello Music release The Orchid Days features carefully selected guest vocalists, (including Blu, Homeboy Sandman, and Billy Woods) on just 7 of its 19 tracks allowing the Nashville based producer to fully stretch and flex his trademark, hypnotically dreamy production style - while interweaving just the right amount of vocal guests to perfectly compliment his (and their) styles - all the while subtly moving the album's storyline along. The Orchid Days storyline is the story of love - finding love, falling in love, and then losing it and missing it - a story told via random soundbites expertly assembled - to the backdrop of an old world mood crafted by building layer upon layer of dreamy jazzy  grooves from digging deep into really old jazz records with flutters of dramatically engaging soundbites/samples (handpicked over time by  L'Orange) from old black and white movies, along with, often static sounding, classic old radio broadcasts. These samples along with the mood created by the musical backdrop tell a story that strongly hint that there was some specific romantic figure in L'Orange's life that inspired The Orchid Days. So I asked the artist was there a specific girl in mind as he recorded the album? "Of course there's a girl. I'm a poet," he replied adding. "Since that's not a satisfying answer I'll tell you something I haven't told anyone yet- she's on the album cover." [above left]

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Vinyl Vaults Proudly Presents Billie Holiday

Posted by Billyjam, June 18, 2013 11:35am | Post a Comment

We have added Billie Holiday to Amoeba Music's ever expanding, much-lauded Vinyl Vaults. This Amoeba-exclusive, historic vault of American music icons, which specializes in preserving valued vinyl releases by carefully transferring them to digital files, already includes such icons as Louis Armstrong.

Our curated collection of digitized vinyl and 78s will also unveil Kenny Rogers this month, but more on his inclusion into the Vinyl Vaults in a later Amoeblog.

For now let's take a look at the jazz/blues legend that was Billie Holiday and whose Vinyl Vaults additions will include approximately 30 different tracks (most emastered and now available from Amoeba) "Lady Day's" short 44 years on this earth (1915 - 1959) was filled with the blues and her musical legacy is a part of American music history. Amoeba deserves major props for helping preserve. One of the folks responsible for the tedious task of digital transformation of Amoeba's Vinyl Vaults is Gregory Griffith. I talked with him over the past couple of days to find out more about these Billie Holiday additions to the Vinyl Vaults that are now available in three digital files: mp3, M4A (lossless), or WAV.

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Four Inch Focus- Ladies Of The Labels Pt 5

Posted by Mr. Chadwick, January 6, 2013 09:40pm | Post a Comment

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