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Weird Wednesday at The Alamo Drafthouse New Mission in August

Posted by The Bay Area Crew, July 29, 2019 06:25pm | Post a Comment

Sun Ra, Space is the Place

Amoeba and Alamo Drafthouse continue their partnership for Weird Wednesday at the New Mission theater in SF this August! Weird Wednesday is Alamo's weekly celebration of movies that are too outrageous for prime time. The August line-up proves to be daring, imaginative, and downright interplanetary. You won't want to miss any of these.

Murderous Intent (1985)
Wednesday, August 7. 9pm
Jamaican-born, NYC-based director Len Anthony originally set out to make several films, but was never able to finish any of them. All the leftover footage was smashed together and Murderous Intent was born. Opening with an explosive Alvin Ailey-esque dance troupe number, you will never be able to predict where this movie is headed. It's like if Dangerous Men was an art film -- or a horror film -- or both -- or neither!

Murderous Intent

Caged Heat (1974)
Wednesday, August 14. 9:30pm
This women-in-prison tale is the debut feature from future cinema legend Jonathan Demme (The Silence of the Lambs, Something Wild, Married to the Mob). Thrown into the penal hell of Connorville, petty criminal Jacqueline (Erica Gavin) fights against the ruthless inmates, a cruel warden (Barbara Steele), and her depraved staff. She forms an uneasy friendship with two hardened inmates; when these three unite, they seek escape, money, and revenge. Composer John Cale (formerly of The Velvet Underground!) also offers a stark, experimental, blues-inflected score — and the story takes a number of odd turns including several strikingly surreal fantasy sequences, with Steele getting the best moment in a stylish cabaret number.

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Tonight: Witchcraft Double Feature At SF's Balboa Theatre

Posted by The Bay Area Crew, May 25, 2016 04:36pm | Post a Comment

Black Sunday

-- By Brett Stillo

1960 was a year of change for the horror film. Alfred Hitchcock drove a knife into the collective Black Sundayconsciousness of movie audiences with Psycho, and movies soon followed that twisted the blade. Peeping Tom, Eyes Without a Face, House of Usher...these films took a darker, twisted path, going further than most contemporary horror movies of the era. Two standout films of this seminal year, the supernatural thrillers Black Sunday and City of the Dead will play Tonight, Wednesday, May 25th, at San Francisco’s historic Balboa Theatre at 7pm.

Black Sunday is the stunning directorial debut of legendary Italian director Mario Bava It’s an old-fashioned tale of witches, ghosts, and vampires set amid rotting Victorian splendor, but Bava conjures a grisly visual style that’s bold and shocking. It's a bit ironic that this master of vivid color cinematography launched his directorial career with a black and white movie, and yet the color seems abundant in this gothic-goes-to-the-Drive-In opus. Bava crafts a tapestry of shadows, layer after layer of dark images from a palette that ranges from thick walls of black to opaque shades of pale grey. These monochromatic Horror Hotel, City of the Deadlayers create a weird pseudo-3D effect that makes the backgrounds seem to reach out beyond the screen. Add the haunting beauty of a 23-year-old actress named Barbara Steele and you have one of the true classics among horror films.

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