With a few, shining exceptions
(
Blind Date,
COPS,
ElimiDate,
Jersey Shore,
Joe Millionaire,
Queer Eye for the Straight Guy,
Ramsay's Kitchen Nightmares,
Shahs of Sunset,
The Bachelor,
The Real World seasons 1and
2 (true stor-ay!), and maybe a couple dozen others, tops) I
hate reality TV. To me most reality shows are endurance-defying and totally depressing in a consumerist dystopian way. My aversion to most reality TV is not really out of some moral disapproval of schadenfreude nor a principled dislike of unscripted entertainment. No, I usually just find them painfully boring and unpleasant. I remember first hearing about
Survivor and was rather excited by the concept, hoping for naked castaways with no common language forced to fight tooth and claw just to stay alive. Imagine my disappointment upon finding out it involved little more than people unpleasant from the get go undertaking a series of challenges for prizes in a tropical setting and talking about alliances. Yawn. The good reality shows (as determined by me) offer anthropological thrills, exposing the strange mating rituals of exotic subcultures and paint portraits of people in a way rarely seen in the stylized fictions of the day.
One of the earliest reality programs was on the radio,
Night Watch. It was preceded by the hidden camera prank TV show
Candid Camera which debuted in 1948 but, though both reality shows, could scarcely be more different.
Night Watch debuted on
CBS on April 5th, 1954, a few years after the popularity of TV exploded, threatening film and radio's dominance. To compete with TV's popularity, film offered things not available on TV like widescreen, technicolor, married couples sharing a bed, and
black people.
Old Time Radio ultimately died out in 1962 but in its last days offered other things in short supply on TV, namely adult content, intelligence and exploitation that would never pass muster on the beloved family idiot box. Radio programmers seemed to be OK with a bit of gore and tawdriness since it all took place in the mind and because it was at least packaged as a cautionary public service rather than the exploitation which it really was. The first time I heard it was an episode involving a suicide attempt (there were several) and I was hooked.
Nigh Watch was developed and hosted by
Culver City police reporter
Donn Reed who in each episode rode around with
Sgt. Ron Perkins from 6:00 pm till 2:00 am. Reed was assuredly inspired by the greatest of all police procedurals,
Dragnet, which debuted on April 5, 1954 (after two auditions in
January and
February) and followed the dramatized adventures of
LAPD officers but was widely praised for its realism.
Night Watch took realism to a new level, with Reed capturing the action with a dry-cell powered reel-to-reel recorder and a microphone concealed inside of a flashlight. It was directed, produced and supervised by
Sterling Tracy, produced by
Jim Hadlock and
Sgt Perkins additionally worked as t
echnical dvisor.
Donald Reed, the youngest of three sons, was born to a doctor in
Los Angeles,
California. After completing high school, at the beginning of
World War II, he joined the
Army Air Forces. After the conclusion of the war, he worked for
KNX where he created
Night Watch. In the program, Reed never
conveys a sense of self-importance even though his progrma presaged the development of both
Cinéma Direct and
Cinéma Vérité by a few years and shared many of the same hallmarks -- the lack of non-diegetic sound and a for the most observational approach of the former as well as Reed's end-of-program interviews with the subjects characteristic of the latter.
Chief W. N. Hildebrande's wonderfully robotic, stilted epilogues make
Mitt Romney sound like
Oscar Wilde.
My feeling has long been that the so-called "good ole days" weren't that different from the present -- crime rates today are fairly similar to those in the '50s (although crime coverage has increased dramatically). The mere fact that Night Watch titles include "The Nude Prowler," "Child Desertion, Gabby and Kicker," "Old Fashioned Suicide," "Kid Explosives," "Strippers and Pix Stash," and "Goddam Lady and Mr Peepers" should give potential listeners a sense that it's a fact that the more things change, the more they stay the same. To me, it's also absolutely fascinating to hear the relaxed, natural accents, rhythms and speech patterns of regular 1950s folks and to recognize how completely is from the snappy, highly artificial and frequently corny dialogue of con
temporaneous TV and films.
Night Watch only ran for about a year, till April 22, 1955. I'm not sure why it was so short-lived -- althoughproducer
Jim Hadlock's son was hit by a car whilst running an errand for his mother and suffered from a skull fracture. Reed auditioned another similar program, provisionally named,
Police Recorder.
Police Recorder was to have combined Donn Reed and Detective Sgt. Ron Perkins' recorded field interviews with a police psychologist. The project never progressed beyond the audition stage. Reed subsequently joined
KABC-AM Radio in 1957, where he joined
Captain 'Max' Schumacher on
Air Watch, an early drive time traffic report show. He remained there until 1960 after which, in 1961, he moved to
KMPC where he remained until 1981, receiving several
Golden Mikes in the process.
Perkins went on to serve as Culver City's mayor and died in 2008. As for Reed's later partner, Captain Schumacher, he died in an air accident with his helicopter and an LAPD one over
Elysian Park, in which he and to cops were killed.
You can listen to all 52 episodes for free
here. Old Time Radio shows on CD are also available in the store.
Special thanks to the folks at
The Digital Deli Too for their invaluable research and preservation efforts