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New "What's In My Bag?" Episode with Superorganism

Posted by Amoebite, August 28, 2019 03:10pm | Post a Comment

Superorganism - What's In My Bag? Amoeba Music

We had a fun time talking with London-based cross-cultural indie pop band Superorganism during a recent shopping trip to Amoeba Hollywood. Orono Noguchi, Soul, B, and Ruby picked out records by some of their favorite artists, including the Yeah Yeah Yeahs, Tobias Jesso Jr, Kanye West, and Carole King and introduced us to cat ASMR.

Superorganism is a band of non-conformists. Bump into any of the eight members (Orono, Emily, Harry, Ruby, B, Robert, Tucan and Soul) in the street -- a contrasting collection of disparate and idiosyncratic individuals -- and you might never know they’re in a band together, let alone all live in the same house. Superorganism’s difference comes from a kind of permanent outsider status. With members from the U.K., Japan, New Zealand, Korea and Australia, they bonded via the internet rather than one geographical location, finding each other on forums while nerding out about music. Their similarities eventually brought them all together IRL, culminating in a mass migration to an unassuming terraced house in East London that they soon turned into an energized creative hub.

Superorganism - Amoeba Music

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New "What's In My Bag?" Episode with KAYTRANADA

Posted by Amoebite, August 21, 2019 03:18pm | Post a Comment

KAYTRANADA - What's In My Bag? Amoeba Music

KAYTRANADA visited Amoeba Hollywood recently to do a little shopping and sit down with us for an interesting and eclectic What's In My Bag? interview. The Haitian-Canadian DJ and producer extraordinaire talked about hometown hero A-Trak, the early '80s R&B and disco scene in Africa, the debut album from French electronic duo Justice, and much, much more.

KAYTRANADA is the musical project of Louis Kevin Celestin. Born in Port-au-Prince, Haiti, Celestin's KAYTRANADA - Nothin Like Ufamily moved to Montreal, Canada, where he grew up. He began DJing at fourteen. He started learning production a year later after being introduced to FL Studio by his brother. In 2010, he began performing under the alias Kaytradamus, switching to his current incarnation as KAYTRANADA in 2012. In 2016, he released his debut LP 99.9% via XL Recordings. He would go on to win the Polaris Music Prize for the album, which features contributions from the likes of GoldLink, AlunaGeorge, Syd tha Kyd, Anderson .Paak, Little Dragon, BadBadNotGood, and Vic Mensa.

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New "What's In My Bag?" Episode with Shepard Fairey

Posted by Amoebite, August 6, 2019 03:32pm | Post a Comment

Shepard Fairey - What's In My Bag?

Acclaimed street artist, graphic designer, and social activist Shepard Fairey (Obey Giant) did some shopping recently at Amoeba Hollywood and sat down with us for a What's In My Bag? episode! He shared some of his favorite records and album covers, and talked about how The Clash's London Calling is the embodiment of punk, the way graphic design serves as a visual parallel to what's happening in the music, and the pleasurable inconvenience of vinyl.

Shepard Fairey is the American street artist, activist, and graphic designer behind the iconic Obey Giant and Obama "HOPE" designs. He first became active in the early '80s, sharing his artwork on t-shirts and skateboards while still a teenager. While attending the Rhode Island School of Design in 1989, Fairey created his first instantly recognizable work: the André the Giant Has a Posse sticker campaign, which later evolved into the Obey Giant. After graduating from RISD, Fairey opened Alternate Graphics, a small printhouse that produced his t-shirt and sticker designs. In the late '90s, Fairey opened guerilla marketing firm BLK/MRKT Inc.; during this time, he designed Mozilla's red dinosaur logo. Fairey launched the OBEY Clothing company in 2001 as a way to bring activism to everyday design. He and his wife Amanda Fairey founded the Studio Number One design agency in 2003. Highlights of their work include the poster for the film Walk the Line, plus album covers for The Smashing Pumpkins (Zeigeist), Led Zeppelin (Mothership), and Flogging Molly (Whiskey on a Sunday).

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New "What's In My Bag?" Episode with Adrian Younge

Posted by Amoebite, July 30, 2019 03:07pm | Post a Comment

Adrian Younge - What's In My Bag? Amoeba Music

LA music producer, composer, multi-instrumentalist, and sharp-dressed man Adrian Younge visited Amoeba Hollywood recently and talked with us about his introduction to jazz, the influence of David Axelrod's compositions on hip-hop, and the band that inspired him to learn how to play instruments in our latest What's In My Bag? episode.

Often fusing the genres of soul, hip-hop, funk, and jazz, Adrian Younge first attracted critical acclaim for his score to the Adrian Younge Produced By2009 blaxploitation flick Black Dynamite. In addition to his roles as producer and composer, Younge was responsible for the majority of the music on the score, performing over a dozen instruments himself with support from a handful of vocalists and instrumentalists. Wax Poetics released Younge's score later that year. The success of Black Dynamite led Younge to relaunch his earlier Venice Dawn project; as a result, Wax Poetics released his atmospheric Something About April LP in 2011.

In 2013, Younge teamed up with The Delfonics, a major influence on Adrian, for the LP Adrian Younge Presents the Delfonics. Shortly afterward, Younge joined forces with Ghostface Killah for Adrian Younge Presents Twelve Reasons to Die. His next high-profile collaboration was 2014's Adrian Younge Presents There Is Only Now with Souls of Mischief. Working tirelessly, Younge followed this up with work on Bilal's In Another Life and Ghostface's Twelve Reasons to Die II. In 2016, Something About April II came out, with contributions from Raphael Saadiq and Laetitia Sadier. That same year, Younge released The Electronique Void, a synth-heavy concept LP featuring narration from Jack Waterson, and joined forces with Ali Shaheed Muhammad on the Luke Cage soundtrack. Younge has also worked with or been sampled by Kendrick Lamar, Common, and Jay-Z. In 2019, he released Produced By Adrian Younge, which features vocals by Black Thought, Estelle, Georgia Anne Muldrow and more.

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The Films Within Quentin Tarantino's 'Once Upon a Time... In Hollywood'

Posted by Amoebite, July 24, 2019 04:50pm | Post a Comment

Once Upon a TIme ... In Hollywood - Amoeba Music - photo by Aaron Araki

By Jackie Greed & Aaron Araki

In the summer and fall of 2018, Los Angeles was transported back to 1969…and it was a glory to behold! At any given moment, you could drive by a block or two that had suddenly been covered in '60s signage and window dressing, with vintage cars parked alongside the curb next to an old parking meter. All of this period makeover was courtesy of Quentin Tarantino’s production of his 9th film, Once Upon a Time... In Hollywood. As we stumbled upon each re-created neighborhood, we admired all the wonderful attention to detail given to the various businesses (especially finding all the ephemera captivating). Throughout all the sights that were taken in, there was an immediate attraction to any advertising given to a film or television show. From large billboards and movie theater marquees to bus benches and the buses themselves, here is a spotlight of the many movies and TV shows that were captured from the on-location filming of Once Upon a Time... In Hollywood.

cinerama dome - Once Upon a Time... In Hollywood photo by Jackie Greed

cinerama dome - once upon a time in hollywood - amoeba music - photo by Aaron ArakiThe first shooting location we came across was right next door to Amoeba Hollywood at the Cinerama Dome Theatre. While at first it appeared that the iconic theater was setting up to screen Bernard L. Kowalski's 1969 epic, Krakatoa: East of Java, it soon became apparent, as the street filled with an array of classic cars, that this was indeed the set for Tarantino's then recently announced new film. As the sun went down and the sky hit that "golden hour," normal traffic was stopped and the roar of all the pre-1970 automobiles overtook Sunset Boulevard, while extras in slim fitting suits and shaggy hippy garb began walking the sidewalk, and the camera started rolling.  

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