Amoeblog

Mackned Seeks to Conquer Beyond the Digital Sphere with his Debut Album "Born Rich"

Posted by The Bay Area Crew, August 18, 2016 08:18pm | Post a Comment

Mackned-- By doubleay

Seattle-based artist Mackned has been making waves in the digital realm of underground hip-hop for several years and is now looking to extend his reach with the release of his debut album, Born Rich. The duality of Mackned’s rapping and vocal capabilities have garnered his digital releases tens of thousands of views, generating a ton of buzz in the underground scene. The multifaceted artist’s dynamic vocals and songwriting skills present a substantial depth to his music that is often not heard in other artists’ works in underground rap music. A talent to be reckoned with, Mackned typically has his hands on all aspects of his music. Whether writing, rapping, singing, or producing, he’s constantly working to create. Both his countless solo releases and stand out collaborations with his Thraxxhouse group have driven him to connect with reputable rappers along the likes of Chief Keef, Larry June, and Nacho Picasso, and producers Ryan Hemsworth and Tommy Kruise. After making a name for himself in the digital underground, Mackned seeks to conquer beyond with his album debut. To find out more about Born Rich and the man behind the project, I interviewed Mackned.

Amoeblog: Tell me about your debut album, Born Rich. Who were you working with and where were you recording?

Mackned: Well, I was working with Flavr Blue. I had a lot of homies in the studio with me help writing and it was all just so organic. A lot of the album was recorded in NYC which made it brazy. Besides myself, my go-to engineer is Parker Joe who is one of the trio Flavr Blue. There were a couple features on there including my big homies up in Canada and some others. Keyboard Kid co-produced the track “Born Rich” on the album, which I thought was cool seeing how he’s in my group Thraxxhouse.

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One Album Wonders: Mad Season

Posted by Eric Brightwell, November 2, 2015 02:31pm | Post a Comment

The Scientists were likely both grunge's inventors and the genre's first supergroup (members had previously played in Cheap Nasties, Slick City Boys, and Victims). However, if one hears “grunge supergroup” they more likely think of Temple of the Dog, a one album wonder the members of which had previously played in Seattle grunge bands including Soundgarden, Green River, and Skin Yard (as well as the not-really-grunge one album wonders Mother Love Bone and not-at-all Seattle - since they were from San Diego - Bad Radio). Mad Season, when they're remembered, are that other grunge supergroup. 
 
Mad Season's Above


Mad Season arrived pretty late on the scene, toward the end of 1994. In April of that year, Kurt Cobain had killed himself but alternative and music had by then long ceased to be anything remotely underground and was resolutely mainstream. In 1992, MTV had replaced 120 Minutes host Dave Kendall with, Lewis Largent and the program, which had previously showcased a host of bands playing diverse music became a parade of bands whose members dressed like Largent, in shorts, combat boots, flannel, and backwards baseball cap. If that wasn't mainstream enough, MTV also launched the ironically named Alternative Nation as a showcase for the manufactured corporate guitar rock favored by soulful dudebros (eg Candlebox and Stone Temple Pilots).
 

In 1993 Marc Jacobs had served up grunge realness on the catwalk for Perry Ellis -- five years after Martin Margiela had pretty much done the same thing, serving up a fantasy of homeless fashion for the one percent. By 1994 pre-ripped jeans and combat boots were part of a uniform adopted by the knavescene and celebrities like Brad Pitt, Johnny Depp, and Keanu Reeves. Their female counterparts, such as emaciated supermodel Kate Moss,  were used to promote heroin chic. After not having heard any interesting new American rock in what seemed like forever, I gave up on it. I would hear the names of new bands, including Toadies, Seven Mary Three, Sky Cries Mary, Jars of Clay, Primitive Radio Gods, Eels, DC Talk, Duncan Sheik, Sister Hazel, Local H, and more. All would have their champions but like every Steven Spielberg movie since Raiders of the Lost Ark, if I gave any a chance I'd almost certainly be underwhelmed. 

 
 

Mad Season were one of those bands I was aware of but never heard the music of (until now). I was familiar with the most of members’ respective bands. Barrett Martin (drums) came from Screaming Trees, a psychedelia-tinged grunge act that I appreciated. Layne Staley was from Alice In Chains. He had an interesting voice, although Jerry Cantrell wrote that band's best songs. Mike McCready was a guitarist in Pearl Jam, a band whose first record I’d connected with when I lived on an Iowa hog farm and they were an actual alternative to the Garth Brooks, Travis Tritt, Billy Ray Cyrus, and conservative classic rock playlist of KGGO that seemingly sustained my classmates. John Baker Saunders had played in a bunch of blues bands but after the end of Mad Season would play in the sometimes excellent Seattle (and not-at-all-grunge) band, The Walkabouts.

Saunders and McCready met whilst kicking heroin at a Minneapolis rehab facility. Upon returning to Seattle they formed a band with Martin and, after working on a couple of songs, brought in singer Staley, still very much in the throes of his own dope addiction, which ultimately killed him. They wrote a batch of songs quickly, rehearsed twice, played four shows and cranked out Above in just over a week in the studio. Given their respective bands, that Above is steeped in ‘70s arena rock theatrics comes as no surprise. Despite the guitar licks and solos, there are no real anthems though, or even especially memorable tunes. 

Martin adds nice bits of color with occasional double bass, cello, marimba, and vibraphone but the songs get by more on groove than melody. There's less color to the lyrics, however, which are relentlessly serious and unceasingly hopeless. Allmusic’s allstar reviewer Stephen Thomas Erlewine astutely observed that the album, “sounds like a cross between Alice in Chains and Pearl Jam.”
 

Above was Top 40 — it reached 24 and produced two expectedly nihilistically-toned singles, “River of Deceit” and “Don't Know Anything” but it wasn't apparently intended as anything more than a sidegig and after the album's release, the members returned to their day jobs. Attempts were made to revive the band but Staley’s addiction had worsened his health to the point where his involvement was impossible. Screaming Trees’ Mark Lanegan, who’d contributed vocals on several tracks on Above, took over lead vocals and the four continued as Disinformation. Disinformation began working on an album but when Saunders died of a heroin overdose in 1999, the band was again on hiatus. When Staley died in 2002 it seemed likely the end of Mad Season but in 2012 the surviving members (and Lanegan) joined Loaded singer Jeff Rouse and bassist Rick Friel to play once again. In an interview on Louisville’s WFPK McCready claimed that Mad Season were at work on a new album. However, when Above was re-released in 2013 it included five unreleased tracks from the unreleased second album and a disc of live material, and that was apparently the end of Mad Season.

The members of Mad Season’s primary bands were certainly influential on a quite a few bands but I've never heard anyone cite Mad Season as an influence. A search online of bands influenced by Mad Season led me to the Werehouse music website, which suggested Godsmack, Sinch, Creed, and 3 Doors Down. I’m not sure if Mad Season can be blamed for any of those (and I’ve never heard Sinch, who might be excellent for all I know) but I do blame Staley in part for the resurgence of the topknot. Ever since the 1970s there’s been a twenty year revival cycle and like clockwork, twenty years after Staley started rocking that ridiculous ‘do, a Pinterest memo went out to the world’s conformists alerting them that it was time to grow out their hipsterjugend 'dos into that most unflattering of hairstyles and within a fortnight the unflattering coiffure was being donned by the likes of Colin Farrell, Mr. Posh Spice (David Beckham) and every insufferable, pretentious bartender who wants to be referred to as a "mixologist." 

*****

Follow me at ericbrightwell.com

Secret Society of the Sonic Six April / May West Coast Tour Dates!

Posted by Mr. Chadwick, March 24, 2013 03:00pm | Post a Comment

Secret Society of the Sonic Six Northwest Tour With Headless Lizzy September 7-14th

Posted by Mr. Chadwick, August 30, 2012 01:50am | Post a Comment

(((6)) is making the northward trek!!

September 7th
the Icebox
Oakland, CA
$5 21+ 9:00

September 10th
Psychopomp Presents @
Plan B

Portland, OR
$7 21+ 9:00

September 12th
THREAT @ the Mercury
Seattle, WA
$6  21+ 9:00

September 13th
Religious As Hell & SES presents @ New Frontier Lounge
Tacoma, WA
$5 21+ 9:00

September 14th
Cryptatropa Bar
Olympia, WA
$5 21+ 9:00



Of course, you can mail order (((6))) newest 12" Pick Up from Amoeba Music Hollywood.


Secret Society of the Sonic Six
Blame and Blood from Pick Up EP



Headless Lizzy & Her Icebox Pussy Chasm Creeper


INTERVIEW WITH LIGHT IN THE ATTIC RECORDS' JOSH WRIGHT

Posted by Billyjam, October 29, 2009 01:00am | Post a Comment
                  Betty Davis "F.U.N.K." (remastered and reissued by Light In The Attic Records)
The Black Angels
At this past weekend's WFMU Record Fair in Manhattan I ran into Josh Wright, who along with Matt Sullivan co-owns the amazing Light In The Attic Records (LITA). The music fanatical duo had trekked out from their Seattle base to set up a table to sell some of the latest releases from LITA's impressive catalog (lots of lovely vinyl) and also to give away cool freebie sample CDs.

Scroll down to see the Amoeblog interview with Josh in which he talks about some of the new and upcoming releases from the unique label known for its lovingly compiled catalog of reissues of forgotten music by such greats as Rodriguez, funk goddess Betty Davis (above), and pop-psych outfit The Free Design. LITA were featured on the Amoeblog back in May of this year when they undertook their West Coast Road Trip that included stops at Amoeba. The label also releases new music from contemporary acts, including an EP and LP from the Seattle/Tacoma pop/rock/rap outfit The Saturday Knights', Mingle, that featured the great opening track and single "45" (see video below). Another contemporary act on LITA is Austin, Texas psychedelic rock group The Black Angels.
Rodriguez cold fact
As Josh mentioned in the Amoeblog video interview below, some of the exciting new releases include the aforementioned Betty Davis and the Black Angels, seventies reggae artist Noel Ellis, keyboard/xylophone artist Emil Viklicky, 60's/70's Czech female vocalist Marta Kubisova, and the various artists release Reggae to Toronto: Soul Funk & Reggae: 1967 - 1974

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