Amoeblog

Best of a Rapid Decade: One per year plus a few too good to not mention...

Posted by Mark Beaver, January 6, 2010 04:00pm | Post a Comment

In recently trying to fill in a friend on what I'd spent the last year or two listening to, I realized that my personal taste tends to gravitate towards some element of either Folk form (any hint of hill-folk finger-pickin' or Ozark/Appalachian melancholy and I'm in), Psychedelia or the tendency to extend a theme for a good long jam (a category in which I include a lot of the Jazz that I like), or just a great, funky groove.

With those qualifiers in place, the following is a year by year review of the last decade which somehow got past me with out noticing it. I mean, really?!! 2010?!!!  I didn't see it coming: 

2000: Album of the Year

Air's enjoyable and wacky Moon Safari had been on the decks for a couple years before they contracted for the soundtrack to Sofia Coppolla's Virgin Suicides. The resultant score is absolutely sublime and marked the French electronauts as contenders to watch.

For myself, it was the defining sound of the millennium's new year.
















Shelby Lynne released a killer country-soul gem, I Am Shelby Lynne, that echoed early material from the likes of Bonnie Raitt. Thinking that it was a brilliant debut from a talented 32yo unknown, I was eventually shocked to find that it was her 6th album. I listened to it for months.

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best of the 00's...my top 100 albums of the last decade 2000-2009...

Posted by Brad Schelden, January 1, 2010 04:00pm | Post a Comment



#1
Sigur Ros
-Agaetis Byrjun
(Play it Again Sam) 2000





 



#2
Yeah Yeah Yeahs-Fever To Tell (Interscope) 2003












#3
A Place To Bury Strangers-
A Place To Bury Strangers
(Killer Pimp) 2007










#4
Antony & the Johnson
-I Am a Bird Now (Secrectly Canadian) 2005

Black Light District's Best Dark Music Albums of The '00's

Posted by Aaron Detroit, December 23, 2009 12:45pm | Post a Comment
Last week, I posted Black Light District's year-end best of list, which was a breeze to compile compared to reviewing the last 10 years for this week's post -- the 20 Best Dark Music Albums of The Decade. I had to whittle away many great titles, but I believe these records have proven to be or will prove to be dark classics for years to come. See ya next year, kids...

1. Coil – The Ape of Naples / The New Backwards (2005/08)


John Balance’s passing was one of the great tragedies in the music world this past decade. It was especially sad to see one of his greatest works be released posthumously. The recordings on The Ape of Naples and its (later-released) sister album, The New Backwards (collected together in the limited Ape of Naples LP box set), date back as far as 1993 when the band was briefly signed to Trent Reznor’s Nothing label, but went unfinished until 2004 when the group returned to the abandoned material for their new album. Gorgeous Funeral-Folk, third-eye electronics and captured transmissions from beyond The Threshold.

A Decade of Live Shows in SF! The Best of the Best...

Posted by The Bay Area Crew, December 23, 2009 10:05am | Post a Comment
by Kaitlin

2010 will mark 10 years since I first moved to San Francisco. One of my favorite pastimes has been going to live shows. I’ve see big shows, small shows, quiet shows, loud shows, good, bad, memorable, forgettable and life changing shows. I’ve enjoyed rock in many forms: metal, acoustic, electric, world, performed by musicians ranging from close friends to the world famous…Here is a list of some of my favorite things about seeing shows in SF and some of my favorite shows in and around SF this decade:

great american music hall

There are so many amazing venues here to see just about any type of music you might be seeking. The Fillmore and The Warfield are classic venues that can pack in a lot of people to check out some big grindermannames, like The White Stripes, Nick Cave and the Bad Seeds, Willie Nelson, Patti Smith and many, many more. Bottom of the Hill, the Independent, and Café du Nord are smaller and more intimate, and offer a wide variety of local and traveling bands the chance to be seen. 

The Great American Music Hall is my favorite venue in the city. It was designed and built after the 1906 earthquake, was called Blanco’s back then and served as a bordello up until prohibition. After that, it was a dance hall called the Music Box, and then a jazz club, until it was re-opened in 1972 as The Great American Music Hall. I’ve seen some of my favorite shows there, including Ben Kweller, The Mars Volta, Earth, Boris, Neurosis, The Dirtbombs, Grinderman, Shellac, Melvins, and High on Fire, oh, but to name a few…If you haven’t yet, I highly recommend checking out a show there!
dave grohl
But through all the venues and all the shows, here I have listed some of the most memorable ones I’ve seen during the 2000s, mostly rock and metal…I’ve tried to find a video to accompany these shows, although some videos aren’t from the show or even tour where I saw these bands. 

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Chip off the old tune - chip music for the masses - apologies for the strained, non sequitur, idiomatic headline...

Posted by Eric Brightwell, November 28, 2009 01:13pm | Post a Comment
Trailer for Blip Festival: Reformat the Planet

Chiptunes (or chip music) is a genre of electronic music made using (now) old video game and computer hardware. The limitations of 8-bit technology present considerable challenges that require surprising creative solutions. Kōji Kondō, pretty much the Mozart of the scene, composed the score for Super Mario Brothers that shows how brilliant the music can be. Using a remarkably tiny sonic palette he managed to create a catchy electro-Afro-Cuban melody that could be looped over and over without driving the gamer completely insane, even in shameful, febrile, all night gaming sessions. When the DJ Jubilee-led Take Fo' Superstars used it in "Do the Mario," it was amazingly still fresh. Witness:



The roots of chiptunes date back to the 1970s. In the first part of the decade, video games like Pong used sound effects sparingly. With the introduction of the Atari 2600 and the Apple II in 1977, video games and computers began to use music more extensively. Then Asteroids debuted in 1978 and ushered in video games' golden age with distinctive bleeps, blops and white noise.

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