Amoeblog

(In which we go north, young man.)

Posted by Job O Brother, September 25, 2012 12:29pm | Post a Comment
buddies
The author, the boyfriend, the other dude

Oh, hello! Where the heck have you been?

I myself have split the last two months between Nevada City, California and New York State; I’ve been away from home so much that when the boyfriend made himself a latté in our kitchen I was pleasantly surprised to remember we had an espresso machine at all.

“I love this place!” I exclaimed.

“Uh, yeah…” he said, “It’s our home.”

“Well I’m totally going to give it a good Yelp review.”

We flew in yesterday after week-long preparations for the wedding of our friends, Cameron and Anna. It was a very romantic ceremony, even to someone like me who hates love. (I’m being hyperbolic – I don’t hate love, I just think it’s difficult to wear well and makes most people look fat.)

That our dear friend Cameron got married is nothing short of a small miracle. This is the man who spent nearly every day I knew him locked in his room playing cello - not exactly the best way to meet chicks. Only occasionally would he leave his bedroom to make Blanquette de veau and watch Tim & Eric Awesome Show, Great Job!

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Feel That BASS - Miami Bass Celebrated Tonight @ SOM Bar in San Francisco

Posted by Billyjam, April 5, 2012 04:20pm | Post a Comment
Tonight (Thursday April 5th) at SOM Bar in San Francisco, along with DJ Quest, Marc Stretch, & DJ Stef, I am going to be spinning an all Miami Bass booty-shaking DJ set as part of a one-off all Miami Bass night that should be a lot of fun. Free before 10pm. $5 thereafter at the Mission District club. All four of us DJs have a passion for this music that originated (as its name implies) in Miami, Florida in the latter half of the 80's and continued to proser into the 90's. An 808 drum machine driven music, with layers upon layers of booming bass (some records even carried "speaker warning" stickers), it was geared for both booty shaking (dancefloor) and bass booming speakers (the club and the trunk of the car - such as L'Trimm's "Cars That Goes Boom" off their 1988 album Grab It. )

Miami Bass or "booty bass" took hold in Miami Florida and was a direct continuation of NYC's early 80's electro funk hip-hop in much the same way as the 1980's LA electro hip-hop similarly took its cue from Afrika Bambaataa and the other New York City electro pioneers from earlier in that decade. But, as distinct from West Coast and the original NYC electro,  Miami Booty Bass music had its own unique identity. Rather than being political or Afro-Centric with tales of ancestry of Egypt, Egypt or even early gangsta rap - the music from Miami was more simple, chant along, and in many cases much more sexually explicit - as proven by the most popular of the Miami bass groups who became prominent nationally in the latter 80's - The 2 Live Crew. With explicit lyrics laced songs like "We Want Some Pussy," the 2 Live Crew had a major influence on this music - both lyrically and in choice of samples.  Most Miami Bass, a singles driven genre, was released on small indie labels with majors selectively picking up the songs that had proven to be regional hits and hence likely to become commercial national hits.

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