Amoeblog

Kay Nielsen - Artists in Film

Posted by Eric Brightwell, January 16, 2010 04:00pm | Post a Comment
Kay Nielsen
Kay Nielsen
was a Danish illustrator and key figure of the golden age of illustration. His art evinces the influence of ukiyo-e heavy Utagawa Hiroshige as well as Art Nouveau master Aubrey Beardsley. However, his synthesis was his own-- an instantly recognizable, highly ornate, fantastical world of pastels and light.
East of The Sun West of The Moon, old tales from the North
Nielsen was born March 12th, 1886, in Copenhagen, Denmark. His father was the director of the Royal Danish Theatre. From 1904 till 1916, he studied art in Paris and London. His first professional work was providing the illustrations for In Powder and Crinoline, Fairy Tales Retold by Sir Arthur Quiller-Couch, first published in 1913. He returned to Denmark in 1917 where he collaborated with Johannes Kay Nielsen Twelve Dancing PrincessesPoulsen in painting stage scenery at the Royal Danish Theatre. After his theater work, he returned to illustrations, providing them for several collections of fairy tales.
In 1936, Nielsen was commissioned to provide stage art for a performance of Max Reinhardt's Everyman at the Hollywood Bowl. In 1938, Poulsen died, and the following year, Nielsen and his wife, Ulla, moved to California, where he found employment at Walt Disney. There he served as art director for the “Night on Bald Mountain” and “Ave Maria” segments of Fantasia. East of the Sun West of the Moon

Silent night - Christmas movies of the silent era

Posted by Eric Brightwell, December 6, 2009 11:55am | Post a Comment
A Christmas Past DVD         A Christmas Carol & Old Scrooge DVD

Happy St. Nicholas Day! For your enjoyment, a little somethin' to break the monotony of all that hardcore Christmas that has gotten to be a little bit out of control...


Santa Claus
(1898) was directed by George Albert Smith (Weary Willie, Making Sausages), a former portrait photographer and member of the UK's Brighton set. In 1906, he and Charles Urban patented the world's first commercial color film process, Kinemacolor. Smith was something of an English Georges Méliès, employing and pioneering the use of special effects, mostly in the fantasy genre.

Scrooge; or Marley's Ghost (1901) was apparently the first adaptation of seemingly millions of Dickens's novel.


The Night Before Christmas
(1905) was directed by the great Edwin S. Porter (Uncle Josh in a Spooky Hotel, Uncle Josh at the Moving Picture Show, The Gay Shoe Clerk) and is a pretty loose adaptation of the famous poem by Clement Moore. It will undoubtedly appeal to fans of dioramas and vintage children.

California Fool's Gold -- Exploring Wilshire Park, Los Angeles's "Not Koreatown"

Posted by Eric Brightwell, October 8, 2009 08:32pm | Post a Comment
WilshireParkSign

This installment of the Los Angeles Neighborhood Blog concerns Wilshire Park. Vote here to vote in the Neighborhoods of Los Angeles Blog Poll (NLABP) and/or here for the Los Angeles County Community Blog Poll (LACCBP). To vote for Orange County neighborhoods, vote here.

Map of Midtown  Map of Wilshire Park
Pendersleigh & Sons' Official Maps of Midtown and Wilshire Park

Wilshire Park is a small, Midtown  neighborhood whose borders are Olympic Blvd on the south, Crenshaw Blvd on the west, Wilshire Blvd on the north and Wilton Place on the east. Its desirable, central location and quaint charm has lead to various parties attempting to claim it for their benefit. Some residential realtors have extended the traditional use of the term “Westside” to the neighborhood, hoping to attach that area’s mostly white and affluent connotations to the neighborhood. Commercial interests have occasionally led to it being described as part of neighboring Koreatown, presumably with an eye on extending the bustling commercial center into the quiet neighborhood.
Wilshire Blvd - Wilshire Park 
Wilshire Blvd suddenly gets quiet in Wilshire Park
Wilshire Park is almost completely residential. When entering the neighborhood from Koreatown to the east, one notices an almost complete halt in the Hangul signs, BBQ aroma and crowded shopping centers which immediately give way to several nondescript apartments and only a couple of equally nondescript businesses.
Wilshire Park Homes
An attractive row of typical Wilshire Park homes
The bulk of the neighborhood is made up of a variety of architectural styles including American Craftsman, California Bungalow, Colonial Revival, Dutch Colonial, Mediterranean, Spanish Colonial and Victorian-Craftsman Transitional styles. The first home built in the neighborhood was in 1908 and most of the rest were built between the ‘10s and ‘30s. A number are listed as Los Angeles Historic-Cultural Landmarks.

Silencio! - The Hispanic & Latino experience in the silent era

Posted by Eric Brightwell, September 19, 2009 02:26pm | Post a Comment
Like other minorities in Hollywood (e.g. Asians, blacks, gays, Natives and women, to name a few), Hispanics and Latinos in the silent film era were almost exclusively produced by people who had little or no first hand experience of their subjects. But whilst Latinos may've been almost entirely excluded from the filmmaking process, a handful of actors found work in front of the camera and in the process opened doors for the generations that followed.

In film's first decade, a few Latinos in fact were involved in American filmmaking. Before the Hollywood era, the filmmaking process wasn't centralized and films were shot around the country by wealthy entrepreneurs, a few of which were Hispanic. However, most American films in the 1890s were under ten minutes long and tended to focus on single actions like sneezing, laughing or opening a door.

Though film roles in the 1890s tended to avoid any minority issues, there were a few minorities in film. In 1903, the first version of Uncle Tom's Cabin hit the screen and went on to be the most frequently adapted story in the silent era, suggesting that there was at least concern about black issues, if not other minorities. In the teens, with films like A Woman Scorned, The Squaw Man, Intolerance and The Italian, depictions of minorities broadened considerably.


The roots of jazz - ragtime

Posted by Eric Brightwell, August 24, 2009 04:48pm | Post a Comment
Although for most people the strains of "The Entertainer" and other rags now primarily evoke quaint, scratchy images of silent films projected at the wrong speed, when ragtime first appeared around the 1870s, it was the soundtrack of Missouri's whorehouses, parlors and gambling clubs.

st. louis 1870
St. Louis in the 1870s

Ragtime was also one of the first truly and distinctly American musical forms. After cakewalk, ragtime was one of the first global music crazes. That Ragtime's cradle was the river towns of the Missouri Valley shouldn't be a surprise. Missouri, located at the center of the country, has long been and remains a crossroads of cultural exchanges. No state borders more than Missouri and noted ragtime musicians came from all the neighbors and spread to them (except Nebraska and Iowa, states whose people are known to be deaf to the joys of melody and dance). The character of ragtime -- drawing from folk, European and American marches, minstrelsy, spirituals and other forms -- connects Europe, Africa and North America, town and country, classical and popular, black and white.

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