Amoeblog

In The Shadow Of Kilimanjaro

Posted by phil blankenship, April 16, 2007 01:37am | Post a Comment
 




There's a shitty review of the movie on IMDb but don't believe it - this movie DELIVERS  baboon carnage, more than any other film in history.  Human faces don't stand a chance against a baboon's flesh-ripping wrath ! There's also some fairly convincing footage of baboons getting shot.... but not to worry, there's a note that no animals were harmed in the production of the movie. and if they wrote it, it must be true !

U.S.A. Home Video #63213

Sweet Sweet Music

Posted by Mike Battaglia, April 16, 2007 12:43am | Post a Comment
    At Amoeba SF's electronica section, we've usually got at least four or five titles each month that we're extremely hyped on. Here's our current batch:



    First we've got Gui Boratto's Chromophobia on Kompakt. Boratto's Brazilian heritage gives him an edge when making his brand of tech-house, and that's an ear for rhythm. Straddling between minimal and electrohouse, Chromophobia avoids any LP pitfalls by working equally on a dancefloor as on headphones, it's got enough oomph to sound fantastic on a large sound system, but intricate enough that you notice small details while listening at home. I love his way with melody, particularly the swooping tones of "Terminal" and the bleep counterpoint in "Gate 7"; it gets quite emotional. The rhythms are key, though, and it's clear from the first track on that Boratto has a good grasp of syncopation and funk. Between the Hug and Field albums and now this, Kompakt are on a bit of a roll, again!



    Next up is We Are Together by Japanese producer Kuniyuki Takahashi, released on Mule Musiq. This is an album that is a unanimous vote amongst the electronica staff - everybody loves it (well, at least four of us). It's jazzy house music only in the loosest sense of the phrase, managing to perfectly walk the tightrope between noodly and stiff. The thing I like best about this album is its sense of space, the production on every track sounds so expansive and widescreen as to conjure up images of the music's physicality. In that sense it reminds me of the Burial album where there's a very conscious sense of three-dimensional space - it's a real "smokers delight". Check Kuni's MySpace page to hear more of this excellence.




    The Black Dog's earliest works are Modern Electronic Music 101; their innovations created a new genre of music (the odiously-named Intelligent Dance Music or IDM) and opened the doors for others to make funky, body-moving yet cerebral tracks. The music bleeps like techno but rocks sampled breaks that up the funk factor by a power of 100, and large, rolling basslines that were an unmistakable influence on early Jungle (and influenced by the UK Breakbeat Hardcore that preceded it).
    The Black Dog of 2007 is a solo act for the most part, but back in the early 90's it was a trio. Ken Downie was joined by Ed Handley and Andy Turner for what is considered TBD's best material. There was dissent, though, and Handley & Turner eventually broke off to form Plaid, one of my personal favorite electronic artists ever and a mainstay of Warp Records' roster.
    Book of Dogma
is the release that longtime TBD fans have been waiting for - it collects all of their essential early EP's, remastered no less, in one place. Most tracks have never appeared on CD, and many of these records are worth upwards of $200 on vinyl, peaking in the EBay heyday of the late 90's at $300-$400 APIECE, so you can see how momentous this occasion is. This collection is as essential as it gets, so buy it.



Finally, we have The Greatest Hits of G.A.M.M., with G.A.M.M. being the superb Swedish label dedicated to reinterpreting and mashing up Soul, Funk, Disco, Reggae, Brazilian, Hip Hop and last but not nearly least, Jazz. G.A.M.M. is loosely affiliated with Stockholm's Raw Fusion label, and includes many nujazz artists moonlighting under fake names including Spiritual South, Panoptikon, Freddie Cruger and Todd Terje (though I won't tell you what their aliases are!). The music is frequently incredible and usually surefire dancefloor material - kicking off with Red Astaire's smash hit "Follow Me", which takes an obscure D'Angelo vocal off a Method Man & Redman track and rocks a sick, jazzy vibe lick underneath it for maximum effect. Other standouts include Beatfanatic's funky reggae rework of Beyonce's "Crazy In Love" and Tangoterje's subtle samba edit of MJ's "Can't Help It" - probably the best tune on a compilation where deciding which one is best is a very difficult prospect. Undoubtedly due to unofficial status, this will come and go quickly so get on it!

roseanne is still funny

Posted by Brad Schelden, April 15, 2007 02:32pm | Post a Comment
Roseanne is one of those shows that remains hilarious after all these years. Some shows, ALF as an example, were hilarious when they first aired, but they do not hold up years later. Believe me, cause I have tried. But Roseanne managed to create a show that was still hilarious 7 years into it. Season 7 originally aired in 1994 and 1995. The show lasted 9 seasons. It still remained a great show for one more season. However, it was season 9 after they won the lottery that the show went down hill quickly. Roseanne was hilarious because it dealt with real situations. It was a real family dealing with real situations.  They just happened to use a whole lot of sarcasm and humour to get through the day. Season 7 begins with Roseanne becoming pregnant, which she was in real life. In this season, Darlene gets a new boyfriend while David remains at the Connor house. Jackie and Fred have problems and split up. Becky and Mark move out, again. My favorite episode is when some elderly nudists move in next door. Roseanne and Dan can't stop peeping and are eventually confronted by their neighbors. This is also the season where Beverly is arrested for drunk driving.

Laurie Metcalf is really underrated as an actress. She is again amazing in this season. Estelle Parson as Bev and Sara Gilbert as Darlene are also great additions to the cast. The season is filled with guest stars. Sharon Stone as the Landlord of Becky and Mark's trailer park. Traci Lords as a new Lunch Box employee. Danny Masterson stars as Darlene's new boyfriend Jimmy. And Shelley Winters is as amazing as ever as Bev's mom. Martin Mull and Sandra Bernhard also return as the co-owners of the Lunch Box. This season also included an episode with the famous TV moms of the old family shows. Also a dream episode with the cast of Gilligan's Island. The cover art for these DVDs often have horrible pictures of John Goodman on them. It seems the designer of these boxes is not a big John Goodman fan. However, this season box seems to have a more accurate picture of John on the cover. The great thing about these season boxes is that they contain the original uncut episode. The episodes you see on Nick at Nite are cut down to fit in more commercials. So there are new little bits that you may not remember added back into the episodes.  Seriously, this show is timeless. It cracks me up every time I put it on. It also brings me back to a time when sitcoms were still funny.

get some lo-fi-fnk!

Posted by Brad Schelden, April 15, 2007 12:29pm | Post a Comment
A couple of weeks ago I went to go see Fujiya & Miyagi at the Mezzanine. I had no high hopes for the opening bands since I have had bad experience with the openers there before....Mikey Avalon as an example. So I was ready for Lo-Fi-Fnk to be over before they even started. However I ran into my friend Tom and he tried convincing me that I was gonna like them. I still was not totally convinced. But suddenly curious. Little did I know they would be my new favorite band. These kids from Sweden have got to be like maybe 20 years old. But they really did blow me away. Super fun electro that kind of made Fujiya & Miyagi seem a little boring. They remind me of when I first saw Les Rythmes Digitales. They for sure had some fans there. But the crowd seemed to be mostly Fujiya & Miyagi fans that were being won over by the lo-fi funk of Lo-Fi-Fnk. They had really good energy and seemed to get the crowd excited and into their jams. Similar to Hot Chip or Junior Boys, it is fun catchy electro. So I went and picked up their album "Boylife" as soon as I could. And the album is awesome! I can't stop listening to it. The album is full of catchy electro jams such as "What's on Your Mind" and "Wake Up" and "Adore."

Lo-Fi-Fnk are from Stockholm, Sweden.  The band is Leo Drougge and August Hellsing who met in High School. Probably not too long ago. This album came out in Europe in 2006. No release yet in the U.S. But it can't be too far off in the future. These kids obviously set out to have fun and make a dancey fun record. They succeeded brilliantly. They somehow made an album that is seriously addictive. Great synth beats with catchy lyrics. They don't take themselves too seriously. So don't go thinking this is a serious electronic album. Its fun electro pop and you will surely become addicted as I have.  

  

You Know The Score

Posted by Mike Battaglia, April 15, 2007 12:58am | Post a Comment
Alternately known as Old Skool, Hardcore or simply Rave Music, Breakbeat Hardcore is the bastard spawn of Chicago Acid House, Dub Reggae and Bomb Squad-style Hip Hop. Here's a slew of videos I've been collecting that showcase the stuff in it's full glory. All Hail YouTube!

Run Tings - Fires Burning:



Altern8 - Infiltrate 202
:



Kicks Like a Mule - The Bouncer:



Liquid - Sweet Harmony/SL2 - On a Ragga Tip:



SL2 - DJ's Take Control:



Acen - Trip II the Moon (Kaleidiscopiklimax)
:

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