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Galyon

Posted by phil blankenship, April 15, 2007 12:20am | Post a Comment
 



The Best Years of Our Lives

Posted by Job O Brother, April 14, 2007 08:44pm | Post a Comment

               EXT. GRAUMAN'S CHINESE THEATRE - NIGHT

               JOB, (early 30's) and his boyfriend COREY (late 20's), exit
               the theatre amidst the late-night crowds of tourists, all
               looking downward at the celebrity-made prints in the sidewalk
               panels.

               The marquee behind them reads "GRINDHOUSE".

                                   COREY
                         You like it?

               Job nods.

               Beat.

                                   JOB
                         Very much.

                                   COREY
                             (chuckles)
                         You're glowing!

A Basement, a Red Light and a Feeling

Posted by Mike Battaglia, April 14, 2007 08:36pm | Post a Comment
This week I happened to receive new music by Elektrons, a Manchester-based duo who've recently released their second single, and it's one that has shot to the top of my chart - I've been humming it all week!

 

"Dirty Basement" features Eska, a vocalist who's worked extensively in the Broken Beat world with the likes of Bugz in the Attic and I. G. Culture, often the highlight of the songs she's singing, as is the case with the majority of Culture's vastly overlooked New Sector Movements album Turn It Up. She is wicked, and this is no exception. The staccato verses sound like she's channeling Missy Elliot a bit but once she really starts singing, it's purely Eska.



Elektrons
are also known as eclectic DJ crew  The Unabombers and throw an internationally-known club night called The Electric Chair (popular enough that they have their own CD compilations) that's been turning folks on to its varied music policy of fun, funky and leftfield dance tunes since 1995. Made up of Justin Crawford and Luke Cowdrey, the Unas both have a long history in music, with Crawford being behind jazzy downtempo act Only Child on Mark Rae's Grand Central Records as well as bassist for Madchester dance-rockers New Fast Automatic Daffodils (who are due for a major revival any day now - you heard it here first).

A Tree Grows In Brooklyn

Posted by Job O Brother, April 13, 2007 11:56pm | Post a Comment

               INT. JOB'S APARTMENT - NIGHT

               JOB, (early 30's) pours boiling water from an electric kettle
               into an heirloom mug.

               His black cat, FANGS, races around the room, batting and
               pouncing on a toy mouse.

               Job carefully prepares a perfect cup of tea, then brings it
               to his desk, where he sits in an antique, red leather chair.

               He faces his computer. He brings up Final Draft.

               He takes a moment to consider what to write.

               From behind him, a voice speaks...

                                   ANGEL
                         I know what you're gonna write
                         about.

Lester Bangs

Posted by Miss Ess, April 13, 2007 06:13pm | Post a Comment
lester bangs
So I don't know if you all are fans of Lester Bangs or not, but I am a huge fan. Lester Bangs kinda sorta "invented" rock journalism as we know it today. He was a passionate and talented fellow, who took his inspiration from the Beats and from nyquil, among other things. In his pieces he rambles from one brilliant point to another, all the while insulting everyone possible and tearing down your eastral weeks van morrisonxpectations. He's also incredibly tender about the things that have really moved him.

My favorite piece he ever wrote is, not coincidently, about one of my favorite records:  Astral Weeks by Van Morrison. You can check out the entire piece he wrote here. (And you should.)

Lester's writing style can't be beat in my book. It's so upsettinglester bangs that he died so young, pretty much burned himself out, cause it would be so fantastic to have him here today, railing against the dull- as- tombs stuff that passes for music writing these days. It would be so interesting to hear his take on the world we have now, a world in which the internet (here we are) means that anything, any bit of information or connection we want we can have at our fingertips, instead of that long, weary and ultimately rewarding search we used to have. I think if he was here lester would still see and point out the beauty in that brand of now- old-fashioned journey.

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