Amoeblog

"White Bicycles: Making Music in the 1960s."

Posted by The Bay Area Crew, April 16, 2007 09:00am | Post a Comment
Reason 2,472 that I love Amoeba: I wake up, I read the paper  (online, of course) and always find some neato thing!

Today, this is the patch of online journalism that jolts me - somewhere between a good cup of coffee and shock-paddles de resuscitare, I find this description of a man shopping at Amoeba Music, the one on Sunset Boulevard in Los Angeles, California:

from the calendar section of the LA Times:

'... These [albums] were not of mere musical interest to Boyd. He produced them. And throughout the store there's plenty more of his handiwork: influential albums by innovative English folk-rock group Fairport Convention and its most famous alums, Richard Thompson and the late Sandy Denny; the idiosyncratic work of Scottish psychedelic-folk avatars the Incredible String Band; and the singular sounds from the too-brief life of singer-songwriter Nick Drake.

Although that music stands on its own merits, the value is even more evident in the presence here of many younger acts claiming influence from Boyd's catalog, from R.E.M. (which recruited him to produce the 1985 "Fables of the Reconstruction" album) to the currently acclaimed crop of "freak-folk" figures such as Devendra Banhart and (seen to your left) Joanna Newsom, who talk of music associated with Boyd in hushed, reverent tones."


... so, ,maybe Miss Ess, purveyor of music lit world-wide, can blog to us all one day and tell us what she thought of this man's new book:

 "White Bicycles: Making Music in the 1960s."

Did you see Spellbound?

Posted by The Bay Area Crew, April 16, 2007 02:30am | Post a Comment
'Did I see? Why, what kind of trick is thi-?'

No, no ... I'm watching Wordplay on a Sunday, which means it's extra hard to watch today so if you're tired, wait until Monday ...  anyway, it reminded me of another documentary Spellbound, which I was also the last to see. I should call my movie blogs 'The Finally Founds' or perhaps more accurate would be something along the lines of 'No Attention-Span Theater'


As I was saying, Ladies and Gents, I present to you
Wordplay aka Word Play:

An incredible look at Crossword Puzzles, the folks who can do them faster than I can find a pencil - yes, pencil, and fascinatingly: how crosswords are made.

Especially this fella, goes by the name Will Shortz? Face it, when you think artificial heart, you think Jarvis-7 and Barney Clark. Snap. (Some argue the order, but hey ...) When someone says crossword puzzle, you think The New York Times and Will Shortz. (Some argue the order, but hey ...)

If you have no idea what I am talking about, it's even more reason for you to see this docu-mama as soon as you can get yer hands upon it!

My new motto as of last week? I know nothing!  I promise you, it's freeing. Try it. Whee.

I am no stranger to the squares and cursing beneath my breath as I struggle with that last corner of an angry weekend puzzle. I'm also no stranger to a really bad Monday when I couldn't even finish the puzzle in the Oakland Tribune. Lucky for me, I also remember the joy I got from any Sunday New York Times puzzle that I finished or not. (Most of them, not)

In The Shadow Of Kilimanjaro

Posted by phil blankenship, April 16, 2007 01:37am | Post a Comment
 




There's a shitty review of the movie on IMDb but don't believe it - this movie DELIVERS  baboon carnage, more than any other film in history.  Human faces don't stand a chance against a baboon's flesh-ripping wrath ! There's also some fairly convincing footage of baboons getting shot.... but not to worry, there's a note that no animals were harmed in the production of the movie. and if they wrote it, it must be true !

U.S.A. Home Video #63213

Sweet Sweet Music

Posted by Mike Battaglia, April 16, 2007 12:43am | Post a Comment
    At Amoeba SF's electronica section, we've usually got at least four or five titles each month that we're extremely hyped on. Here's our current batch:



    First we've got Gui Boratto's Chromophobia on Kompakt. Boratto's Brazilian heritage gives him an edge when making his brand of tech-house, and that's an ear for rhythm. Straddling between minimal and electrohouse, Chromophobia avoids any LP pitfalls by working equally on a dancefloor as on headphones, it's got enough oomph to sound fantastic on a large sound system, but intricate enough that you notice small details while listening at home. I love his way with melody, particularly the swooping tones of "Terminal" and the bleep counterpoint in "Gate 7"; it gets quite emotional. The rhythms are key, though, and it's clear from the first track on that Boratto has a good grasp of syncopation and funk. Between the Hug and Field albums and now this, Kompakt are on a bit of a roll, again!



    Next up is We Are Together by Japanese producer Kuniyuki Takahashi, released on Mule Musiq. This is an album that is a unanimous vote amongst the electronica staff - everybody loves it (well, at least four of us). It's jazzy house music only in the loosest sense of the phrase, managing to perfectly walk the tightrope between noodly and stiff. The thing I like best about this album is its sense of space, the production on every track sounds so expansive and widescreen as to conjure up images of the music's physicality. In that sense it reminds me of the Burial album where there's a very conscious sense of three-dimensional space - it's a real "smokers delight". Check Kuni's MySpace page to hear more of this excellence.

roseanne is still funny

Posted by Brad Schelden, April 15, 2007 02:32pm | Post a Comment
Roseanne is one of those shows that remains hilarious after all these years. Some shows, ALF as an example, were hilarious when they first aired, but they do not hold up years later. Believe me, cause I have tried. But Roseanne managed to create a show that was still hilarious 7 years into it. Season 7 originally aired in 1994 and 1995. The show lasted 9 seasons. It still remained a great show for one more season. However, it was season 9 after they won the lottery that the show went down hill quickly. Roseanne was hilarious because it dealt with real situations. It was a real family dealing with real situations.  They just happened to use a whole lot of sarcasm and humour to get through the day. Season 7 begins with Roseanne becoming pregnant, which she was in real life. In this season, Darlene gets a new boyfriend while David remains at the Connor house. Jackie and Fred have problems and split up. Becky and Mark move out, again. My favorite episode is when some elderly nudists move in next door. Roseanne and Dan can't stop peeping and are eventually confronted by their neighbors. This is also the season where Beverly is arrested for drunk driving.

Laurie Metcalf is really underrated as an actress. She is again amazing in this season. Estelle Parson as Bev and Sara Gilbert as Darlene are also great additions to the cast. The season is filled with guest stars. Sharon Stone as the Landlord of Becky and Mark's trailer park. Traci Lords as a new Lunch Box employee. Danny Masterson stars as Darlene's new boyfriend Jimmy. And Shelley Winters is as amazing as ever as Bev's mom. Martin Mull and Sandra Bernhard also return as the co-owners of the Lunch Box. This season also included an episode with the famous TV moms of the old family shows. Also a dream episode with the cast of Gilligan's Island. The cover art for these DVDs often have horrible pictures of John Goodman on them. It seems the designer of these boxes is not a big John Goodman fan. However, this season box seems to have a more accurate picture of John on the cover. The great thing about these season boxes is that they contain the original uncut episode. The episodes you see on Nick at Nite are cut down to fit in more commercials. So there are new little bits that you may not remember added back into the episodes.  Seriously, this show is timeless. It cracks me up every time I put it on. It also brings me back to a time when sitcoms were still funny.

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