Miss Ess: How did you come up with your sound for Arp? What was your vision?
Alexis: After leaving Tussle, I started experimenting with analog synthesizers. Initally, Matthew Higgs (curator of White Columns gallery in Manhattan) asked if I'd do an installation for an exhibit he was putting together at New Langton Center for the Arts. When I learned it was a collaboration with an architect, I realized the music I'd just started making with analog synthesizers might work really well. So the first public Arp project, Cloud, was a modular room on wheels set up with a featherbed (just large enough for two people to lie down on or three to sit), two speakers and a few of my musical pieces on infinite repeat. I took the gallerists' sanity into consideration by picking pieces that I hoped could be heard again and again without driving them crazy.