Amoeblog

WALRUS DAY 2009: 1

Posted by Job O Brother, October 7, 2009 05:42pm | Post a Comment
carrie hawthorne
Cheers!

Hey, hey, hey! It's WALRUS DAY EVE!

Carrie and I are starting the celebration NOW, with our official Walrus Day beverage: Campari & soda. Our plans for tomorrow? For the lady, buttermilk pancakes with homemade banana syrup and thick-cut bacon. For yours truly, ICE CREAM -- the best breakfast food EVER. Remember, it's the most important meal of the day, so don't forget to add hot fudge!

We've also chosen our official song for the day...


Following our ridiculous breakfast, Carrie and I can be seen lurking around the darkened halls of the Museum of Jurassic Technology, with an occasional break for Indian sweets at the nearby Indian grocer. Dinner is as yet undecided, though Carrie is championing for some French grub at my favorite place for such things, Café des Artistes.

I just asked Carrie if there's anything more we should say to you. She asked in return:

"Should we have a deep thought they should ponder this Walrus Day?"

AMOEBLOG INTERVIEW WITH DEPECHE MODE FANS DOC FILMMAKER

Posted by Billyjam, October 7, 2009 02:22pm | Post a Comment

It seems we take music for granted in our current times, which is easy enough to do since we are so innundated with endless music from a seemingly endless stream of artists. With the way things are these days, it might be difficult to stop and imagine a time or a place where music could be much, much more scarce -- a place where music and the artists who create it are valued and treasured so much more than they are here and now. One of these long lost places has been captured in the great documentary on music fandom The Posters Came From The Walls, in which diehard Depeche Mode (DM) superfans look to their heroes for meaning in their lives. The documentary's subjects are primarily in second world nations, fans who bonded with the music of DM in the midst of political turbulence.

The feature length documentary about DM fans around the world was co-directed by Nick Abrahams and Jeremy Deller. In the documentary, the directors spend some time in the US and UK interviewing DM fans, but the flick is at its best when capturing DM fans in Russia and countries of the former Soviet Union, where DM's music has taken on a whole new meaning since the 1980's, when it was not only hard to find but illegal and only available via much coveted bootleg tapes. From that point DM's music became a sort of freedom soundtrack for many of these fans. DM's Dave Gahan’s birthday falls on May 9th, which is Russia’s National Day. In St. Petersburg DM fans celebrate the date as “Dave Day” every year.

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Taking the Lynch Meme Challenge: Canonizing David Lynch

Posted by Charles Reece, October 6, 2009 11:33pm | Post a Comment
No, I haven't given up on talking Inglourious Basterds to death; I'm almost finished, cross my heart. It's just that Dave Fiore distracted me with thinking about how I'd rank Lynch's feature films (The Grandmother and The Alphabet are probably my favorite shorts). Nothing will pull me into a conversation faster than my favorite living director. One thing I've noticed about my enjoyment of his films is that over time it's negatively correlated with my initial reaction: the less I liked them on first viewing, the more I like them with each re-viewing, and vice versa. Another is that I prefer the ratio-narrative Lynch to the one who lets his dreams/"ideas" take him wherever (granted, many, including Fiore, don't much agree that my preferred Lynch even exists). So, in order of my enjoyment/rewatchability/hours of mental masturbation afforded:

I. Lost Highway (1997)

lynch lost highway poster

Well, actually, it's the first half and finale with Bill Pullman's Fred Madison that place the film on top. For sure, LH contains some of Lynch's weakest moments: Balthazar Getty's Pete Dayton ("you liked it, hunh?"), music chosen by Trent Reznor (Bowie's "Lost Highway" over Payne's -- really?), and a menacing cameo by Marilyn Manson and Twiggy (about as spooky as W.A.S.P. in Ghoulies 2). Nevertheless, most of Lynch's major themes receive their fullest and most direct expression here: Vertig-inous duality (Renee vs. Alice), repression and oneiric escapism (the hallways, Fred's fugue state as a release from his impotence and murderous deed), and the demands of the always elusive Real (the intrusive mirror, phone calls, video tapes and, of course, Robert Blake's Virgil, the white-faced Mystery Man). Some poor casting and music supervision can't ultimately diminish Lynch and co-writer Barry Gifford's perfect construct.

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WALRUS DAY 2009: 2

Posted by Job O Brother, October 6, 2009 06:28pm | Post a Comment
Only 2 more days until
WALRUS DAY!



INTERVIEW WITH DEEANDROID & CELSKIII ABOUT SKRATCHPAD

Posted by Billyjam, October 6, 2009 12:50pm | Post a Comment

In the male dominated music world, female DJs are in the minority, especially when it comes to hip-hop. And when it comes to female scratch DJs, aka turntablists, the number of female artists is even smaller. Exceptions include DJ Shortee, Kuttin Kandi, and the Bay Area DJ duo of Deeandroid and Celskiii, who have been busy perfecting their game for over a decade now.

Tonight the Filipino female DJ duo, who were invited on tour by KRS-One a few years back, will be throwing their popular twice-monthly Skratchpad turntablist event (every first and third Tuesday) at The Cellar in San Francisco. The event had been on hiatus for a few years and returned just this May. I caught up with the two Vallejo natives to ask them about their party (including its "funky freestyle jam") and other aspects of the hip-hop DJ music they both so passionately love. They, like many other diehards, spell "skratch" with a K.

Amoeblog: Can you run down the history of Skratchpad -- from the first time out to the revised 2009 version?

Deeandroid: We started Skratchpad at the (old) Sublounge in May 2003. The Resident DJs were Celskiii, Wint-One, Amerriica and myself. We had a desire to organize and start up an open turntable event, since the Bay Area is like a DJ mecca. We loved to skratch and party and really missed the inspiration from when they had night events like the Beat Lounge at Deco. Celskiii and myself
were very influenced by the Beat Lounge weekly party/DJ session that was held at Deco back in 1997, where we [were] exposed to a great selection of rare & original music from DJs that were very talented, guests and rotating DJ residents/turntablists that were making some noise in the DJ scene at that time. The showcases and DJ sets were amazing, from cats like Apollo, Vin Roc, Derrick D, Shortkut, Spydamonkey, Snaykeyes, etc. So when Beat Lounge stopped...years later, Cel, Winst-One and I thought it would be dope if we created our own space for the DJs in the Bay Area to network, come together, and just jam in honor of Beat Lounge and to inspire new heads and practitioners of the DJ arts.

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