Amoeblog

Korean film festival of Los Angeles - KOFFLA 2010

Posted by Eric Brightwell, March 2, 2010 02:20pm | Post a Comment

KOFFLA 2010

I’m kind of embarrassed to admit it, but up until three months ago, the only Korean films and dramas I’d seen were 녹색 의자 (Green Chair), 미녀는 괴로워 (200 Pound Beauty) and 소울메이트 (Soulmate). I’d been given a grip of dramas by the good folks at MBC but I’d dutifully passed them along to my own soulmate’s mom, who’s a raging Korean drama addict.

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Interview With Rob Swift About New Album The Architect (Ipecac)

Posted by Billyjam, March 1, 2010 11:45pm | Post a Comment
Rob Swift
Released last Tuesday, The Architect by DJ/producer Rob Swift (X-Men, X-Ecutioners, Ill Insanity) has been selling well at Amoeba Music. At the San Francisco store it charted at number three last week on the latest Top Five Chart. Put out by Mike Patton on his Ipecac Recordings, The Architect is the latest in a string of solo releases from the prolific turntable artist, who for this latest release constructed and modeled the album like a classical music composition.

In fact, The Architect is an ambitious project, even for an artist like Swift, who has made a career out of pushing the envelope with his innovative turntable-as-instrument recordings. The Architect, which he dedicated to his former X-Ecutioners band-mate Roc Raida, who died last year, is an excellent recording that raises the bar on turntablist/scratch albums.

I recently caught up with Rob Swift to ask him about the new album and how it came into being. "In June of 2008 I was in my bathroom shaving and my girlfriend, her name is Tess, walked into the bathroom and was like, 'I want you to listen to something. So she set up her iPod and little speakers and played a piece by Chopin for me. I forget what piece it was but I remember being blown away and been really touched and moved by this music I was listening to," he recalled. "So I finished shaving and came out of the bathroom and I was like, Tess you gotta play me more of that music. What is it? And she started to explain to me about classical music. And the funny thing is that all of us have been exposed to classical music at one time or another, whether in a movie or at Macy's in an elevator, or if you're watching commercials. So as much exposure as I have had to the genre of classical music, I don't think my mind and my heart was ready to accept it. But for some reason on that day in my bathroom, my heart was ready to embrace this genre."

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Happy 200th Birthday Frédéric François Chopin

Posted by Whitmore, March 1, 2010 10:54pm | Post a Comment








Always Bet on Black? Looking at who dies first in some 80s action films.

Posted by Charles Reece, February 28, 2010 11:54pm | Post a Comment
deep blue sea sam jackson eaten shark

The folks over at TV Tropes have a handy system of weights ("scream scores") assigned to character types, called the Sorting Algorithm of Mortality (SAM), that when added up predict who's most likely to die first in a film or TV show. Under the category of race, the SAM gives a weight of 5 out of 5 for black or twofer (the latter being two token minorities represented in one character). At least since Renny Harlin's ironic homage to 80s sci-fi/action films, Deep Blue Sea (1999), the trope that the "black dude dies first" has been taken as a truism among pop culture aficionados. If you'll recall, it was Sam Jackson's Russell Franklin who, during one the actor's trademarked badass speeches, was the first major character to get eaten by a shark. The joke actually compounds two factors that aren't that easy to separate: star power and race. One wouldn't expect Will Smith to be the first to go, so Jackson, being the biggest star in the picture, shouldn't have been either, but his blackness (as the film satirically put it) won out. LL Cool J's Preacher makes explicit reference to the trope throughout the film, and is surprisingly (against the race-based common-sense expectation) saved at the end. But he's the second biggest star in the film (with the possible exception of Thomas Jane, whose character survives too). So are all the joking references to the fate of black men in action films really hitting their target, or are they merely beating a "dead unicorn"? I figure the topic makes for a fitting end to Black History Month here at Amoeblog.

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February 28, 2010

Posted by phil blankenship, February 28, 2010 11:02pm | Post a Comment
The Crazies movie ticket stub




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