Today, June 30th 2009, Fillmore San Francisco rapper Big Rich releases his latest album Heart Of The City on his own local independently owned & operated label 3 Story Muzik/Street Cred Music Group. Available at Amoeba Music San Francisco today, Luis in the hip-hop department at the Haight Street store commented, "We're very excited to have a new project by Fillmore's finest. We always sell out of everything he does."
Three years ago the hometown hero burst on the scene with the critically acclaimed, E40 presented debut Block Tested Hood Approved released on the New York based KOCH Records. Last year he followed up with both the album San Francisco Anthem as part of the All City crew, and the underground slim-jewel case CD release Get Down Or Lay Down Vol 2. And now today he unleashes the album Heart Of The City which sticks close to the script that the Bay Area artist developed on those previous releases.
Of the lyrical content of the new 17 track Heart Of The City (see exact tracking below) Big Rich says that, "I'm talking about issues happening in every city on a daily basis. I'm trying to capture the mood of rolling through your city and seeing different things going on in your everyday life. I'm telling my story through the eyes of a hustler's lifestyle: not a gangsta, a drug dealer, a politician, but a person who once struggled and now enjoys the journey after the fact," Heart Of The City features some of the finest local acts making cameos including Glasses Malone, The Jacka, Dem Hoodstarz, and 3 Story Gang. Meanwhile production is handled by 3 Story's own in-house producer D-Animals, Automattik and M.A..
In the confusing sprawl that is Los Angeles, you never know what alternate realities are hidden from block to block. Some of our best kept culinary secrets are tucked away in minimal blight or carted around in taco trucks, secret museums are hidden in bank basements, powerful soothsayers and Santaria healers rent corner spaces from struggling car stereo shops. But due to the overwhelming topography of LA, we can miss out of things that are not hidden at all. In fact, some of these "secrets" can take up city blocks. Case in point, the First Congregational Church of Los Angeles. The beautiful Neo-Gothic church is just behind Lafayette Skate Park in the Westlake area and quite visible from Wilshire. If you need an escape from the drug dealers and fake I.D. guys in MacArthur Park, this is the place. Every Thursday @ 12:10 they open the doors to the public and give free organ concerts. Their organ happens to be the largest on the planet, so it's quite a privilage to attend these concerts. This Thursday, July 2nd, there will be a special concert @ 2:00pm featuring brass and choral ensembles as well as the organ. It might be worth an extended lunch break...
New Electro/Techno 12"s Coming this Weekend:
The single is a double A salute featuring "STARTER," a classic BOYS NOIZE electro house banger in OI style, and "JEFFER," an all time fresh summer disco hammer to fall in love with.
WOLVES EP 12"
SISKID is back on MEANT records, receiving full support from DAMIAN LAZARUS, LAURENT GARNIER, AGORIA, and more. Three brand new peak time tech tracks, plus a fantastic remix by CHLOE. Tight production ready to work out the floor.
Detboi Y'ALL WANT MO EP 12" CHEAP009X
Feature Cast ARTIST SERIES 1 12" GG06
Jazzy Jens AFRICA 12" GAMM049
Rephrase SINCE 1939 & MINK 12" REPHRASE002
Various SOUL ALL-TIMERS VOL 4 12" DCLAS16
Analog People ROSE ROUGE REMIXES 12" HYS1697
Bacao Rhythm & Steel Band P.I.M.P. 7" 451016
Bright Eyes DANGER MOUSE REMIX EP 7" DM01
Depeche Mode WRONG-DJ REMIX EP WHITE 12" 12BONG40DJ
Douglass Greed NEW INNERSTATE...12" IF2017
Enola WORDS IN A BOTTLE 12" INITIAL028
Frankie Goes Hollywood MEMBERS ONLY 12" MO14
Frederic De Carvalho ROCK STAR EP 12" BOXON09
Jessica 6 FUN GIRL 7" MSSS01
Killers SPACEMAN REMIXES 12" SPACEMAN001
La Roux BULLETPROOF (1-SIDED, SQUARE) 7" 2705728
La Roux BULLETPROOF (ZINC RMX) 12" ROUX9
La Roux IN FOR THE KILL (CUT N RUN) 12" CAR036
Lefto vs Fela HOOLIGAN (LEFTO EDIT) 7" HOOL1
Luciano VERSUS-G.GERBER, L.VAN DOWSKI 12" CADENZA36
Moby VERY BEST OF MOBY - REMIXED 12" MORX001
Orbital LUSH HERVE REMIX 12" 2564688320
Peaches LOSE YOU REMIXES 12" XLT434
Peter Kruder CHORDAL & LAW OF RETURN 12" MACROM12
Vincenzo THIZZ IZZZ THE LAB 12" PFR104
Who Made Who KEEP ME IN MY PLANE #1 12" GOMMA128
Who Made Who KEEP ME IN MY PLANE #2 12" GOMMA130
Wigald Boning KOBRA DANCE REMIXES 12" COMP331
Echospace INTRUSION REFLECTION LP ECHO7
New House/Disco 12"s Coming this Weekend:
JIMPSTER comes out of hibernation with some lush grooving deepness to warm up the dancefloor, complete with newcomer FRANC SPANGLER's own chugger of a remix. Also includes "JUST THE KIND OF GIRL," with a slowmo vocal on the break. House heads...get on this.
Five Popular Metal/Black Metal Releases @ Amoeba Music San Francisco.
1) Throne of Katarsis Helvete - Det Iskalde Morket
2) Torgeist Devoted To Satan
3) Vlad Tepes Black Legions Metal
4) Vietus Mortuus These Haunted Lands
5) Root Hell Symphony
This list of five popular Metal/Black Metal full length albums can be found under the expansive "new releases" CD section of heavy metal, located on the right hand side of the back wall of the Haight Street Amoeba Music store in the vast metal section. These are just a sampling of the countless wonderful metal (including lots of black metal) albums on CD found in this section of the store. More metal releases popular at Amoeba's three stores will be featured in future Metal Monday Amoeblogs. Note that this "new releases" section is technically not all brand new releases, but most are new to many US metal fans. There are also many black metal imports in the section which were previously often difficult to find.
Included is Throne of Katarsis -- the Norwegian self-described "masters of unholy black metal," who in the six years since forming have achieved their goal of trying to keep the spirit of dark atmospheric occult Black Metal of the early ninties Norwegian Black Metal alive and well. According to the band's website, "Sanrabb of Gehenna joined forces with Throne of Katarsis on bass and will appear at upcoming shows and on tour with the band. Current bass player Lord Imalas will still be a part of the live line-up, as they will do separate rituals in the future."
Lowell George was the Hollywood born son of a famous chinchilla-raising furrier for Tinseltown aristocracy. His dad’s friends included the likes of Wallace Beery and W.C. Fields; matinee idol Errol Flynn lived next door. No wonder George grew up with a somewhat skewed perspective of things, eventually becoming a truly absurd, slightly eccentric slide guitarist extraordinaire. His often surreal songs defined the sound of his band Little Feat, convincing more than a few fans that they came directly from New Orleans, bringing home that convoluted and slippery vibe. Bonnie Raitt once referred to Lowell as the "Thelonious Monk of Rock & Roll."
Analog Drift... recalls the days back in the 80's when musicians from the U.S. and England started listening to African and Cuba music. Artists such as The Talking Heads, Grace Jones, Hector Zazou and even Michael Jackson had elements of African music in some of their biggest hits. Chico Mann merges his love of funk and freestyle with Afro-Beat and Afro-Cuban music making this an infectious low-key dance record.
Part of this album's appeal is its marriage between lo-fi and hi-fi. On one hand we have Marco with the Casio and hand claps; then you have collaborators such as Victor Axelrod (better known as Ticklah), who is a highly sought remixer as well as a former member of Sharon Jones And The Dap-Kings and current keyboardist for Antibalas adding his thing to the mix. Also, the album is vocal rich, with Marco performing most of the vocal duties with help from Mayteana Morales (Akoya Afrobeat, The Pimps of Joytime) and Vinia Mojica, who sang back-ups on many classic 90’s Hip-Hop albums by artists such as A Tribe Called Quest, De La Soul, Jungle Brothers, and last but not least, Mos Def and Talib Kweli.
Celia Cruz- "Songo Song"
Stevie Wonder w/ Grover
Ray Charles w/ Bert & Ernie - "I Got A Song"
Los Lobos w/ Elmo - "Elmo & The Lavender Moon"
"What hit me most about hearing the news of Michael Jackson dying was only then I realized just how much he meant to me, how much his music was such a part of my life," confided my friend Eboness from New York by phone on Thursday evening, just hours after the shocking news of the pop star's passing had clogged all channels of communication.
One of the many friends and acquaintances who seemed compelled to reach out and talk MJ on Thursday and in the days since, Eboness is 38 and lives in Harlem. Like so many people out there, she grew up on Jackson's music.
She said she and her mom had just come from 125th Street, where a growing crowd was gathering en masse outside the Apollo Theater to spontaneously mourn alongside total strangers in the shared sadness. As Jackson's music boomed from speakers up high, the teary eyed crowd below, with sunken shoulders, sang along to every lyric.
Thursday afternoon's shocking news of MJ passing caught everyone off guard it seemed. When I got that first text on my phone sometime after 3pm from my friend Timi D... which read "Michael Jackson just died???" I thought that maybe it was some of kind of prank or inside joke about the oft mocked star. Maybe it had something to do with his string of upcoming UK concert dates, I theorized as my Google search quickly confirmed the tragic news, with reports citing either the LA Times who broke the story or leading gossip news site TMZ that simultaneously reported on the same story. And when I next logged on to my email, my inbox was overflowing with messages with MJ's name in the subject box. I then clicked on the Amoeblog, where I saw that Whitmore had just posted the news. That was about 3:15 or 3:20 pm on Thursday; by then the news had already spread like wildfire via news and gossip sites and of course via Twitter, Facebook, and every other social network.
Most of Parkway Pumpin's associates never got around to recording with the label. Artists like Fiend, Mac (as Lil Mac The Lyrical Midget), Mystikal Mike (as Mystikal), Mr. Serv-On and Da Hound (Da Gert Town Hounds/Full Blooded) all went on to record popular records at No Limit without having anything released in their time at Parkway Pumpin'. Only one future No Limit Soldier did, Soulja Slim.
Untouchable Records was one of the many New Orleans rap lables that sprang up in the early nineties after the advent of bounce. A small label with a roster of musicians that, for the most part, came and went as they pleased, they nonetheless featured some of New Orleans' biggest, most notable talents. It was
started by Al "Rock" Capone; he also handled some of the production of the mostly downtown roster.
Most of their production was handled by Gary "Ozone" McKee, as well as the Tombstone-associated Merrill "Real Roc" Robinson, and even Cash Money's prolific genius, Mannie Fresh.
The first release on the label was Raw II Survive's West Syde Gz, produced by Merrill "Real Roc" Robinson, L.O.G. and Swift. With titles like "Crippin' in da Darkness" and "West Syde Gz," you might assume that it has a west coast sound. Rest assured, it's unmistakably New Orleans. It's also solid but not especially memorable, perhaps hampered by its very low budget sound.
Also released in 1994, 9th ward rapper Pimp Dogg's Forever Loaded (produced by Double O, San Quin and L.O.G.) is the winner of the two. I'm not sure who influenced who, but it's got a gangsta bounce sound at times very similar to Fila Phil with the dynamics of Mr. Ivan and 6-shot.
I'm always amused by scribbled out faces on album covers. Was it a small child or a high strung, maladjusted adult? I mean, hating on a Mary Jane Girl for their hotness is one thing, but what did the drummer of the Shondells ever do to you?
Here are a couple of love messages, evidently one coming from the Artist himself. Below is a quality control stamp; every DJ should have one.
JenRO (pictured left) was among the artists featured in the new hip-hop documentary Pick Up The Mic: The Evolution of Homohop that graced the stage of Amoeba Music San Francisco yesterday (June 25) for a free in-store performance. The instore both marked the release of the critically acclaimed documentary on DVD, and also helped celebrate Pride '09. As you know, the big SF LGBT Pride parade & party is on Sunday, June 28 -- and Amoeba will be present, with our own booth where you can win fabulous prizes! Details here and here.
JenRO's Amoeba performance was tight and captured the emcee's pure Bay rap flavor and gift for lyrical flow. JenRO is not just a good queer hip-hop artist -- she is a talented emcee, period. For more on this San Francisco female rapper, who, as she rapped at Amoeba yesterday "was born the same year that CDs were created," visit her website, or hit up her official info phone line @ 415-692-5695, or check out the video interview with her on Yo!TV included in the Recognize: Bay Area Female Rappers Amoeblog from a year ago.
Longtime Bay Area homo-hop artists Dutchboy and Juba Kalamka were also performing at Amoeba SF yesterday. After the show I caught up with Juba Kalamka, whom I know from his days with now defunct Bay Area homo-hop crew Deep Dickollective (D/DC). Eight years ago the group's great song "StraightTrippin" (feat. Doug E) was featured on Independent Sounds: Amoeba Music Compilation Vol. III, and two years later fellow D/DC founding member Tim'm T West also appeared on the Amoeba Music Compilation Vol. IV. Check back for an interview here with Juba in an upcoming Amoeblog.
Starting off with some nice homemade cover art, Bowie never looked finer. I absolutely love the red drawing below; the details are awesome. Dude is drinking f**king Alize! The Ric Ocasek scrawl is priceless, unlike his solo efforts which are priced low. Sorry, couldn't resist that one...
A couple of Beach Boys afters and befores. The Sharpie drawings were over the original shrink wrap; I really dig Mike Love with huge black eyebrows.
How many different GGW Lps are there? I'm not sure, but this is a one of a kind, as is the Grim Reaper pic found inside. Bobby Vinton looks to have had a bit of an accident. The Elsa Lanchester 10" is rare on its own, the drawing must add...oh...a 80% deduction to the value. Unless of course, she drew it, which is a possibilty. The Decline record is too good to be true-- could it have been El Duce himself who defaced poor Darby?
File this under “there isn’t much of anything new under the sun.”
The July calendar is now online!
Friday & Saturday June 26 & 27
Two Directed By Powell & Pressburger
Tribute To Cinematographer Jack Cardiff
A Matter Of Life And Death (1946)
aka Stairway to Heaven
dir. Michael Powell & Emeric Pressburger
starring David Niven, Kim Hunter, Robert Coote, Kathleen Byron
Fri: 7:30; Sat: 2:50 & 7:30
"The movie becomes a glorious romance that is as poignant and exciting today as it was over fifty years ago. Part of that is down to the taut writing and the excellent performances from David Niven and Kim Hunter. But perhaps most of it is because the film is replete with sheer and successful audacity." - BBC
"Billie Jean" live -- Motown 25 performance that blew everyone away. The syncing is a bit off but the dancing is all there.
"We Are the World"
"Man In the Mirror" live at the Grammys
"In the Closet" with Naomi Campbell
This is the first full-length release for Amsterdam-based DJ/producer Shinedoe on her own Intacto label. True to its name, she has chosen a broad sound for No Boundaries -- one that is always focused on the dancefloor and is never predictable. This record can be seen as the yellow-bricked road right through all the sounds that defined her DJ sets in the past years. The result is a record where rhythmic tracks fluently take turns with organic-sounding jam sessions -- warm and jazzy, deep and funky. "Below" starts it all off with an irresistible minimal groove, a tempting bass line and a warm, soothing synth. "Bounce To This" features a more funk-influenced house sound, just waiting to rock dancefloors around the globe. "Jazz it Up" is a track like you've never heard from Shinedoe, but it leaves you concluding, "why not?" Deep drum rolls build around a funky housebeat and saxophone sample in an almost hypnotizing groove -- just try to stand still for this one. "Finding A Balance" also shows a side of Shinedoe we didn't know before -- it's as if she gave the extremely rhythmic productions from her past a stylish, deep house twist. "No Boundaries" showcases her first collaboration with a vocalist -- guest of honor on this unadulterated oldskool house track is Bumpy, aka Mr. J. On "Higher," produced under her Innersphere alias, we can hear Shinedoe doing what she does best: subtle percussion and airy piano-loops put together in an inevitable dancefloor bomb. With the atmospheric closing-piece "Just For Us," she underlines her border-crossing ambition; warm, jazzy grooves jut against headstrong minimal techno. A brilliant and accomplished release from one of dance music's most organic and future-minded producers.
SMITH & MUDD
The term AOR, as in Album Oriented Rock, was first used in the seventies to describe the then new format of FM rock radio stations that specialized in playing album cuts, digging deeper into a record than merely spinning the singles heard on more pop oriented radio. The AOR format idea, which over the years disintegrated into boring predictable programming by "suits" whose bottom line was profit, not good music, began its days as a somewhat noble idea; one that borrowed the progressive and freeform radio pioneered in the years just before its launch by such adventurous programmers as the late great Tom Donahue at KMPX and KSAN in San Francisco.
But before there was AOR, there was MOR, a format that never pretended to be hip or alternative or adventurous in any way. Most popular in the sixties and seventies, MOR, as in Middle Of the Road, was, as its name implied, a most mainstream radio format whose playlist offered a mix of non-offensive popular music. Middle Of The Road was not the type of music that a self-respecting "artist" would claim to be but it was also the name that a successful 70's Scottish pop band chose. Although technically more bubble gum pop, Middle of The Road sure managed to appeal to a middle of the road audience and also scored a string of pop hits in the early 70's, including their 1971 debut single, "Chirpy Chirpy Cheep Cheep," which shot to #1 on the UK pop charts that year and went on to sell over 10 million copies. The hit captured Middle Of The Road's pure, unadulterated sugary pop, and their singalong sound. To me, their infectious Europop style and the fact that Middle of the Road included male and female pop vocals harmonizing made the group sound similar to Abba's style, whom they predated by a couple of years. Sweden's Abba formed in 1972 and scored their first pop hit ("Ring RIng") in 1973.
Pop icon Michael Jackson was rushed to Ronald Reagan UCLA Medical Center this afternoon by Los Angeles Fire Department paramedics. Paramedics responded to a call at Jackson's home at 12:26 p.m. He was not breathing when they arrived. The paramedics performed cardiopulmonary resuscitation and took him to the UCLA Medical Center.
Paramedics were called to a home in the 100 block of Carolwood Drive off Sunset Boulevard in the Bel-Aire area of Los Angeles.
Los Angeles Times and CNN posted early this afternoon Jackson died of a probable cardiac arrest . His talent and ambition made him the biggest international pop star of the 1980's and 90's. His 1982 album Thriller remains the biggest-selling album of all time, selling somewhere in the range of 65 million copies world wide, powered by seven Top 10 singles and eight Grammy Awards. Michael Jackson was 50 years old.
Pendersleigh & Sons' Official Map of Yucca Corridor & Hollywood
The Yucca Corridor is a small, crowded neighborhood in central Hollywood, just northwest of downtown. Its borders are Franklin Ave on the north, Hollywood Blvd on the south, Highland on the west, and Vine on the east. Below is the southeast corner of what's now Yucca Corridor as it was in 1907. Nowadays it is 42% Latino (mostly Mexican and Guatelmalteca), 41% white (mostly Armenian), 7% Asian and 5% black.
The Yucca Corridor
Perhaps I'm a cynical ol' coot, but I thought this was one of the most horrifying things I had ever seen in my life. Like, it made me feel the way directors of zombie films want me to feel, but never quite achieve. I can promise you, if this ever happens to me in any train station (or, indeed, any place of public transport) I will have a profound and thorough heart attack.
Frances Dean Smith, the prolific Santa Monica poet known as francEyE died earlier this month in San Rafael of complications from a broken hip. She was 87.
She was a winner of the Allen J. Freedman Poetry Prize, and was a frequent contributor to a variety of presses, large and small, like the Saturday Review, Chiron Review, Comet, and Blue Satellite. francEyE also published several collections of her work including Snaggletooth in Ocean Park (Sacred Beverage Press, 1996), Amber Spider (Pearl, 2004), Grandma Stories (Conflux Press, 2008) and Call (Rose of Sharon Press, 2008). Smith can be seen in the film Bukowski: Born Into This (2004), GV6 The Odyssey: Poets Passion & Poetry (2006), and other documentaries about the LA poetry scene.
Will I see Skye? Will I really
fly? Will I never be able to taste tiramisu again
and are there pleasures after death greater than taste? Soon I'll find
of course, but I'd like to know about it while I'm still
alive. This little pain in the middle of my chest
annoys me; is it trying to tell me not to worry? Well, really,
worried I'm not; I'm inquisitive. No
answers in sight, I believe, so I think I'll lie down and
close my mind to all that, think about
the day Obama won, so now I'll always remember,
Oh yes, I remember when Obama won, it was the day
I saw that woman die. We were sitting in the hall
across from each other in our walkers, resting. We
made eye contact, peaceful in the sort of eventless
afternoon when it seemed the only thing
TV. Obama was winning, we were resting, our heads supported by
the backs of our chairs. Then yours wasn't, it fell forward til your
hit your chest; I gave a yelp; nurses came. Here, and then not here,
just like that. Mystery woman, I'll remember you, and honor you every
year on the day Obama won, 4th
day of November, 2008, his
victory day and your
to N.H.B. Sahoo
make me a book
of pictures of dragons,
pictures of all the dragons that you know.
I would like to see a picture of the dragon of sunrise,
and I would like to see a picture of the dragon defender of all frogs and toads
and I would like to see a picture of the dragon of mercy
and one of the dragon of no mercy, too,
and above all I need a picture of
The Dragon of Everything and if there is a Dragon of Nothing
I need that one,
and then to end the book I think there should be a picture
of a dragon of excellent birthday parties and
sweet sleep. Especially yes, I want to see with my own eyes
a picture of the dragon of sweet
This should be enough to get me season 2 of Lost on Blu-Ray...
The first thing my boyfriend told me upon awakening this morning was this:
“I dreamed that… there was an Amoeba that sold shrimp. Like, instead of a music store, it was a place where you could go and sell your used shrimp and… they’d re-sell it to places like Iraq. Saddam was actually buying the shrimp, so I guess he was still alive. I got good money for it, too. Like, $112.40.”
Okay – there’s a lot to love about this dream, and needless to say I started my day with laughter, but I think my favorite element is not that Saddam was alive again and personally brokering shellfish trade with my favorite record store, or even that the concept of “used shrimp” is so utterly disgusting as to be hilarious, but the fact that, in his dream, my boyfriend received and remembered such a distinct trade quote: $112.40. Not bad for a bag of second-hand, decapod crustaceans, no?
This was just after we’d been woken by our iHome. For our alarm, I have a playlist filled with classical music pieces specifically selected as the least traumatic way to start the day. One of the best is this little gem…
If I had to name my top five favorite composers of all time, Claude Debussy would be one of them. If you thought the above piece was lovely, I cannot recommend his other chamber works enough. I mean, I love everything he wrote – but his chamber pieces are what really kill me dead. Come on in to Amoeba Music Hollywood sometime and I’ll hook you up. Your life will be so much the dreamier for it.
The above video clip of turntablist DJ JS-1 on Live With Regis And Kelly (originally aired two years ago, but resurfaced today in an updated edit to tie in with the turntable artist's new release) is one of the most entertaining turntablist clips I have seen. I love both JS-1's sharp turntable set, and also when his hosts join him, with Regis cutting up Perry Como and Kelly wrecking the mic in a spot-on rendition of Mims' "This Is Why I'm Hot." The appearance on the show, which was, as Regis said, the first time that they had just a DJ /turntablist on to perform, was re-edited and mixed in HD condtion by the Queens DJ/producer to promote his brand new album, Ground Original 2: No Sell Out (Fat Beats), which arrives in Amoeba Music today, Tuesday June 23rd. Note that DJ JS-1 also appeared on the Amoeba Music Compilation Vol V with the track "Audio Technician" featuring Immortal Technique and Lifelong.
Veteran American TV personality Ed McMahon, best known as Johnny Carson's sidekick for almost 30 years on The Tonight Show (1962-1992), died earlier today in Los Angeles, reported NBC. He was 86 years of age. While exact reasons for death were not announced, McMahon had been in extremely poor health since he was admitted to the hospital back in late February -- reportedly with pneumonia.
Best known for his second banana role to Carson, including his trademark "Heeeeeeeeere's Johnny!" intro to the show, McMahon was an all around television personality. A regular on countless TV shows over the decades, he was a game show host, announcer, comedian, and endorser of numerous products. Long before American Idol existed, McMahon hosted the popular talent search TV show Star Search. As an NBC personality regular, he would often be one of the presenters at the annual Macy's Thanksgiving Day Parade. For a time he also co-hosted with Jerry Lewis at his fund-raising telethons for the Muscular Dystrophy Association (MDA).
Over the years he appeared in many TV ads, including for Budweiser beer, and most recently he was in an ad during this year's Super Bowl along with MC Hammer for Cash4Gold following his well publicized tragic fall into tough financial woes -- his house was foreclosed on in recent times. McMahon also did a series of short parts and walk-on parts in movies and TV shows over the years. And of course, Ed McMahon will also always be remembered as the presenter of American Family Publishers Sweepstakes, which would arrive in TV vans at the homes of winners. Below are a series of video clips from the life of Ed McMahon, including a recent era one for FreeCreditReports.com in which he parodied his old American Family Publishers Sweepstakes days.
1) Iron Maiden Flight 666 DVD
2) Metallica Death Magnetic CD/LP
3) Mastodon Crack The Skye CD/LP
4) Metal: A Headbangers Journey DVD
5) Nyktalgia Peisithanatos CD/LP
If, like me, you suspected that heavy metal music had been going through a bit of a renaissance in recent years and that the decades old genre born out of hard rock in the late 60's/early 70's seems more popular than ever these days, you would be correct, according to longtime metal fan and Amoeba employee Stevil. "The state of metal is healthier than ever. Plus it is more diversified than it has ever been," confirmed Stevil, who works at the San Francisco Amoeba Music, and who has been a dedicated metal fan since the early 80's -- a time when the genre, while popular with certain crossover bands, was generally not nearly as widely accepted as today. "It's cool and acceptable to like metal these days. That's good," said Stevil. He recalled the bygone era when he first got into the genre, when it had a certain "excitement and camaraderie" due to being a relatively smaller and more insular scene. "It was like a huge worldwide gang," reminisced Stevil, noting that, "Nowadays there's a lot of bands, a lot more bands, but with more and more fractured sub-genres" beyond the once standard classic, thrash, and black metal musical divisions which remain his personal favorite types of metal. "A lot of bands have come over from the hardcore punk scene, so there is a whole new fanbase to it, a wider fanbase than ever."
Turn out the light
Miss Kitten & The Hacker
PARTY IN MY HEAD 12" BIZZ7
Fresh out of the traps and hot on the heels of MISS KITTIN & THE HACKER's "1000 DREAMS" springs "PARTY IN MY HEAD" -- one of their best. Also contains remixes from MR PAULI (CLONE/VIEWLEXX), THIEVES LIKE US, and KIKO. Hi-NRG, 80s indie electro party stompers on one 12".
DARKSUITE-SOULTOURIST REMIX 12" ORN008
New limited ORNAMENTS from PEAK! Three cuts of quality, dub-influenced deep house & techno, including a remix from SOULTOURIST (DRUMPOET COMMUNITY) and YOUANDME. Vinyl release ONLY, and even though we don't know for sure, it's probably pressed on marble wax. You know how ORNAMENTS does it.
Fort Knox Five FOUNDATIONS EP 12" FKXP000
Fort Knox Five RADIO FREE DC RMX #4 12" FKX017
Medusa Edits REFLECTION SERIES #3 12" ME003
Rephrase CHASE YOUR TAIL 12" REPHRASE001
Rephrase JELLY JAM REMIX EP 12" REPHRASE003
Sly Players ARTIST SERIES 8 12" GG16
Assembly Line FALLING BACK EP 12" CCR007
Beatstalkers MODERN STALKING EP 12" FFM002
Bonaparte VS Markus Lange ANTI ANTI 12" FMO0905
Depeche Mode ACAPELLA ALBUM LP DMACCLP
Dimlite QUIZ TEARS 7" AC7X7X0
Heavy Feet SASQUATCH EP 12" PASA050
Kenny Larkin SKETCHES EP-SHLOMI ABER 12" BAO018
Modernaire FAITES VOS JEUX 12" ROXOUR005
Sally Shapiro MIRACLE 12" PERMVAC037
Various ALL NIGHT LONG EP 3 12" AUS0921
Nazz - "Hello It's Me"
The Isley Brothers - "Hello It's Me"
Mark King Of Level 42 With Toots Thieleman - "Hello It's Me"
John Legend - "Hello It's Me"
Groove Theory - "Hello It's Me"
The Cast From That 70's Show - "Hello It's Me"
Sarod maestro Ustad Ali Akbar Khan, who was instrumental in popularizing Indian classical music in the West as both an artist and a teacher, passed away Thursday night/Friday morning after a prolonged kidney ailment, it has been reported.
The Indian born Khan, who lived in San Anselmo in the Bay Area, was 88 years of age. To read the news report on his passing, click here. Look for releases from his rich catalog at Amoeba Music, and enjoy his beautiful music in the videos above/below. Rest in peace Ali Akbar Khan. Your soulful music will keep you alive forever!
In this entry of the Los Angeles neighborhood blog, we will cover Elysian Valley. To vote for a neighborhood, go here. To vote for a Los Angeles County community go here. To vote for Orange County communities, go here.
Pendersleigh & Sons' Official Maps of the Mideast Side and Elysian Valley
Elysian Valley is a small working class neighborhood in LA's Mideast Side, bordered by Fletcher to the north, the 5 freeway to the west and south, and the LA river to the east and south. It's surrounded by Elysian Park, Silver Lake, and Elysian Heights and, across the river, Atwater Village, Glassell Park and Cypress Park.
Summer begins in Hollywood, Ca 34°08′02.56″N 118°19′18.00″W
Sunday June 21st
1328 Montana Ave (at 14th st.)
Santa Monica, CA
Juggling the thing of a thing of a thing ... the physical skill of shaking up gravity and moving a couple or more objects through the air with care, in a continual motion as balls roll or bowling pins fly or a chainsaw and lit torches flutter in ways light and weightless clinging to their paths here and there and there and here.
Now, I’m not sure my six year old wants these Legos, unless some clone troopers are included, but …
The Danish plastic toy-brick maker, the Lego Group, has joined with Brickstructures Inc. to launch a model version of Frank Lloyd Wright's iconic architectural design, the Guggenheim Museum, to help celebrate the 50th anniversary of the New York museum, which opened six months after Wright's death. In late June, both companies will once again combine their talents on another model to commemorate the up coming 75th anniversary of Wright’s famous Fallingwater house located in rural southwestern Pennsylvania, 50 miles southeast of Pittsburgh.
The name Lego is from the Danish “leg godt,” which means “play well” and was coined by Lego founder Ole Kirk Christiansen, who began making wooden toys in 1932. By 1940 Lego expanded to producing plastic toys. In 1949 Lego began producing the now famous colorful interlocking plastic bricks. Based largely on a design by the UK company Kiddicraft Self-Locking Bricks, Lego slightly modified the design and by the late 1950’s had settled on the overall design most kids are familiar with today.
So as not to offend anyone, films set in Eastern Europe commonly take place in imaginary countries like Trouble for Two's Karovia, The Terminal's Krakozhia or Chitty Chitty Bang Bang's Vulgaria. In reality, there are several little-known, obscure republics which enjoy various amounts of autonomy that would fit the bill. As portions of their citizenry actively campaign for self-rule, I thought I'd shine a light on the unrecognized peoples of eastern Europe. It turns out there's more to the region than ruthless spies, fortunetellers and stout babushkas.
The Caucasian nations and the trans-continental Bashkortostan are dealt with elsewhere.
The photos from the album McCartney are seared indelibly into my consciousness. They capture so many golden moments in pastoral, domestic family life. As a child, the album was often propped up in front of our record player and I would get lost in each image, staring into them one by one while simultaneously absorbing the music crackling through the stereo. I wanted to live in those pictures and actually still somehow feel, although clearly my family was different from the McCartneys, like they capture the mood and feeling of the best, most nostalgia-raising days of my childhood.
Must be why listening to the album these days takes me right back there, to my earliest years, only now I can listen to the album with my own thoughts and images of love, family and the pastoral. This new, more complex listening experience that comes with McCartney now that I am older has deeply enriched an already fantastic album for me.
McCartney was Paul's first post-Beatles album and he came at it sounding as confident as ever, making singularly fab songs such as "Every Night," "Maybe I'm Amazed," and "Junk" sound so simple, so easy. Though there are some patchy bits where the record veers into instrumentals, I see those portions as time to process some of the other songs, moments to wrap up my mind in my own memories while still listening.
1) Mos Def The Ecstatic (Downtown)
2) J Dilla Jay Stay Paid (Nature Sounds)
3) Black Eyed Peas The E.N.D. (Interscope)
4) DJ Quik & Kurupt Blaqkout (Mad Science)
5) Eminem Relapse (Shady/Aftemath/Interscope)
Following two less than impressive albums (2004's The New Danger and 2006's True Magic) from an artist who has the skills to deliver more, Mos Def returns with his strongest release in many years, The Ecstatic on Downtown. This is the New York emcee's fourth solo release. The new 16 track album, this week's number one hip-hop release at Amoeba Music Berkeley, returns Mos Def to closer to the magic captured on his debut Black on Both Sides ten years ago and his earlier Black Star days than he has been in quite a while.
Maybe the renaissance man (who also has a successful active acting career, including the award nominated role he had in last year's movie Cadillac Records) was spreading himself too thin up til recently to deliver a solid hip-hop album like this one. Or maybe the fact that for this record he had, among others, Madlib, his younger brother Oh No, Preservation, Mr Flash, and even the late J Dilla on production duties, all of whose beats and mixes perfectly compliment Def's smooth flow. J Dilla's production was for the song "History" featuring Talib Kweli, Mos Def's other half in the legendary hip-hop duo Black Star.
The full June Calendar is online, July available soon!
Friday & Saturday June 19 & 20
The Story Of Two Epic Rivalries
The Duellists (1977)
Beautiful Recently Made 35mm Print!
Ridley Scott's Feature Film Directial Debut
Cannes Film Festival Best First Work Award Winner Ridley Scott
dir. Ridley Scott, starring Keith Carradine, Harvey Keitel, Albert Finney, Edward Fox, Cristina Raines
Fri: 7:30; Sat: 2:55 & 7:30, Watch The Trailer!
The Duellists... may well remain one of the most dazzling visual experiences throughout all of 1978. The movie, set during the Napoleonic Wars, uses its beauty much in the way that other movies use soundtrack music, to set mood, to complement scenes and even to contradict them. Sometimes it's almost too much, yet the camerawork, which is by Frank Tidy, provides the Baroque style by which the movie operates on our senses, making the eccentric drama at first compelling and ultimately breathtaking. - Vincent Canby, The New York Times
This is the debut full-length release by Berlin by-way-of Saint Louis Alphahouse label-head, Andrew Rasse, aka Butane. Endless Forms is the future of electronic music, exploring fresh directions and true experiments in sound, heralding the arrival of one of the more pioneering artists of our times. The title is a homage to Darwin, the true master of progress, and the discoverer of evolution. Butane took inspiration from Darwin's concepts, considering "all the complexity that surrounds us has developed from ultimate simplicity." Working from this notion, Butane has created a project that holds the beauty of simplicity, yet listen carefully, and you can hear the intricacy of its craftsmanship. "This Is Your Brain On Music" takes a sample from Daniel Levitin, a neuroscientist/musician, talking about his book and encapsulating the message of the album -- "that scientific and philosophic inquiry into the nature of things leads to new forms of artistic expression." Endless Forms drifts through the organic sounds of Butane's production in tracks such as "His Story" and "Mutation," each creating new patterns in the engineering of modern techno. "Transmit The Music In Me," "Almost Finished," and "Idle" further augment the atmosphere, where industrial beats encounter laid-back harmony. Taking influence from evolution, he embodies a wide musical range, encompassing anything from seamlessly-blended soul-led techno to warm, deep, cerebral house music.
Le Sacre Du Printemps
All these years later, music's king of parody "Weird Al" Yankovic is still doing his thing, as proven by his latest release "Craigslist" which is a parody of Jim Morrison and The Doors' "When The Music's Over." And if the music sounds really like the Doors, that's because The Doors' keyboardist Ray Manzarek is playing on the new Weird Al version. But Jim Morrison isn't the only musician Weird Al seems to be channeling on "Craigslist." Check out the video at the time point 3:12 to 3:14, when Weird Al says "No tip for you." Doesn't he sound exactly like Jello Biafra? I think he does. The video above was directed by Liam Lynch. For more info on Weird Al, visit his website or MySpace.
In the two video clips, above and below, Flipper, one of the greatest bands of all time, play their timeless track "Ha Ha Ha," first in 1980 and then in 2009. The 1980 video clip shows the legendary and unique San Francisco punk band playing "Ha Ha Ha" along with the song "Oh Oh Ay Oh" at the long gone East Bay nightclub the Berkeley Square in July of 1980, about a year after the band had formed.
And below is a video of Flipper performing the song at a recent free in-store at Amoeba Berkeley in April 2009 with a line up that included Ted Falconi on guitar, Bruce Loose performing vocals, Steve DePace on drums, and Rachel Thoele on bass in only her second gig with the band.
The in-store coincided with the group's classic albums being reissued on vinyl. A little over a year earlier, in February 2008, Flipper also did an Amoeba in-store when they played the San Francisco Amoeba Music store. For an interview with the band from their 2008 San Francisco Amoeba instore, click here.
1989 - A Time of Lies
Rewind back to 1989. It was a time of shadows and deception. A Massachussets-born, Ivy League blue blood masquerading as a Texan succeeded a bad Hollywood actor as president. America's youth shaved the Batman emblem in the back of their heads in anticipation of Michael Keaton playing Bruce Wayne, who secretly fights crime by night as Batman. The music world was rocked when, at a Connecticut performance, the recording of "Girl You Know It's True" began to skip. See, CDs had been billed as indestructible, so why was it skipping? And even the most naive fan had to accept what had been obvious and scarcely worth pointing out, that this particular dance-pop duo may've been chosen for their looks in an unholy scheme to... make... money!
Skweee is a stripped down, barebones, (mostly) Nordic and Finnish, minimal synthfunk. The songs sound like old midi files and karaoke soul music that's the perfect soundtrack to Leisure Suit Larry getting his mack on. The scene's been around for a few years and I can't remember when I first became aware of it... it may go back to the myspace age. Actually, this blog entry has been around a long time so I thought I should wrap it up. Vinyl is the medium of choice for this example of what can happen when your country pays you to advance their culture.
Check out these label sites if you're interested:
Flogsta Danshall, HarmÃ¶nia, DÃ¸dpop, Disques Mazout and Titched.
Amoeba Music and Phil Blankenship are proud to present some of our film favorites at Los Angeles’ last full-time revival movie theater. See movies the way they're meant to be seen - on the big screen and with an audience!
Saturday June 20
New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
11:59pm, All Tickets $7
June 27 Purple Rain
25th Anniversary of the Prince classic!
July 4 Red Dawn
In our time, no foreign army has ever occupied American soil. Until now.
July 18 To Live And Die In L.A.
A federal agent is dead. A killer is loose. And the City of Angels is about to explode.
The first roommate I had here in LA was completely out of her mind. We’re talking a real nut. I won’t go too far into details, but I will say skydiving without a parachute would have been more pleasurable than living with that woman. Her little sister, on the other hand, who used to frequently visit from NY, was the polar opposite; she was well read, sociable, easy to please, giggled perpetually, she didn’t steal my stuff, and she found enjoyment in sharing things. One thing she shared with me was here love for a local emcee from her hometown, Amanda Diva. I was unaware of her at the time, but completely open to discovering new music. She played this track for me called “40 Emcees,” and my head spun.
It was like seeing a unicorn for the first time. It was such a breath of fresh air, since, for the most part, female emcees -- female performers, period -- at that time, had been reduced to floss, glitter and stilettos, to say the least. Not exactly my meat and potatoes. But, I digress. Amanda Diva is the TRUTH, and she comes fully equipped with a Master’s degree, bubbling personality, mad lyrical flow, wit, charm, the gift of gab and crazy talent.
Now, nearly three years after my first encounter, I see and hear Amanda Diva almost everywhere, from her show on her YouTube spot, Diva Speak TV, to here guest appearance on Q-tip’s album, to her blog, to The Roots, to Floetry. I tracked Miss Diva down to chat her up about female emcees, the First family, the Internet and her new EP Spandex, Rhymes, & Soul.
What is a diva to you?
Big Boy Records was founded by Charles "Big Boy" Temple and the talented producer, Leroy "Precise" Edwards, who was responsible for most of the varied but always warm, solid and organic sounds. Others involved in the production were " David "D-Funk" Faulk and Brian "Big Bass" Gardner.
Big Boy's first signee was pioneering New Orleans raper Sporty T (Terence Vine). The Gentilly resident had previously been a founding member of The Ninja Crew -- New Orleans's first rap group to record. In the early '90s, inspired by hits by Juvenile and Everlasting Hitman's bounce hits, he moved in that direction as well. The label's first single was "Sporty Talkin' Sporty." Though bounce, it had an uncharacteristically heavy sound for the genre. After it sold 4,000 copies, Big Boy sought out more talent.
The "homework feeling." That’s what I’ve got.
It started when I was a kid. It would be after school, and I was finally at home. The sense of relief was huge, because I hated school. Every school day was something to survive – forget about excelling.
Not that I attended schools that were innately dangerous, mind you. In fact, my Ma made sure, humble means or no, that I went to private, reputable institutions. But my antipathy was unconditional. I have the test scores to prove it.
Having finished a day of school there still remained, however, a most evil of responsibilities: that heinous curse, homework.
It haunted me every hour I didn’t do it. Whether I was watching You Can’t Do That On Television, or making my culinary invention – Sweet, Scrambled Pancakes* – or writing cry-for-help puppet shows, there was always that voice in the back of my mind reminding me in a chiding tone that I had homework.
I pretty much never did homework. No amount of privileges revoked, respect lost, or threats of future failure could convince me to do a sheet of fractions. Heck, the homework could have been to sit in a chair and clap twice – I would have found a way to avoid doing it.
To this day, most any time I’m not actively doing something responsible and productive, I feel guilty, or like I’m forgetting something important and, as a result, my life will be sent into a furious, downward spiral. I know it’s neurotic, but all it takes is two hours of enjoying listening to music and daydreaming for me to worry that I’ll be living in a rotted cardboard box by Tuesday.
Guitarist Bob Bogle, who co-founded the Ventures (known for such hits as "Walk, Don’t Run” and “Perfidia”) died on Sunday after suffering for several years from Non-Hodgkin Lymphoma. The Vancouver, Wash resident was 75. As a part of the Ventures, the legendary instrumental rock band with a distinctive guitar sound that were inducted into the Rock and Roll Hall of Fame in March 2008, Bogle leaves behind quite a legacy.
The Tacoma, WA garage-rock band formed in 1958 by Bogle along with Don WIlson who both shared a strong passion for guitars. In 1960 they scored their first hit with an inspired instrumental remake of the Chet Atkins song “Walk, Don’t Run” (above) with Bogle on lead guitar.
The Ventures' version would go on to become one of the most influential songs in rock history and not only launched their long successful career but also helped lay the ground for what became known as "surf music," although they are not technically a surf band. The Ventures' guitar playing has influcenced guitarists in bands for generations, ever since their first hit almost fifty years ago. The prolific group has sold 100 million albums and they still perform to this day. Bogle had stopped playing some years ago due to his illness. R.I.P. Bob Bogle.
1. Aventura-Last (New York/Dominican Republic)
4. V/A- Love Is Love (Africa)
5. Serge Gainsbourg- Historie De Melody Nelson (France)
The self-proclaimed Kings of Bachata ran away with the top spot on Amoeba Hollywood's World Music top five. Aventura sold enough to get on Amoeba Hollywood's overall top ten (a rare feat for our little section of the store), along with new releases from Mos Def, Grizzly Bear, Sonic Youth and J Dilla. Aventura, along with Wisin & Yandel, is the soundtrack to many lovesick teenage Urban Latinos in matching Kobe Bryant jerseys. It's the kind of sickly sweet stuff that you dedicate to your girl or guy if you love them or if they broke your heart.
Although this was an conscious attempt to make a mainstream album, Los Amigos Invisibles' latest, Commercial, stays the course that the band has been on for fifteen years. Remember what was often said about The Grateful Dead? “It's not that they're the best at what they do, it's that they're the only ones who do what they do?" That's certainly the case with Los Amigos Invisible. If you love their unique take on Latin Disco with loungy undertones, Commercial won't disappoint.
Federico Aubele’s electronic dub meets Tango and acoustic music has many fans, including Argentineans, KCRW heads and people who love Thievery Corporation. Maybe they are all one in the same? Nevertheless, they go gaga for this guy. It’s perfect background music for a café or perhaps that mood music for driving or for that soundtrack for the mini-movie inside your head. There are also remixes on vinyl of some of these tracks as well as some from his previous release, Panamericana, which bump a little more than the CD versions.
The Whispers-One For The Money
Tom Waits- Blood Money
Supergrass- In It For The Money
Rabanes- Money Pa' Que
Pitbull-M.I.A.M.I. (Money Is A Major Issue)
Paul Wall - Get Money Stay True
Frank Zappa & The Mothers Of Invention -We're Only In It For The Money
Duke Ellington, Charlie Mingus, Max Roach- Money Jungle
Mick Farren- Vampires Stole My Lunch Money
In the old days (the '80s), most New Orleans rap was released by labels from outside the state. Dallas's Yo! had handled Gregory D & Mannie Fresh and Tim Smooth. Ft. Lauderdale's famous bass label, 4 Sight, released Ninja Crew's "We Destroy." Juvenile was initially on New York's Warlock. When majors got involved, they invariably mis-handled the artists. Gregory D & Mannie Fresh moved to RCA; Warren Mayes and pioneering west bank rapper MC Thick signed to Atlantic.
All that changed following the bounce explosion of 1991. New Orleans's long established Soulin' Records finally got into the rap game, releasing DJ Jimi's debut single, the bounce classic "(The Original) Where Dey At?" Seemingly overnight, a number of cottage industry labels sprang up, including Big Boy, Cash Money, Parkway Pumpin, Slaughterhouse, Take Fo' and Untouchable. None of them except Cash Money lasted into the new millenium. But for a time, they collectively produced and recorded some of the most overlooked and greatest rap of the decade and routinely outsold nationally-promoted rappers of the day, helping turn the tide toward the south.
New Electro/Techno 12"s Coming this Weekend:
DEATH TUNNEL 12" DFA2200
Latest project by longtime DFA alumni GAVIN RUSSOM, inspired by Euro-disco, wonky early electronic body music and global psychedelic rock. "DEATH TUNNEL" is a hot club cut just waiting to be unleashed, while the flip "WORLD EATER" is a more mid-tempo groover with a strong EBM lean.
Sven Weisemann SHOVE EP 12" ARTLESS2193
This 6 track EP is a mixture of deep electronic journeys of dub and tech, with a surprising chunky IDM mover (peep track 5) that comes out of nowhere into the forefront. SVEN never disappoints with his keen ear for digital landscapes and fresh musical concepts.
Amy Winehouse THE SKA COVERS EP 7" AMY7001
Andy Votel ALL TEN FINGERS LP TNXLLP153
Bob Marley FORT KNOX FIVE REMIXES 7" FKX011
Fort Knox Five Set 000-009 + 017 10X12" FKXBOX0TO9
Lily Allen THE SKA EP 7" LILY7001
Nightmares On Wax WAX ON RECORDS V2 12" WAX12007
DJ Cam's Bouncer Crew SMOKESUM EP 12" KIFHH111
Detachments FLOWERS THAT FELL RMXS 12" TINAE018
Emperor Machine SPACE BEYOND THE EGG DLP DC92LP
Otto Von Schirach BASS LOW 12" BASSHEAD002
Pet Shop Boys DID YOU SEE ME COMING 12" 12R6772
Purple Brain 3 TRACK EP 7" + MIX CD RVNGMX7SEVEN
Tombee GODFATHERS 7" JTP018
Pheek & Stefny JAPAN EXCURSION JOINT 12” ARCHPL017
Dj Bone SECOND ENCOUNTER 12” BE002
Unknown Artist TRAVERSABLE WORMHOLE VOL. 2 12” TW02
Orphx Division SURGEON & SUBSTANCE 12” SG0936
1) Iron Maiden Flight 666 (2009)
2) Metal: A Headbanger's Journey (2006)
3) Heavy Metal In Baghdad (2007)
4) Metallica: Some Kind of Monster (2005)
5) Monsters of Metal Vol. 6 (2008)
The new Iron Maiden film Flight 666 is an excellent concert documentary directed by Sam Dunn & Scot McFadyen. The film was screened at several festivals, including SXSW in Austin a few months ago, had a brief run in theaters, and has been recently shown on VH1 Classics. Finally, it's now available on DVD with lots of bonus footage. Since it was released last week (Jun 9th) it has been selling extremely well at Amoeba Music's three stores. "We sold nearly every copy, way more than we expected. We've had to reorder it, it's so popular," reported Chris at the Hollywood Amoeba store, whose areas of specialty include music DVDs. So who's buying Flight 666? Iron Maiden fans of old or music fans that have been newly converted to the legendary British metal monsters? "Metal head dudes of all ages are buying it up," said Chris, adding that others are too, including many curious to learn more about this legendary hard rock group, who have been putting it down for 34 years and yet still manage to blow away many metal bands half their age.
The movie was made in the classic concert documentary style, and it follows the band on last year's Somewhere Back In Time World Tour, during which the veteran metal musicians clocked 50,000 miles round the globe, playing 23 concerts on five continents over a 45 day period with stops in such cities as Los Angeles, Mexico City, New York, Mumbai, Sydney, Tokyo, Costa Rica, Bogota, and Buenos Aires. The deluxe edition is a two disc set that includes the entire set from the 2008 segment of this tour on the bonus disc. Nice! The sound is crispy clean and passes the cranked up loud on a big sound system test, and while nothing equates the experience of being in the flesh at a concert, the live show footage on Flight 666 comes pretty close.
The above is the only remastered vinyl that I've been willing to pay 40 bucks for. What can I say? I'm still a fan, and it makes me pleased as punch to see these guys playing together again. But it's without these two:
I didn't much care about the band after guitarist Martin was given the boot, and still don't. So, here are my favorite songs from the Big Jim-era albums that Faith No More played live at the recent Download Festival in Donington Park, UK:
Introduce Yourself's "Chinese Arithmetic" (coupled with a version of "Poker Face" from someone named Lady Gaga -- she's popular, evidently):
The Real Thing's "From Out of Nowhere":
Angel Dust's "Midlife Crisis":
And while mining the web for info about the reunion, I found this 2005 interview with Metal Hammer (it's still around!), where Roddy Bottom, Billy Gould and Mike Patton dish on their erstwhile guitarist:
Bottum: “Jim Martin had always been very conventional in what he wanted to do with the band, very much a fan of guitar music only and metal specifically. During the recording of Angel Dust it became apparent to both him and us that we were heading in very different directions.”
About ten years ago, my friend Pete Jourdan and I were trying to advance the awareness of what we felt was a scene that was somehow unrecognized both for its existence as a scene and for the Godlike Genius of it all. I described it thusly, "Although there’s never been a name put to it, there’s an ongoing movement in music whose participants mix musical influences like the baritone atmospherics of Lee Hazelwood, the Doors, Scott Walker and Leonard Cohen with Ennio Morricone, Hank Williams, and Southern Gothic and Poetic Realist literary influences to create a sort of rural, post-apocalyptic, midnight cabaret music that, whilst dark and doomy, offers a sepia-tinted alternative to the embarassing cornballisms of Goth. A lot of the bands hail from Australia and their members normally look like a mix of consumptive prospectors and bourbon-drunk undertakers. Their lush, decadent sound is usually built around haunting violins, spaghetti western guitar and old time religion."
It was the CD era, pre-blogs, and eventually we, like Israel and Palestine, couldn't come to an agreement either on what to call it or how to characterize it. Pete maintained that Nick Cave was the central figure. Given that Boys Next Door inarguably sucked while the similarly minded Young Charlatans and Crime + the City Solution were already good, I didn't want to overemphasize Nick Cave's importance at the expense of Rowland S. Howard, Simon Bonney, Mick Harvey and others. If everything had to tie directly to Nick Cave, how could we incorporate bands like Wolfgang Press and Tindersticks but through at least three degrees of separation? Nick Cave became our "right of return" and talks broke down. I don't know whether this biography is auto or not, but in order to preserve it:
Peter D. Jourdan, plagued with weak health, was begged by his family physician, Old Man Olafson (who runs Olafson’s General Store in West Lakeland Township), to harden himself and his constitution by way of spending a length of time on in the masculine arts of ranching and trail-riding in our wonderful frontier... but only after his prescription of horehound (oral) failed. Instead, however, it seems he fell in with the notorious Rowena gang and his health and moral reserve were subsequently eroded completely.
And Also the Trees
plus a bonus show of
The above video, which, note, is serious, not ironic, has been making the rounds since it first surfaced on YouTube a couple of weeks ago and after the pair of young conservative "rappers," Serious C and Stiltz (aka The Young Cons), recently got airtime on -- big surprise -- FOX News. On the network, they expounded upon their political rap, which includes lyrics such as "Terrorists were imprisoned at Guantanamo Bay, now they’re in our neighborhoods, planning out doomsday" (for more of their distorted logic, see full song lyics below).
The pair appeal to the legions of disgruntled, Obama-hating, anti-abortion, anti-socialist, right wing conservatives (many not rap fans but who are drawn in by the Cons' politics). There appear to be many of these types of people, judging by the majority of the almost 6000 YouTube comments the pair has received to date.
Admittedly, I do not agree with their political views, but that's not why I dislike the Young Cons. It's because their mic skills totally suck. Please peep the video above and/or read the lyrics below and post your opinion in the "comments" box below. And for more background info on the duo, visit the Young Cons' MySpace.
"Young Con Anthem" lyrics:
Yo this one's for all the young conservatives.
I rep the Northeast and I’m still a young con,
Let your voice release, you don’t have to be Obamatrons.
I debate any poser who don’t shoot straight,
Government spending needs to deflate,
Your ideas are lightweight,
Ya careers in checkmate
I frustrate. I increase the pulse rate
I hate when,
government dictatin, makin statements, bout how to be a merchant,
How to run a restaurant, how to lay the pavement
Bailout a business, but can’t protect an infant
Deficiencies are blatant, young con treatment
I stand one man, outnumbered at my college
Thank you Miss Cali for reminding us of marriage
Can’t support abortion, and call yourself a Christian
I support life, you’re a puzzled politician
Terrorists were imprisoned at Guantanamo Bay,
Now they’re in our neighborhoods, planning out doomsday
No such thing as utopia,
no government can control ya, baby ya,
Reap the benefits hard work, self reliant
Listen to Stiltz, my dude’s a lyrical giant
A living legend in his native New Zealand, the 56 year-old Knox's rich & respected career dates back to late 70s NZ punk era bands The Enemy and Toy Love, followed by being one-half (along with The Enemy guitarist Alec Bathgate) of the quirky oddball 4-track pioneering duo the Tall Dwarfs, whose music I highly recommend you seek out at Amoeba if you don't already have it in your collection. (For a prime example of their sound, check the video down below of the brilliant Tall Dwarfs song "The Brain That Wouldn't Die.")
Knox, who has an uncanny knack for creating the perfect infectious pop song, has also released a number of solo, self-produced albums. His 1990 song "Not Given Lightly" (a love song to his wife -- see video above) was named "New Zealand's ninth best song of all time" at the 2001 New Zealand Music Awards.
Aquanauts - What Are They?
Aquanauts, as the name implies to anyone with even the most basic awareness of Latin and ancient Greek, are the oceanic equivalent of astronauts, cosmonauts, taikonauts and other nauts. However, there's more to being an aquanaut than wearing a blue blazer with gold buttons paired with white trousers. Nor are aquanauts mere scuba divers or snorkelers. Even donning a Breton sailor's shirt and Greek fisherman's cap, puttering around in a pressure-and-climate-controlled sub just makes you a submariner. If you want to be an aquanaut, you've got to get your hands wet. There's also an implication that you have to be indigenous to land because no one ever described a porpoise or a jellyfish as an aquanaut.
Famous, Real-Life Aquanauts
Although every documentary about the Earth's oceans points out how much more interesting the oceans are than space (and how we know less about it), aquanauts are never as famous as their spacegoing rivals. Whereas everyone knows the names of the first astronauts on the moon, who can name any of the crew who first descended the Marianas Trench? See if any of these "famous" aquanauts' names ring any diving bells:
Miss Ess: What is Hiss Golden Messenger?
MC Taylor: Hiss Golden Messenger is the name under which I make music, usually in collaboration with Scott Hirsch and many of our friends in California, Texas, North Carolina, and New York. HGM is not so much a band as a musical approach.
I think of golden messages—like sky songs—as tunes that appear out of the blue and hang around your head, waiting to be sung. Some singers of gospel music I have talked to refer to these as “gift songs” that come from above, but I believe the more skeptically inclined can receive and sing these songs too. For example, I get a lot of golden messages while I am singing my son to sleep; they’re usually silly and I forget most of them. But some I remember and I record them later.
Ray Mang is the disco dance party DJ alter ego of writer/producer Raj Gupta. The moniker was introduced as a vehicle for creating, releasing and spinning anything goes disco-centric party music for collectors, dancers, enthusiasts and Jocks alike. Taking inspiration from the extended disco mixes, dub versions and edits of such luminaries as Larry Levan, Walter Gibbons, Daniele Baldelli, Tee Scott, Began Cekic and Tom Moulton, and the open minded music policies of some of the pioneering early clubs such as the Paradise Garage, the Loft and the Italian Cosmic parties, Ray Mang sets out to help keep the glitter ball shimmering and the disco flame burning into the new millennium!
Don’t Be So Mean
THE STORY It’s drawn from an album with artwork and a name that are a sly comment on American foreign policy. But the first track taken from Abe Duque’s new album Don’t Be So Mean, the Obama-sampling "Tonight Is Your Answer," is political but far from pessimistic. It’s a reflection of Abe’s chequered life. He’s been both a US Marine and a resident DJ at New York’s notorious club-kid 90s-club Limelight. He knows how to operate the machine gun on the cover of the album, but wishes there was less call for gunfire. He’s been arrested for potential terrorism -- but for being found with a knife issued to him by the US government itself. Don’t be so mean, as the expression goes … And in the music world, he’s been in and out, up and down, from residencies at Tresor during the height of its first popularity to being so broke in the early 90s that he could barely afford to release his own records. And then he's come back into the limelight again with his own hand-etched vinyl and tracks like "Champagne Days, Cocaine Nights"; "What Happened?" and "Acid" -- not to mention remixes of huge acts like Miss Kittin and the Chemical Brothers. Now he’s back with his third album, Don’t Be So Mean, and first single "Tonight is your answer," backed with "Life is so good to me."
1) J Dilla Jay Stay Paid (Nature Sounds)
2) Eminem Relapse (Shady/Aftemath/Interscope)
3) Marco Polo & Torae Double Barrel (Duck Down)
4) Method Man & Redman Blackout! 2 (Def Jam)
5) AZ Legendary (Real Talk)
This week's top five hip-hop chart from Amoeba Music Hollywood, courtesy of Ray at the Sunset Ave. store, has many of the same brand new hip-hop releases that were also charting high at Amoeba Music San Francisco last week, including Eminem, Marco Polo & Torae, Method Man & Redman, and J Dilla.
For the second week in a row the great new album from the late, great Detroit hip-hop producer, also known as Jay Dee, Jay Stay Paid on Nature Sounds is number one at Amoeba. And deservedly so, since this new release, which is overseen production wise by Pete Rock, unveils new beats by the late artist plus matches his music with a variety of other artists including his own younger brother Illa J.
The other new chart entry is the album Legendary from legendary emcee AZ, who's been putting it down since the early nineties and who first came to fame in 1994 when he made a cameo on "Life's A Bitch" on the Nas album Illmatic (he was the only guest to grace that landmark hip-hop album). He released his debut, Do Or Die (EMI), in 1995.
I live about six blocks away from the corner of Atlantic and Whittier Blvd. Every time I drive under the Whittier Blvd sign I still hear the infamous “Let’s take a trip down...Whittier Blvd!” from Thee Midniters’ song in my head. I love East L.A. It’s my adopted city. It's like I was always meant to be here. I love the people, the stories, the history and I respect that I live here, I’m not from here. People in East L.A. are down for their Lakers. Los Angeles gets a bad rap as far as being a city of self-absorbed status-seeking phonies and fair-weathered fans to boot. Perhaps in the $1500 seats at The Staple Center, but if you want to see some true fans, head over to East L.A. (or for that matter, any Los Angeles barrio) and you will see true fans.
Tonight, right after the Lakers' victory and Derek Fisher’s amazing three point shots, some kids in the neighborhood got a little crazy and ran out on the corner of Atlantic and Whittier Blvd, shaking a few cars and generally scaring some people. The police showed up and the kids all ran home. I hope that no one got arrested or killed by the police. Would be ashamed to die over one’s love for a sports team. I guess maybe some knucklehead would think it would be an honor to die for their favorite team, but like that quote from Full Metal Jacket,
“The dead only know one thing. It is better to be alive.”
So The Lakers stay alive, thanks to Derek Fisher. Wow, what a player! Do you know that Hedo Turkoglu was on the floor for both tonight’s game and Fisher’s infamous 0.4 second shot against The Spurs back in 2004? Tough luck for Turkoglu! Anyways, when the Lakers finally win this (and they will), I hope people in East Los don’t get all rat crazy! I hope everyone has fun, remains good sports, celebrates and stays alive.
Los Amigos Invisible-Commercial
The Residents- The Commercial Album
The Who- Sell Out
The Minutemen-Project: Merch
Frank Zappa- Strictly Commercial
Bongwater- The Big Sell-Out
Little Brother- The Commercial Free EP
Djam Karet-No Commercial Potential
Colin Newman-Commercial Suicide
Bronx, New York hip-hop group Boogie Down Productions (aka BDP), who formed in 1986, earned their legendary status for numerous reasons, including the distinct musical style that they forged. They were pioneers not only for incorporating dancehall reggae into their music but also for being instrumental in paving the way for two very different strains of hip-hop-- both hardcore gangsta rap and conscious hip-hop.
Additionally, the group gave the world longtime hip-hop ambassador KRS-One (Knowledge Reigns Supreme Over Nearly Everyone). BDP at first was essentially the duo of KRS and the late DJ Scott La Rock. The group had numerous members throughout its existance and regular collaborators including D-Nice, KRS' brother Kenny Parker, his one time wife Ms Melodie, Harmony, Mad Lion, Channel Live, Run, McBoo, Scottie Morris, Tony Rahsan, RoboCop, and DJ Red Alert, to name but some. Still, it was KRS-One who was always the central character of Boogie Down Productions.
Hence, when BDP disbanded in 1992 and KRS-One continued on as a solo act, it was really more of a continuum than a total demise of BDP. However, despite the key role KRS always played, he never let the light be taken off his slain partner, original member DJ Scott La Rock, with whom he formed the group after the two met under unusual circumstances. DJ Scott La Rock, whose real name was Scott Sterling, was a social worker who met a then 19 year old KRS-One while working at the Bronx shelter for men, the Franklin Avenue Armory Shelter. KRS-One was then homeless.
Perhaps it would later be the well meaning social worker in Scott La Rock that ultimately led to his death. One day in 1987 he tried to diffuse a dispute between fellow BDP member D-Nice and some local gang bangers but the well-meaning peaceful intervention resulted in him getting shot and killed. His untimely death came only a short time after BDP's debut album Criminal Minded was released. But Scott La Rock would forever be kept alive through the music of BDP and would be consistently remembered by KRS-One in his lyrics in songs such as "My Philosophy." He is also mentioned and shouted out on countless other songs too, and "Overseen by Scott La Rock" can be seen printed on the back of several BDP releases. "My Philosophy" along with BDP videos for "Why Is That?," "The Bridge Is Over," and "Duck Down" are all featured below as a reminder of just how amazing a group BDP was.
Boogie Down Productions "The Bridge Is Over" (1987)
Friday & Saturday June 12 & 13
1930s Classics Starring John Barrymore!
Dinner At Eight (1933)
dir. George Cukor, starring Marie Dressler, John Barrymore, Wallace Beery, Jean Harlow, Lionel Barrymore
Fri: 7:30; Sat: 3:05 & 7:30, Watch The Trailer!
Dinner at Eight is a near-flawless comedy/drama with an all-star cast at the peak of their talents. All Movie Guide
Time Visions 1
Mojuba presents a new project in collaboration with the one and only Chez Damier. Mojuba G.O.D. (Good Old Dance) was created as a platform for his new productions as well as some classic anthems from the Chez-vault. The very first release will feature the brand new epic downtempo excursion called “Why” which takes Chez’s music to the next level and it will be accompanied by two classic prescription cuts you might been looking for for years! We are speaking about an unreleased version of “Sometimes I Feel Like” from hip to be disillusioned and the Noni hymn “Teach Me” … no more words necessary. TIP!
Zorro w/ Phonique & Tigerskin remix
After the groundbreaking “Seven Lives” in cooperation with his mates Martin Eyerer and Stephan Hinz, Berlin’s finest Persian Namito drops the second bomb from his forthcoming debut album Eleven (to be released end of June 2009). A driving groove, catchy “Get Busy” shouts and a very surprising synthie-breakdown. Just the right ingredients for a big clubtrack. With the help of two other collegues from Berlin (Phonique & Tigerskin) and Canada (Strict Border) on the remix duties, this whole release should stay in the case for the whole summer.
I always get excited whenever there is a new Placebo album. They never let me down. I was bit by the Placebo bug many years ago, back when they just had a small little self titled album in 1996. I think I probably saw them on the cover of a magazine before I actually ever heard the album, but I quickly became a big fan. I loved anything British at the time, and especially anything that was a little bit dark and weird. Brian Moloko was an intriguing man. I have seen him live many, many times and read tons of interviews but still don't really have him completely figured out. But that just makes him all the more interesting. Like many of the other bands that I have stuck with over the years, I associate each of their albums with a time in my life. The albums sort of organize my life for me into more organized sections than I could create myself. The first self titled album came out before I had moved to San Francisco. It actually came out in July, which was the month before I moved to San Francisco from Santa Barbara -- so my new life actually did start with the very first Placebo album, but I didn't really get into it until after I had moved. I listened to it a lot over the years. Often I would listen to it between albums. It helped fill the void when there wasn't a new album by them. Highlights of the album would be "Bruise Pristine," "Lady of the Flowers" and "36 Degrees." But "I Know" is the song that gets me every time I listen to this album. It breaks my heart a little bit, but in a good way. This whole album can really do no wrong for me. The second album, Without You I'm Nothing, came out in 1998 after I had been in San Francisco for a couple of years. This was probably the height of my Placebo obsession, although it honestly has never ever gone away. This was the first tour I saw with them and I was hooked for life after this. I really couldn't get enough of this album. It was a dark and depressing one, but I can't tell you how many times I listened to the song "Without You I'm Nothing." It pretty much became the song I would always listen to after the end of any relationship. It always seems like a long song so you can go through a rollercoaster of emotions in just that one song. My other favorites on the album are "My Sweet Prince" and "Every Me Every You." I forever associate this album with my early years in San Francisco. I grew up a lot in these years but also experienced some heartache.
This year marks the 60 year anniversary of the seven inch single, the 45rpm record that was originally introduced by RCA Records back in 1949 with the release of Eddy Arnold's double sided mono record, "Texarkana Baby" b/w "Bouquet of Roses."
The then new format, at first treated by many with a degree of suspicion, was embraced by RCA as a more compact and more durable replacement for the heavy 78rpm shellac-based records -- the ones known as wax records that would break into many pieces if dropped on the ground.
After witnessing the success of this new format for RCA, Columbia Records followed suit two years later in 1951 and from there demand just snowballed into the sixties and seventies and eighties by which time the format began to lose momentum. There have been several interesting articles written about the 45rpm's 60th birthday, including a wonderful piece written by Robert Benson published on the website JustPressPlay this week which traced the format's history and also noted how, "British trade journals have been reporting that single song 45rpm records are now outselling their CD counterparts and how many American bands are now releasing music via this historic audio medium."
A visit to Amoeba Music in Berkeley, San Francisco, or Hollywood, where there are boxes and boxes and wall displays of 45's (new and old), will also quickly confirm that the once seen as deceased 45rpm is very much alive and well. As you know, vinyl in general (45rpm's, 10" records, 12" singles, and vinyl albums) has been going through a renaissance in recent years.
Ryan Rotten and Phil Blankenship
proudly present MIDNIGHT SHOCK!
Motel Hell screenwriters Robert Jaffe & Steven-Charles Jaffe IN PERSON, schedule permitting, to discuss the movie!
Friday June 12
It takes all kinds of critters to make Farmer Vincent fritters.
New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
11:59pm, All Tickets $7
Los Angeles' Troublemaker is one hardworking & talented producer/DJ. Born Josh Kouzomis, the artist has been honing his skills since the early 1990s when he started out as a college radio DJ and music director while at school in Ohio. After leaving college and returning to LA, he got an internship at punk label Epitaph Records where he gained invaluable inside music business and production experience.
This led to him co-founding the hip-hop/drum'n'bass label Celestial Recordings in 1998. Fast forward into the beginning of this decade and Troublemaker joined forces with fellow producer/DJ talent E. Moss to form the Backyard Bangers, whose eponymous debut track was a collaboration with Z-Trip on the Constant Elevation compilation from 2002 on Astralwerks. The Backyard Bangers released several wonderful recordings, including the CDs Get That Shit Outta Here, Pardon My French, and Spunkbubble, all through the Hollyrock label. Their great song “Road of Good Intentions” appeared on the Amoeba Music Compilation Vol. V.
As a solo recording artist & performer Troublemaker has remained incredibly prolific. He's toured with Z-Trip, recorded lots of original tracks, and done many more remixes of music by a wide variety of artists including Bonde do Role, Justice, Johnny Cash, Linkin Park, and Peter Bjorn & John. Download his inspired remix of their infectious hit "Nothing to Worry About" featuring Adam Tensta, U-N-I and The 87 Stick Up Kids on his website. Also there you can check out Troublemaker's impressive discography including tons of remix projects.
Since this question has pitched tent and perpetually inhibited my thinking space, I’ve officially decided to get it out and put it down on paper for good. So, in the future I can reference it and decipher what’s going to be my entertainment for the night in a utilitarian, more expedient manner. Well, I’ve made my list and checked it twice. Here, in no particular order, are my top 5 foreign picks (for now).
Y tu Mamá También
Directed by Alfonso Cuaron
One amazing reason to love this film:
Directed by Jean-Pierre Jeunet
This is one film I have to watch at least once every other month. One of the many reasons to love this film:
Directed by Giuseppe Tornatore
One reason to love this film:
Directed by Julie Taymor
New Electro/Techno 12"s Coming this Weekend:
FOLLOW ME REMIX 12"
The "criminally infectious" followup to "FIRE" is a mix of disco, electro, Italo funk and more and comes with remixes from THE JUAN MACLEAN, BOTTIN, and France's OUTRUNNERS. The original version from the fierce and funky 4 piece (who rocked it at SXSW) is also included.
VOLUME 2 (PIC DISC) 12"
Slick edits and remixes of "GET DOWN," "R U GONNA GO MY WAY," "MASSIVE BLACK HOLE," and "KISS." This exciting DJ duo can be described as SASHA meets COLDCUT meets SOULWAX. Basically, they rule. Great fusion of rock, electro, & crazy party music on a limited edition picture disc.
Herve BASEBALL BAT (FEAT MARINA) 12" CHEAP08X
Ruckus Roboticus HERE WE GO REMIX 12" GR003
Tal M. Klein DISCO VILLAINY 12" ALG028
Wild Cookie DRUGS EP 12" HOMEGROWN010
Pedro FEAR AND RESILIENCE RMX'S LP MELO025
The last few days in LA have been kind of gloomy – gloomy by LA standards anyway. I mean, it’s still no place for Ian Brady and Myra Hindley to stage a killing spree, but the clouds have been thick, grey and low, and wet, cool swirls of breeze pour through my window as I write this.
This is a good thing. This is a great thing! I did not move to LA for the weather. My idea of perfect weather is something akin to a cemetery scene in [insert gothic horror film here].
Recently, I found myself at yet another pool party where Industry types multi-tasked by schmoozing while sunbathing, enjoying tropical cocktails and posing atop Danish-designed chaise lounges as the desert sun baked their copper hides; the air perfumed with herbal ointments, oils and extractions, occasionally flavored with dissipating puffs of cigarette smoke – sex was in the air and everyone was hoping to be noticed by someone they were pretending not to notice – and all I could think was, “I wish it would rain.”
Inspired as I am by the titillating tenebrous of today, what follows is some of the music I save for a rainy day. These ditties are safely tucked in a specific playlist for whenever the Sun’s obscured and the scent of moisture’s all around.
Siouxsie & The Banshees – "Dazzle"
This song takes me back to the appropriately dark days of the 1980’s. I had just dropped out of high school my sophomore year and the world was a new and wonderful playground of drugs and whimsical fashion choices.
Vietnamese New Wave artists come from a variety of scenes including Italo-Disco, (English, French and Swedish) Synthpop and (German and Spanish) and Eurodisco. Beginning in the some time around the mid-to-late '80s, these bubbly, infectious tunes found an unexpected audience in the Vietnamese diaspora who disseminated these gems through the aforementioned mixtapes, parties and bootleg mix CDs which you can still find in Little Saigons around the globe.
We carry many of these artists at Amoeba. Most are found in the Freestyle section. However, a lot are found in, erm... Rock. So ask at info if you can't find something.
My Political Views
I am a far-left social libertarian
Left: 7.63, Libertarian: 6.57
My Foreign Policy Views
My Culture War Stance
What do you know? I don't trust big business or big government, just the former a little bit less.
"Neighbour to the Moon," the legendary Christian Lebanese singer, فيروز.
Today Arabs, Muslims and Middle Easterners remain some of the last people in the west for whom racism is not only extremely common but also widely accepted, even governmentally endorsed. Merely advocating equality and human rights for Arabs and Muslims is often met with charges of racism and embracing hatred, probably the only people likely to ellicit that response besides Germans. Given this reality, centuries of negative stereotypes and repeated military and political actions that reflect undeniable double standards, it's no wonder that many view the frequent proclamations that "Islam is a beautiful religion" and hands extended in friendship with widespread suspicion at best.
There's an impressive line-up for this weekend's first ever LA Acoustic Music Festival on the Santa Monica Pier, today (Saturday, June 6th) and tomorrow (Sunday, June 7th) and it looks like it will guarantee that this will be just the first of many annual LA Acoustic Music Festivals to come. Sponsored in part by Amoeba Music and a benefit for the California Acoustic Music Project (CAMP), the artist line-up for the two day festival includes Richard Thompson, Nanci Griffith and the Blue Moon Orchestra, Bruce Cockburn, The Kingston Trio, David Lindley, Sarah Lee Guthrie & Johnny Irion.
Santa Monica's pier is currently celebrating its 100 year anniversary & includes such attractions as its historic 1922 carousel and its interactive aquarium. Seems like a great place to host this two day festival, a must for all fans of Americana and folk music. In fact, catching critically acclaimed singer/songwriter/guitarist Richard Thompson alone, who performs later today, is enough of a reason to attend this event.
Thompson is one of the greatest guitarists of our time (Rolling Stone placed him in the Top 20 of the magazine's list of The 100 Greatest Guitarists of All Time) and has been making incredible music since his early musical days in the legendary British folk-rock group Fairport Convention. Thompson, who penned such classic early Fairport songs as "Meet On The Ledge" and "Crazy Man Michael," was a member of Fairport Convention from 1967 to 1971. He still occassionally performs with Fairport -- usually at their annual Fairport's Cropredy Convention. Soon after splitting from the group he released his first solo album on which Linda Peters (soon to be wife Linda Thompson) sang. The two married in 1972 and officially became a musical team for the years 1973 to 1982 (a little longer than their personal relationship lasted), releasing a total of six albums together including I Want To See The Bright Lights Tonight and Hokey Pokey, which the song "A Heart Needs A Home" (video below) comes from.
Amen to that. I just started reading Badiou's Conditions, and I like how he's not afraid to use the word 'truth.' He's worth a listen, so for your convenience, comrades, here are some samples of his thinking.
On Nicolas Sarkozy, communism and capitalist failure:
On philosophy itself, truth and politics:
And lest this blog be accused of dealing with anything more important than crass pop culture, Badiou is supposedly appearing in Jean-Luc Godard's new film Socialisme (along with someone by the name of 'Patti Smith'). According to infinite thØught:
[I]t involves Badiou being on a cruise ship somewhere in/near Turkey; he is in three scenes; firstly having breakfast with a Russian spy (not a real one, although as he is really Badiou he asked Godard if the spy was really a spy, but she is an actor); secondly, he will be seen writing a lecture on Husserl's Origin of Geometry, and thirdly, he will deliver the lecture, still on the cruise ship, to an empty auditorium.
The full June Calendar is online! July up soon!
Friday June 5
F13 Tommy Jarvis Saga Trilogy Marathon
All tickets are $10 for this special event.
One ticket admits you to all three films!
Jason Lives writer / director Tom McLoughlin IN PERSON, schedule permitting, to discuss the film!
Friday The 13th Part IV: The Final Chapter (1984)
dir. Joseph Zito, starring Corey Feldman, Kimberly Beck, Erich Anderson, Crispin Glover, Lawrence Monoson
7:30, Watch The Trailer!
1) J Dilla Jay Stay Paid (Nature Sounds)
2) Eminem Relapse (Shady/Aftemath/Interscope)
3) Method Man & Redman Blackout! 2 (Def Jam)
4) Marco Polo & Torae Double Barrel (Duck Down)
5) Tiye Phoenix Half Woman/Half Amazing (Babygrande)
The number one album on this week's Amoeba Music hip-hop chart is from the late great J Dilla, aka Jay Dee, the Detroit producer and hip-hop talent who tragically died from Lupus three years ago. The new album Jay Stay Paid on Nature Sounds was produced by J Dilla's mother, Maureen Yancey (also suffering from Lupus) wtih Pete Rock acting as music supervisor of the project. The 28 track record is rich in beats of various styles and tempos and additionally features cameos from various emcees, including (his brother) Illa J, Mobb Deep, and Raekwon -- all guaranteed to appease the ever swelling base of Dilla fans.
And as seems to be the case with so many other deceased hip-hop acts, J Dilla continues to release a string of new albums posthumously. In addition to Jay Stay Paid, expect another J Dilla release coming soon. It is the second volume in the Dillanthology series on Rapster Records. Titled Dillanthology 2: Dilla's Remixes for Various Artists, the twelve track remix compilation, which will arrive in Amoeba on Tuesday, June 23rd, will feature Dilla's remixes for such artists De La Soul - "Stakes Is High" ft. Mos Def & Truth Enola (Remix), Busta Rhymes - "Whoo Ha" (Jay Dee Remix), The Pharcyde - "Y? (Be Like That)," Slum Village - "Fall In Love (Remix)," and Spacek as well as hard to find versions of tracks from The Artifacts and Masta Ace. For more info, click here.
Miss Ess: When and how did you begin writing songs?
Alasdair Roberts: At 15 when I saw footage of the Hindenburg disaster on television and heard the pain in the presenter's voice saying, "Oh, the humanity." I then wrote my first proper song called "Autumn."
ME: What records from your youth have stayed with you most strongly?
AR: Early eighties pop singles. "Karma Chameleon" by Boy George; "Don't Leave Me This Way" by the Communards. "Pass the Dutchie" by Musical Youth.
Bangkok hotel. Dead at 72. Go here for more info.
This is the debut full-length release by Berlin's Holger Zilske (aka Smash TV) for the Playhouse label. A leading proponent in the ascendancy of the BPitch Control label and the greater electronic landscape, Holger has cultivated his reputation as a techno visionary under the moniker Smash TV with over 8 years and nearly 30 releases to his name. Since then, Holger's distinct blend of complex arrangements and gargantuan bass lines has been refined incrementally. With ten productions laden with bubbling textures, sweat-fueled percussion and tropical artwork, Holz navigates us into summer climates with moist palms and deep, deep eyes. "Lichterfelde" transforms remote boroughs of Berlin into ecstatic wildernesses populated by looming insectoid tones and gusts of humid pad textures. Punctuated by stabbed Eastern melodies, bouncing bass drops and ritual drum patterns, the opener sets the climate perfectly. "Mes Yeux" pulses amidst decompressing pads and reverberant mechanical samples in a deep house descent, while the hazy beginnings of "Roter Rausch" swarm around steadily enveloping synth and bass progressions in an intoxicating techno mirage. Deep and penetrating synth tones define "Druckraum," which probes meticulously with lazy, clicked percussion and the distant chatter of echoing beats. "Work" commands your obedience with mesmerizing melodic passages and dystopian, metallic percussive accents. "Golden" builds a lazy pop lullaby with decaying samples, trickled percussion and the dulcet vocal contributions of Swedish artist August Landelius. "Metrodancer" builds a formidable house strut with poked bass and melodic punches of 8-bit synth. In a similar vein, "Olho Gordo" plunges into dark waters with ghostly pads, dry, percussive tones and enveloping beats to test your after-hour stamina. Under the pseudonym One Chef, August Landelius returns to team up with Holger on "Have A Cup Of This," which disorients with clattering percussion and certifiably dizzy synth lines that dance around plunging bass tones and ringing symbol rotations. Counting to close with resonant, clocked percussion, August reintroduces his intimate vocal reflections in another downbeat pop arrangement, "To Them To Me," providing the perfect soundtrack to the end of an evening, and an appropriate end to an album that signals a new dawn for Holger Zilske.
As reported today by the Associated Press and other news outlets, blues "Queen" Koko Taylor died yesterday, Wednesday June 3rd, resulting from complications following surgery she underwent recently for gastrointestinal bleeding. She was 80 years old.
A sharecropper's daughter who grew up listening to B.B. King on the radio (he was a DJ) playing the blues, it was her powerful voice that won her the name "Queen of the Blues." The Tennessee-born Taylor first entered the music world in 1962, after Willie Dixon got her a recording contract with legendary blues label Chess Records.
Three years later she would score a mega hit with the single "Wang Dang Doodle" which would help catapult her career and ensure her longevity. Check out the video below of her with Little Walter back in 1967 performing this song and witness how the woman just belted the blues. What a voice!
After the Chess label folded, she signed with Alligator Records and remained a busy, hard working artist throughout her long, prolific career, performing an average of a hundred concerts each year. She performed up until about seven years ago. Nominated seven times for Grammy awards, Taylor won one in 1984. Look for Taylor's back catalog in the "blues" section of Amoeba Music.
Biz Markie, who came to fame during hip-hop's golden era as the beatboxing rapper with a sharp wit & comedic streak, initially won fans with such records as "Just A Friend," "Vapors," Pickin' Boogers," and "Make The Music WIth Your Mouth, Biz." But these days he is better known for his movie and TV roles, including playing the beatboxing alien in Men In Black II or his ongoing entertaining part in the Nickelodeon TV kids show Yo Gabba Gabba! where he does his short but fun "Beat of The Day" segment.
Along with the Fat Boys and Doug E Fresh, Biz Markie ranks as one of the early ambassadors of beatboxing, credited with bringing the hip-hop art form to the masses. In the music history books the Biz will also be immortalized in the early 1990's landmark sampling court case with Gilbert O'Sullivan which would forever alter (read: stifle) the direction that hip-hop production would thereafter take.
Born Marcel Hall in Harlem, and later living in Long Island, Biz Markie started out beatboxing and rhyming in the early eighties while just barely into his teens. But it would be his beatboxing skills specifically that would first get him noticed. Thanks to crossing paths with then up-and-coming producer Marley Marl in the mid-eighties, he got a break doing his human beatbox routine for Marl related Juice Crew acts like MC Shan and Roxanne Shante, with whom he would make his rap world debut, appearing on her 1986 record "Def Fresh Crew." That same year he released his debut 12", the EP "Make The Music With Your Mouth, Biz" on Prism Records. Two years later this Marley Marl produced record would be followed by his debut (and best) album, 1988's Goin' Off. His consequent three albums, 1989's The Biz Never Sleeps, 1991's I Need a Haircut, and 1993's All Samples Cleared! were not produced by Marley Marl and consequently never reached the pinnacle of greatness that his debut did.
Some may have just recently come to know of DJ Icewater as the tour DJ for the reunited Pharcyde. Others may long know the skilled Los Angeles born, Bay Area based DJ from his countless, always amazing mixtape CDs, which earned him, along with DJ Cobra, the "Mixtape DJ Of The Year" title at the Tech.nitions Conference in 2003. Some might remember him from his time as a Bay Area college radio DJ, be aware of him from his affiliation with the Solesides/Quannum or the Living Legends crews or maybe from his collaboration with such acts as the Bash Brothers, or from having been the live DJ for Shing02.
Some might even know him from the numerous acts he worked with in an audio engineer's capacity, including Lyrics Born, Jern Eye, and Keelay & Zaire. In sum, odds are that if you are a hip-hop fan, you've most likely stumbled up this talented DJ/producer's work somewhere along the way. He has been putting it down since 1995 and nowadays also does video live mixing. Busy juggling several projects, DJ Icewater recently took time out to chop it up with the Amoeblog.
Amoeblog: How and when exactly did you first get into DJing?
Buraka Som Sistema
IC19 (MAD DECENT RECENT REMIX)
For the 2009 updated "Mr Wobble's Nightmare," with tongue firmly in cheek, Kid606 retells the story with a slight twist and injects ten times more energy into the already dope track. Equally as good is the entire new album, the usually quirky artist's most accessible to date. Over the past decade Kid606 has earned a rep for pushing the envelope in hardcore techno, glitch, IDM, and breakcore via a myriad of timeless releases on such labels as Vinyl Communications, Violent Turd, Ipecac, Mille Plateaux, and of course Tigerbeat6 -- the San Francisco label that the artist runs himself and that always displays his obsession with cats (check the cool feline image on the new album cover above). The Venezuelan born electronic artist, who has been on the vanguard of digital music since he began, has never resigned himself to just one subgenre of electronic music but instead has embraced and experiemented with em all. He was raised in San Diego but moved to San Franicsco and more recently to Berlin. Kid606, whose given name is Miguel Trost Depedro, formed Tigerbeat6 in 2000 and since then has overseen the prolific label, cranking out countless releases. The latest is Kid606's Shout at the Döner, which is among the very best electronic releases of 2009 to date -- and one you should buy at Amoeba Music.
Does the glowing spine make me look fat?
The crippling pain hasn’t exactly ruined my week. My new toy has, after all, given new life to my hobby: collecting all music in the world… except for maybe Van Halen. Let me back up a bit…
Ha! “Back up.” You see, five days ago my back gave out while I was in Ciudad Juárez, Chihuahua, battling La Alianza Triángulo de Oro – more specifically, I was in the middle of a back-alley shoot-out with that rascal, V.C. Fuentes (or, as I like to call him El Caca Bigote, which just drives him nuts!).
As we all know, you never want to fire your M4 carbine with your weaker arm, but it was past lunch time, I hadn’t eaten, and an orphaned child I had just rescued from the local orfanato offered me a fresh sopaipilla which I wasn’t about to let go stale; so I was mackin' on that with my right arm, shooting with my left and, just as I was about to send Fuentes to see his own fatal plastic surgeon, I felt a spring go loose in my back.
“Uh-oh,” I thought, and I was right.
So, for the last half-week I’ve been popping Advil like they were Skittles and walking like I was 99. My boyfriend, sensitive care-giver that he is, has taken it upon himself to make endless jokes about my situation, just to make sure I keep laughing. At least, I think that’s why he does it.
Does this statue of Æthelswith make me look fat?
My new toy is an external hard-drive with something like 99 hergozapazillogabytes of memory (give or take 2 hurquatzobytes). This will, hopefully, be enough to contain what can only be described as an obscene CD collection. In addition to this, I have recently purchased a portable turn-table (from, eh-hem, Amoeba Music) with a USB component which will allow me to transfer all my vinyl into a digital format, just as soon as I get written permission from any and all applicable copyright owners of the music. (Eh-hem again.)