Genre: Jazz
Release Date: 1989
Label: Prestige
Catalog Number: P-7200
Recording: Studio
Length:
Format: CD (1 Used)
Dig-Deeper
Artist Releases
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Miles Smiles (CD)
Miles Davis QuintetWorkin' With The Miles Davis Quintet [Rudy Van Gelder Remasters] (CD)
Miles Davis QuintetRelaxin' With The Miles Davis Quintet [Rudy Van Gelder Remasters] (CD)
Miles Davis QuintetCookin' With The Miles Davis Quintet [Rudy Van Gelder Remasters] (CD)
Miles Davis Quintet - Miles Davis Quintet, 1965- '68: The Complete Studio Recordings [Box Set] (CD)
Miles Davis QuintetLive In Europe 1967: The Bootleg Series, Vol. 1 [Box Set] (CD/DVD)
Miles Davis QuintetLive in Europe 1967: Best Of The Bootleg, Vol. 1 (CD)
Miles Davis QuintetWorkin' With The Miles Davis Quintet (LP)
Miles Davis Quintet - Steamin' With The Miles Davis Quintet (LP)
Miles Davis QuintetCookin' With The Miles Davis Quintet (LP)
Miles Davis QuintetWorkin' With The Miles Davis Quintet / The Musings Of Miles (CD)
Miles Davis QuintetCookin' With The Miles Davis Quintet (CD)
Miles Davis Quintet - View More
Label Releases
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Blow Arnett, Blow (CD)
Arnett CobbLet's Swing (CD)
Budd JohnsonA Long Drink Of The Blues (CD)
Jackie McLeanSubconscious-Lee (CD)
Lee Konitz - To My Queen [Mini-LP] (CD)
Walt DickersonAndy Bey & The Bey Sisters (CD)
Andy BeyAndy Bey & The Bey Sisters (CD)
The Bey SistersChild's Dance (CD)
Art Blakey - Bacalao (LP)
Eddie "Lockjaw" DavisMore Blues On The South Side (CD)
Billy Boy ArnoldJackie Mclean & Co. (CD)
Jackie McLeanSaxophone Colossus (CD)
Sonny Rollins - View More
Steamin' With The Miles Davis Quintet (CD)
Miles Davis Quintet
1 Used
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Media Condition: Very Good CD
Comments: Original Issue.
Of the four albums of material Miles Davis’ first quintet knocked out during their fecund two-day contractual session in 1956, Steamin’ may be just a cut below the others. That’s a qualified contention, of course, given the high bar set by Davis and his compatriots: saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers and drummer Philly Jo Jones. In other words, this still outshines most jazz recordings, despite a few minor flaws. The opener is not one of those, however, as the band turns the Oklahoma! show tune “Surrey With the Fringe On Top” into a slinky swinger, Davis’ mute contrasting with Coltrane’s long lyrical solo while Garland’s solo emphasizes the tune’s populist Broadway roots. Two jazz standards get tackled here as well, one more effectively than the other. The Dizzy Gillespie staple, “Salt Peanuts,” naturally jolts everybody into a higher gear and Davis, sans mute, rides the upper register and acquits himself well at the opening. The high-octane tempo allows Coltrane to unleash his Sheets of Sound note flurries – but just when you’re settling in for one of his epic explorations, it abruptly leaves you hanging for Jones’ overly long drum solo. Thelonius Monk’s “Well You Needn’t” emphasizes the tune’s swing rather than the composition’s angular nature, Coltrane and Davis playing across each other on the theme and Chambers’ turning in a marvelous bowed solo. Two standards – “Something I Dreamed Last Night” and “When I Fall In Love” – highlight Davis’ sensual balladry (Coltrane sits out both, another disappointment) as well as the young Chambers’ powerful-but-lyrical bass. The bass player’s walking line also ignites the fire under the mid-tempo “Diane,” providing the swing for Davis and Coltrane to take flight over. It’s a record that lacks some of the best moments the other three entries have, but one that still entrances. |
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