Push The Sky Away [Deluxe Edition] (CD)
Nick Cave and The Bad Seeds
Amoeba Review
02/18/2013
Nick Cave has little left to prove on his 15th album, other than that the king of underground cool has still got it. Push the Sky Away doesn’t retreat, as its title would suggest, nor does it aim for some of the high theatrics and fireworks of Cave’s past work. It instead focuses on his strongest points: an imitable voice that could out-creep the living dead, and his ever-evocative lyrics. The minor-key synthesizers and lyrics about trees and birds that start the album on “We No Who U R” lull and Cave’s lyrics remain vague, but unsettling enough (“the trees will burn blackened hands”). Cave croons like Leonard Cohen about the waves and a pretty girl in “Wide Lovely Eyes,” but sneaks in lines like “they’ve hung the mermaids from the streetlights by their hair,” along with an oscillating moog beneath the rousing gospel-folk foreground. It’s tough not to focus on the macabre and otherwise dark aspects with an artist like Cave, but he shows restraint to make his choice details land more fully, even while describing young carnality in “Water’s Edge” — his refrain about “the chill of love” does more to drive the point home than still-great lyrics about “legs wide to the world like bibles open.” Across the album, Cave focuses on water images, mermaids and waves as sexual metaphors (“We were a match/I was the match that would fire up her snatch” he sings in one forthright couple of lines, in “Mermaids”), always with a sense of both the absurdity and grander implications of sex, making it seem both mythical and hyperreal. He writes abstractly about a prostitute and her lover “with a foetus on the leash” in “Jubilee Street,” then picks up the thought again in “Finishing Jubilee Street,” describing the completion of his song and the dark sex dream that came after. Still following? Though the Bad Seeds’ gothic folk does little to intrude on Cave’s narratives, this ain’t background music. It pulls you in by the lapel and sits you down in a way that few records can. “I hope you’re listening” Cave sings on the stunning “We Real Cool,” which nicks its title and refrain from the Gwendolyn Brooks poem about living hard and dying young. As Cave’s voice coos “real, real cool” amid stirring strings and flutes, it’s clear he’s doing the former and eluding the latter.
Read MoreTrack Listing
Disc 1 Titles |
Artist |
Length |
|---|---|---|
|
1.
We No Who 'U 'R
|
Nick Cave and The Bad Seeds | 04:04 |
|
2.
Wide Lovely Eyes
|
Nick Cave and The Bad Seeds | 03:40 |
|
3.
Water's Edge
|
Nick Cave and The Bad Seeds | 03:49 |
|
4.
Jubilee Street
|
Nick Cave and The Bad Seeds | 06:35 |
|
5.
Mermaids
|
Nick Cave and The Bad Seeds | 03:49 |
|
6.
We Real Cool
|
Nick Cave and The Bad Seeds | 04:18 |
|
7.
Finishing Jubilee Street
|
Nick Cave and The Bad Seeds | 04:28 |
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8.
Higgs Boson Blues
|
Nick Cave and The Bad Seeds | 07:50 |
|
9.
Push The Sky Away
|
Nick Cave and The Bad Seeds | 04:07 |
Disc 2 Titles |
Artist |
Length |
|---|---|---|
|
1.
Needle Boy
|
Nick Cave and The Bad Seeds | |
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2.
Lightning Bolts
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Nick Cave and The Bad Seeds |



















