Rock

Pe'ahi (CD)
Danish noise pop darlings the Raveonettes have lightened things up a bit with their latest release, Pe’ahi. Appropriately titled after a town on the north shore of Maui, Hawaii, you can see that Wagner and Foo have been using surf culture as their latest muse, both sonically and lyrically. Combining surf-pop, warm fuzz, and tropicana with the bright melodies and girl group harmonies they are best known for; this is their most dynamic and baroque work since 2008’s Lust Lust Lust. Tracks like “Endless Sleeper” and “Sisters” drown you in warm fuzz while dreamy songs like “Killer In The Streets” let you float through glorious waves of melancholy. The mood of the album is breezier and more upbeat than previous efforts and is set to be the definitive summer soundtrack. Read more
Complete Surrender (CD)
From the twee indie-folk of their 2009 debut Oh Yeah to the darker and richly layered Paradise, Sheffield duo Rebecca Taylor and Charles Watson (Slow Club) continue to sonically evolve with their third full-length album, Complete Surrender; their most self assured and streamlined effort to date. Heavily influenced by R&B and girl group sounds, Taylor and Watson stray from their panoptic song structure of the past to embrace a more stripped down approach. The delicate simplicity of these more basic song arrangements only further enhances what Slow Club is known best for, powerfully rich vocal harmonies earnestly expressing love and loss. With soulful numbers like “Suffering You, Suffering Me” and “Not Mine To Love,” Complete Surrender often feels like a tear stained pillow fight at Stax Records. With that in mind, it never comes of as gimmicky or retro. Instead, Slow Club manages to combine Northern soul with bedroom pop to create the breakup anthems of your dreams. Read more
The Jazz Age (CD)

Bryan Ferry is always up there at the country house cooking up some new way of delivering you the lush life, and this time he literally blows the roof off! Here are thirteen songs from the breadth of his career, from Roxy Music to recent solo albums, arranged and interpreted by a hard-swingin' 1920s style jazz orchestra, and presented in gloriously crackly mono. At first hearing tunes like "Do the Strand" come at you as a vigorous Dixieland stomp practically makes you laugh out loud -- then you realize the guy is serious. From "Love Is the Drug" to "Avalon," these tunes get sent back in the way-back machine, only to return with plenty of trombone charts, clarinet solos, muted trumpets and even coconut percussion fills. Members of the Pasadena Roof Orchestra execute this vintage fantasia, with some arranging help from UK TV composer Colin Good. Each reinterpretation is imaginatively and slyly suited to the original, whether bringing out a latent samba shuffle or hinting at the original darkness of tone behind a zany rhythm. Of course, Bryan Ferry has always been besotted with the Jazz Age, going back to his first solo album, These Foolish Things, in which he crooned classic 1930s ballads in his proto-new wave style. Even then he had a true knack for classic sounds (a knack not shared by just anybody, as one notices whenever Rod Stewart barfs up "It Had to be You"). So jump on this magic carpet with the Bryan Ferry Orchestra and soar back in time to the Roaring Twenties!

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Lonerism (LP)

If Jeff Magnum (Neutral Milk Hotel) had been born 10 years later and became obsessed with tape loops, this is sort of what it would sound like. Stellar effort, even better than their first LP. Get on it, people.  

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