Run for The Sun
Richard Widmark got his only Oscar nomination playing one of the great psycho creeps in film history, Tommy Udo in Kiss of Death. It was his first film and it made him an instant star, most famous for that scene where he pushes a woman in a wheelchair down a flight of stairs while giggling hysterically. Though he was ruggedly handsome with sweepy blond hair, he was never fully able to drop that creepy Klaus Kinski quality, even as he gradually moved into heroic leading man roles, but it helped make even the most generic film a little more interesting. Widmark was part of that impressive group of leading men who emerged after WWII, mostly in Film Noir. Though he starred in a number of significant films including Panic in the Streets, Night and the City, and Pickup on South Street, he is not remembered today with the same iconic status as his contemporaries, such as Lancaster, Mitchum or Kirk Douglas, who all had more important roles on their resume. But with MGM releasing a little known gem, Run for the Sun, on their Limited Edition DVD Collection, perhaps it will help Widmark’s career get more reevaluation.
Though British director Roy Boulting did over 20 movies, he might be best known for making Disney child actress Hayley Mills his fourth wife (he directed her in the oddball horror flick Twisted Nerve). Run for the Sun may prove to be his lost almost-masterpiece (okay, I’m exaggerating. It’s no masterpiece, but it’s very watchable). The script is credited to Boulting and Dudley Nichols (Stagecoach) but the credits say it was based on a story by Richard Connell, making it another kinda-sorta version of his famous short story, "The Most Dangerous Game." Connell's story had been adapted before as a classic with Fay Wray in 1932 and then less memorably in a Robert Wise directed flick retitled A Game of Death in 1945 (and much later and more loosely in the John Woo/Jean-Claude Van Damme collaboration, Hard Target, and the Ice-T trash epic, Surviving The Game). In the end Run for the Sun is about as close to "The Most Dangerous Game" as The Hunger Games is; that is to say, there are some plot crossovers, but not much more.Continue Reading
Von Ryan’s Express
Two of the best action subgenres of the 1950s & '60s were the POW escape films (Stalag 17, The Bridge on the River Kwai, The Great Escape) and train adventure flicks (Narrow Margin, The Train, Dark of The Sun). So what would happen if you combine the two? You get a really fun, utterly ridiculous, totally memorable movie from ’65: Von Ryan’s Express. Besides being a train adventure, what sets this one apart from other POW flicks is the adversary. While the prisoners of Stalag 17 and The Great Escape were housed in German camps and Kwai had Japanese overlords, the captives of Von Ryan’s Express are stuck in an Italian camp. And whether based on any kind of truth or not, Italian guards just don’t feel as cruel or deadly as their other Axis Powers partners. Based on a novel by David Westheimer (who also penned the novelization of Days of Wine and Roses), with the solid journeyman director Mark Robson (Earthquake, Valley of the Dolls) at the helm, this was made in the heyday of Frank Sinatra vanity projects and as usual he often feels miscast as an actual human being. On paper his role seems better suited for a more obviously physical presence, like a Lee Marvin. After all, Sinatra looks like he would be more comfortable with a martini in his hand than a machine gun, but his skinny frame in a wrinkled military outfit only lends to the absurdity and the fun.
A depressed group of mainly British prisoners in an Italian camp get a load of energy into their squalid existence when American Colonel Ryan (Sinatra) shows up, having been shot down in Italy. The highest ranking officer before him showing up was the very English Major Fincham (the always watchable Trevor Howard, in the more hammy late phase of his impressive career), who doesn’t like being pushed around by the runty Yank. When Ryan sees the poor condition of the health of the men, he rats out the tunnels they’ve been digging, in order to get the medicine the wacky Italians have been holding from them. But Ryan slowly earns the Brit’s respect by getting them new clothes and taking his punishment in the “sweat box.” Later, when it appears the war is coming to an end, the Italian guards flee giving the POWs free reign. They take off through Italy but are eventually caught again and put on a train headed for Rome, which is now overseen by nasty Germans who kill all the sick men. This is where the more original action setpieces start, as Sinatra and the boys take over the train and then have to ride it out of Italy while posing as Germans. In maybe the most bizarre scene, a British doctor (Edward Mulhare) who speaks some German poses as a Nazi high command to get the clearance for the train trip to continue and the two fifty-somethings, Howard and Sinatra, dress up like Nazi soldiers to accompany him. They must be the two oldest looking privates in the German army and actually resemble the Cowardly Lion and the Scarecrow when they dress up as flying monkey soldiers in The Wizard of Oz. What a sight for sore eyes!Continue Reading