Super Duper Alice Cooper

Dir: Sam Dunn, Reginald Harkema, Scot McFadyen, 2014. Starring: Alice Cooper. Music.

Finally a quintessential documentary on Alice Cooper, rock’s original shock master, titled appropriately enough, Super Duper Alice Cooper. Unlike the usual quickie music doc (Behind The Music, etc.), this is a film edited with style and a totally engaging visual flare similar to the wonderful Robert Evans doc The Kid Stays in the Picture, with those three-dimensional cut outs and old-timey film footage mixed in to help tell the story. And Cooper himself, an engaging story teller, narrates. Of course I’m the target audience; I had a couple of his records as a kid, I went to an Alice Cooper concert in Detroit when I was in middle school and I have nostalgic pangs that get me a little giddy when I see those '70s clips. But I’m also thrilled to report that I watched this with a woman who was born long after Cooper’s heyday who had little previous knowledge about him or interest, and she thoroughly enjoyed the movie, too. Again, stylishly and narratively it can satisfy the old-school fan and intrigue a newbie.

As told by the film, Cooper’s story is the usual "sickly kid dreams of more and beats the odds" ode. Born Vincent Furnier in Detroit, Cooper’s pastor father and mother moved him out West to Phoenix to help his extreme asthma. He grew up a churchgoing all-American type, but like many kids in the '60s inspired by The Beatles, their music (and spoofing the Fab Four at a school talent show) led to him and his buds forming a band. Even as a bunch of suburban squares they found some success in their hometown under the name The Spiders; later encouraged by a message from a ouija board they changed the name of the band to Alice Cooper (slowly Vincent would actually take on the name himself and later legally change it when he dumped his bandmates) and set out for hippie filled Los Angeles. In California they fell under the tutelage of super weirdo Frank Zappa and became the brother act to his all-girl band The GTO’s. Besides giving pointers on partying, the fashionable ladies also helped them update their look (with thrift store women’s Ice Capades costumes). Though they signed with manager Shep Gordon (a pot dealer, for whom managing music was just a side gig) they didn’t find the success they craved and were even jeered at for their growing onstage theatrics. The band took off for middle America, playing small gigs until they finally settled in Detroit, a working class city that liked to rock and appreciated a hard-hitting band with a strong work ethic. Playing alongside bands like The MC5 and The Stooges, it has been said that this garage rock scene was the beginning of Punk Music (and Johnny Lydon AKA Rotten, adds his voice to the narration later, giving credence to this by admitting what a big influence Cooper was on his band, The Sex Pistols). The Alice Cooper act grew more and more outrageous and when they got to open for John Lennon at a music festival in Toronto, an incident that led to a chicken being murdered made them famous. They eventually broke big with hits “I’m Eighteen and then “School’s Out”, but Cooper fell deeper into a dark hole of alcoholism and celebrity trappings. Finally he dumped his high school pals and went solo, where his shows became a sorta vaudeville horror act, complete with a boa constrictor, a guillotine and dancers. (He married a young pretty one.)

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Posted by:
Sean Sweeney
Jun 19, 2014 12:16pm

The Kid Stays In The Picture

Dir: Nanette Burstein, Brett Morgen, 2002. Starring: Robert Evans. Documentary.

The autobiography The Kid Stays In The Picture by one time hot-shot studio head and producer Robert Evans may be the only book to have gained a cult following with its audio recording. Evans reads from his own pages, and his cool persona as a guy with a lot of regret and a lot of amazing memories are quite entertaining. The film version uses those audio recordings for narration and a lot of archive footage, film clips, and most creatively still pictures with a 3-D effect to tell this rather astounding story of Evans' miraculous Hollywood rise and then devastating fall.

At first Evans was in the clothing business in New York with his brother. And then one lucky break after another happened for the tanned haberdasher. Famously, on a business trip to Los Angeles he was “discovered” by Norma Shearer while lounging by the pool at the Beverly Hills Hotel. He was thrust into a minor acting career playing Irving Thalberg in the Lon Chaney bio A Man Of A Thousand Faces and then Pedro the bullfighter in The Sun Also Rises. That was the peak as an actor but he soon became an independent producer developing The Detective with Frank Sinatra. With Gulf & Western taking over Paramount Pictures out of seemingly nowhere Evans was made the Head of Production.

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Posted by:
Sean Sweeney
Jun 6, 2011 8:28pm
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