Jump started by the success of the movie Airport in 1970, the “disaster movie” was a 1970’s cultural phenomenon, taking the soap-opera mold of Grand Hotel and putting a bunch of actors, ranging from big stars to has-beens all eager to cash their checks, into a dangerous situation with now cornball special effects. The best was The Poseidon Adventure and the biggest was The Towering Inferno (which inexplicably got a Best Picture Oscar nomination). But the most ambitiously awkward may’ve been Earthquake. The film was originally released extra loud in something called "Sensurround” and featured cameramen shaking cameras while Styrofoam bricks fell on extras. It was directed by Mark Robson (Valley of the Dolls) and written by Mario Puzo (yes, that’s right, Mario–the Godfather–Puzo, and he’s not the only major talent slumming here), though someone named George Fox also got a screenwriting credit as well, the only film for which he’s credited. Earthquake may not have been very good but as a cultural curiosity it’s fascinating, as a travelogue of mid-’70s Los Angeles it’s invaluable, and as a piece of ridiculous pop-junk it’s totally entertaining.
The goofball introduction to the characters goes something like this... hunky architect Stewart Graff (Charlton Heston) is in a dead marriage to Remy (Ava Gardner) and having a boring affair with a young struggling actress, Denise (Genevieve Bujold, a sorta less sexy ’70s version of Audrey Tautou), who is a single mom with an annoying son, Cory (the terrible actor but cool...
About the only thing this Shaft remake has in common with the original Richard Roundtree cop classic is that great Isaac Hayes theme song and similar funky score (and Roundtree pops up in a supporting role in this one). Both Shafts are swinging ladies men and both have to deal with race issues being African-American cops in a hostile world and working with a corrupt police force. What makes the remake stand out as more than just a serviceable late night TV time killer is the presence of two great unlikely villains teaming up, played by two great actors, Christian Bale and Jeffrey Wright, working at their scenery chewing best.
The original Shaft, directed by Gordon Parks is usually unjustly labeled "blaxploitation," but it’s degrading because Shaft was actually much closer in class and style to an acclaimed crime film like The French Connection than say, some jive like Superfly. Shaft became a minor cultural phenomenon, birthing two decent sequels and even a short-lived television series. The inevitable remake comes 30 years later, and though it might not have delivered as a franchise starter, it does deliver perfectly as a solid action guilty pleasure.Continue Reading