Escape from the Planet of the Apes
Once you can get past the absurdity of the set-up of Escape from the Planet of the Apes, the movie turns out to be the best of the sequels to the original brilliant sci-fi film Planet of the Apes. To recap, in that first film, an American astronaut, Taylor (Charlton Heston) traveled through space and returned to earth deep into the planet’s future where apes ruled and humans were just stinky wild mutes. In the less exciting but still watchable first sequel, Beneath The Planet of Apes, another astronaut, Brent (James Franciscus) follows Taylor into the future as ape hostility towards man is growing. Brent and Taylor finally meet up in an underground city where humanoids worship an atom bomb. Eventually apes attack and a dying Heston sets off the bomb, destroying earth and seemingly putting an end to the franchise. But, like Rocky III, the third film found a fresh take on the story and turns out to have a lot of fun on its own terms.
In this one, to the shock of the world, three apes in space suits land on present-day Earth (a very groovy early 1970s) in Taylor’s spacecraft. It turns out it’s archaeologist Cornelius (Roddy McDowall) and his wife, animal (human) psychologist Zira (Kim Hunter), the two apes who risked their careers to help Taylor in the first film, along with the brilliant Dr. Milo (Rebel Without a Cause’s Sal Mineo). (Okay, so get over the set-up.) The three apes somehow salvaged Taylor’s ship from the bottom of a lake, managed to re-blast-off, and while watching the earth’s destruction from the sky, were sent into a time warp back to modern day. Silly. But now the fun starts....Continue Reading
At the peak of the disco era, the film version of the so-so Broadway musical Grease managed to be the perfect vehicle to celebrate 1950s nostalgia while becoming an iconic relic of '70s pop culture. Since its release it has become a rite of passage for young people—a romanticized version of teen rebellion and young love. It’s surprisingly raunchy, but very funny, with great music and very energetic choreography. More then Rebel Without a Cause or Blackboard Jungle it has actually taken over as the ultimate representation of 1950s teen life. While the earlier films were made by people who were afraid of that generation’s American teenager, Grease was created to celebrate them.
After his breakout performance that turned him into a massive superstar in Saturday Night Fever, John Travolta was as hot as could be. Grease proved to be an almost equally popular follow-up for him (through critically it took a drubbing). In the role of Danny Zuko, high school greaser and heart throb, Travolta was able to continue to showcase his flashy dance moves and add “passable singer” to his resume. More importantly he showed his flare for light comedy. As time passes it's easier to recognize the fun Travolta was having with his own image. He's kinda a mix of Elvis and TV’s Fonzie, but much more charming than both and, though cool, much more vulnerable. (Vulnerability proved to be a staple of Travolta’s acting bag of tricks.)
Australian transplant Sandy (Olivia Newton-John) is just trying to fit in to her new Southern California school, Rydell High. Though she had ...
In a Lonely Place
Humphrey Bogart remains to be remembered for characters with a lethal trigger finger and an equally lethal tongue. Films like The Maltese Falcon exemplify not only the height of his merits as an actor, but continue to be incomparable relics in the world of Noir.
Many of his works, most notably Casablanca, have an intrinsic outline - a gloomy skeleton harnessing unrequited love. Alas, they usually finish on a somewhat heroic note as the character must sacrifice his love with the understanding that his lifestyle simply has no place for it. One can only wonder how much of that resembled Bogart's experiences in life. He had four wives and a few fall outs with friends.Continue Reading
They Live By Night
There’s a scene in the ﬁrst act of Nicholas Ray’s They Live By Night in which Keechie (Cathy O’Donnell) and Bowie (Farley Granger), young lovers on the run from the law, ditch a Greyhound bus out of town when they see a sign advertising fast weddings. It’s at one of those cheap, 24-hour chapels: $20 for the wedding, plus $1 to rent the ring or $5 to buy. Bowie, his pockets full of cash from his last bank robbery, says he wants to buy it. Despite being completely on a whim, this union is meant to last forever. Yet as they speak their anxious vows, it is clear that their love is doomed from the start.
Released in 1948, They Live By Night would provide the template for such ﬁlms as Bonnie and Clyde, Badlands, Drugstore Cowboy, and Natural Born Killers, in which violent crime enters almost abruptly into the lives of damaged souls. Yet unlike those ﬁlms, They Live By Night focuses its attentions almost solely on the love affair, with very little sensationalism. Although there are bank robberies and shootouts, they are mostly hinted at, and oftentimes, occur completely off-screen. It’s as if Ray is telling his audience that the crimes themselves are not as important as their aftermath.Continue Reading