It is a treat and a privilege to see the work of actors and directors that are versatile and consistent. Director Marc Forster has had an interesting approach to portraying damage within people, families, and romantic relationships. In movies like Stay, The Kite Runner, and Finding Neverland, we can see examples of his attempts to unify an audience with stories and feelings that no one is exempt from. But when Monster’s Ball was presented, featuring an extraordinary cast and controversial subject matter, I was more than eager to see what all the buzz was about. To say that it did not disappoint would be an understatement.
The story seems simple: two strangers meet and become romantically involved. But here is the not so simple part. Halle Berry gives an Oscar-winning performance as Leticia, a waitress who lives on the brink of eviction with her son who has a lifelong struggle with obesity. Her ex-husband Lawrence, wonderfully played by Sean Combs, is within 72 hours of execution on death row. Billy Bob Thornton plays Hank, a corrections officer specializing in assisting prisoners on death row and currently is assisting Lawrence’s last days. He lives with his son Sonny (Heath Ledger), who is also in the same profession, and his father (Peter Boyle) who retired from the same profession. His life circulates with racism, ritual, unease, bitterness, and abuse. The two meet in the most unconventional way when Leticia’s son is struck during a hit-and-run and Hank later witnesses them in distress and escorts them to the hospital where the boy is pronounced dead. From there a consuming and aggressive romance begins to unfold.Continue Reading
Redemption is a complex thing. Our quest to find and observe it is even more multifaceted and often biased. We are drawn to stories where characters have redeeming qualities or, at the end of some relevant venture, find redemption in an act, thought, or belief. Usually this is something that your average person can relate to; a person coming into the dizzying territory of adopting a sense of selflessness or virtue—maybe making some wrong right. But who can relate to a story where someone who has done something as deplorable as molesting a child strives to find a way to redeem himself? Who even thinks they can sit through a film where this is obviously the end goal? Unfortunately the answer could very well be not many, but The Woodsman, should one feel comfortable enough with their own sense of self, is one of the finest stories about this quest that is not only overlooked, but avoided.
Kevin Bacon takes on the most dynamic role of his career thus far as Walter, a man just released from a 12-year prison sentence for molesting pre-teen girls. He finds work at a lumber yard run by Bob (David Alan Grier), who takes him on simply because he inherited the company and knows that Walter gave years of excellent service to his father. Though he has the jaded look of a man who has obviously come from prison, his coworkers are unaware of his crimes and don't care to pry except for Mary-Kay (played by singer-songwriter Eve), the office secretary who wants to know everyone's business and makes false friends in order to do so. In the midst of his daily routine Walter meets Vicki (Kyra Sedgwick), a spunky blonde struggling to hold her own in a male-dominated field. Her seen-it-all demeanor and harmlessly invasive conversation leads her to be his only confident and, in time, lover.Continue Reading