A Matter of Life and Death

Dir: Michael Powell and Emeric Pressburger, 1946. Starring: David Niven, Kim Hunter, Robert Coote. Classics.

On the DVD for A Matter of Life and Death, Martin Scorsese tells a story about how, when he was growing up, the filmmakers Michael Powell and Emeric Pressburger sort of felt like some mythical, lost duo of directors whose work was massively overlooked and re-edited, only to be fully appreciated in the '80s once Scorsese had the power to do so. Watching their films now makes that story seem almost under-exaggerated as every film that comes out on DVD is confoundingly innovative, as if it will be made ten years into the future. And this is no exception to the film, A Matter of Life and Death, a rich, complicated fantasy that leaves so many similar films of the time in its dust.

David Niven plays WWII fighter pilot, Peter Carter, who makes one last radio call to a female soldier, June, as his plane is crashing. Coming to terms with his death, Niven uses the call to calm his nerves and over the course of the conversation the two fall in love, having never met.

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Posted by:
Eric Branscum
Mar 30, 2010 5:59pm

The Red Shoes

Dir: Michael Powell, Emeric Pressburger, 1948. Starring: Moira Shearer, Marius Goring, Anton Walbrook, Léonide Massine. Classics.

The tale of a prima ballerina's struggle to stay on top was recently given a fresh face in terms of Darren Aronofsky's newest feature, Black Swan. Several critics made direct references to The Red Shoes because it features a very similar story: a young and beautiful ballerina gets a chance to work for a company of great prestige, ultimately being driven to insanity under the pressure. While this film is similar on a few levels, I venture to say that it does surpass Black Swan on a visual level and has held up nicely in modern tastes. I'd even like to note that the film's surrealism was paid homage to in Black Swan, especially one scene in particular, but I'll explain that in the review of the movie.

This film is perhaps one of the most erotic and sinister pieces of art that I have seen, which is a bold statement when one compares that to present-day cinema. The claim is made simply because of the way love, greed, and desire is executed throughout the story. The saturated and vivid colors remind you of a living creature, and the imagery and techniques will not soon be forgotten by any audience. Comparatively, it is also unique because it not only focuses on the tribulations of the ballerina, but of the composer who is also trying to make his mark.

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Posted by:
Edythe Smith
Dec 21, 2010 4:50pm
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