Husbands and Wives

Dir: Woody Allen, 1992. Starring: Woody Allen, Mia Farrow, Judy Davis, Sidney Pollack, Juliette Lewis, Liam Neeson. Comedy.

Husbands and WivesIf Annie Hall was Woody Allen’s ode to falling in love, 15 years later Husbands and Wives is an examination of falling out of love. Where the look and style of Annie Hall was clean and precise, Husbands and Wives is franticly shot handheld with herky-jerky editing and an almost improvised vibe to the performances. If Annie Hall marked the beginning of Allen’s great run of introspective masterpieces and near masterpieces, Husbands and Wives is the end of the streak. It’s his last really important Woody Allen film and definitely his last strong acting performance before he fell into a cliché of himself or brought in other actors to substitute, aping his own famous mannerisms. Husbands and Wives doesn’t have as many laughs as some of his earlier work but the insights into relationships can be utterly nerve striking. Made during his dramatic break up with his then wife Mia Farrow, it may be the last time Allen really had something he wanted to say or was worth hearing.

Besides the French New Wave camera work and cutting, there’s an occasional narrator and interviews with the characters; what was meant to give the film a documentary feel actually seems now to predate reality TV. Gabe (Allen), a writer and college professor, is in a stale marriage to Judy (Farrow); they are shocked when, before a dinner date, their good friends Jack (Sidney Pollack) and Sally (Judy Davis) announce their separation. Subconsciously it may expose their inner doubts about their own marriage. Jack quickly gets a much younger girlfrie...

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Posted by:
Sean Sweeney
Feb 3, 2012 5:35pm

Woody Allen: A Documentary

Dir: Robert B. Weide, 2011. Starring: Woody Allen. Documentaries.

Woody Allen A Documentary coverAt over three hours Robert B. Weide's documentary (originally shown as part of PBS’s American Masters series) is almost “everything you always wanted to know about Woody Allen - but were afraid to ask." As a rabid fan I still have some unanswered questions, but I couldn’t ask for a more entertaining examination of the fascinating career of one of cinema’s true masters. Though autobiographical snippets have appeared in most of Allen’s films, he has remained massively private and almost mythically close-mouthed about his filmmaking (for instance never giving any DVD extras), though in recent years he has done more film promoting and made more public appearances (as have guys like Robert De Niro, as the economics of promoting films have gotten more intense and needy). In ’97 Allen was the subject of a fun, lightweight documentary, Wild Man Blues, which was more about his clarinet playing career and his bizarre relationship to his one time step-daughter and now wife, Soon-Yi Previn. For fans that was the closest glimpse into the man (along with Eric Lax’s 1991 book of conversations with Allen). But with Woody Allen: A Documentary, Weide (mostly known as a TV director with credits that include Curb Your Enthusiasm) has gotten the most in depth, on camera heart-to-heart with Allen. Filled with wall to wall clips, the film mercifully spends most its time on the rarer early career of Allen and less on the stink he has mostly been putting out for the last 20 years.

Woody’s life growing up in Brooklyn is now the stuff of legend. As a teenager he started giving jokes to newspaper columnists, which led to some writing gigs that eventually put him in a room with future celebrated writers Neil Simon, Mel Brooks and Larry Gelbart writing for Sid Caesar. He would continue writing for comedians until hooking up with high-end managers Jack Rollins and Charles Joffe who talked him into hitting the stage and telling the jokes himself. A neurotic and shy young man, Allen never dreamed of being a performer and it often showed. It was a slow rise but eventually, as cerebral comics like Mort Sahl were coming into fashion, Allen found his voice and an eager audience in the groovy coffee house scene of New York’s Greenwich Village at clubs like The Bitter End. Allen soon became a showbiz fixture on the TV comedy circuit; exposure was the goal and here Allen admits nothing was beneath him (the documentary even includes a bizarre clip of Allen boxing a kangaroo a show called Hippodrome).

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Posted by:
Sean Sweeney
Jul 24, 2013 5:49pm
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