Halloween 4: The Return Of Michael Myers
After both the box office failure and predominantly negative (and unfair) critical reviews of Halloween III: Season Of The Witch, the future for the Halloween franchise seemed unsure. Original creators John Carpenter and Debra Hill never intended or wanted to do Halloween II. They would have preferred their Michael Myers story be a single film and instead they wanted to continue the franchise as a series of stand alone horror tales that all took place on Halloween. But when Halloween III failed to launch this version of the franchise, producer (and Godfather) of the Halloween franchise Moustapha Akkad decided it was time to go back to the basics and bring back Michael Myers.
The opening of Halloween 4: The Return of Michael Myers is not only one of the most beautiful introductions of the entire series, but it perfectly captures the odd underlining uneasy feeling of the fall season. It’s a series of primarily landscape shots setting up Halloween, the holiday. Decorated pumpkins are set up at stoops, a gust of wind blows through the fields and the overall sense of dread that comes with the Halloween is palpable.Continue Reading
It’s pretty interesting to look back now in retrospect at Halloween II knowing what we do about other successful horror franchises and realizing that at the time of its release there had never really been any previous attempt in horror history to continue a story involving a modern day bogeyman. Back when John Carpenter unleashed the original Halloween into theaters in 1978 to an unsuspecting audience, it became not only the most successful independent feature of all time (and held that record up until The Blair Witch Project came out in 1999), but also became easily the single most influential film of the entire '80s “slasher” craze that would follow. (Even if Carpenter did lift quite a few bits from Bob Clark’s Black Christmas, the predecessor to Halloween). No one, including the filmmakers, the producers or investors could’ve ever predicted just how vast the success of Halloween would be, and so, they never, ever intended on doing a sequel.
But just as the '80s came, suddenly sequels didn’t seem like such a bad idea. Hell, Jaws had a sequel just a few years shy of the start of '80s and that did really well, so with the new crop of baddies showing up in such films as Friday The 13th, The Burning and My Bloody Valentine, why wouldn’t the studio want to bring back Michael Myers? And so, much to the reluctance of John Carpenter and Debra Hill who instead wanted to turn the Halloween franchise into a series of unrelated horror stories that took place around the famed holiday (and which they would attempt to do with Halloween III: Season Of The Witch), instead Halloween II became a direct sequel to their original, picking u...
Sorority House Massacre
You've got your good slashers and you've got your bad ones, but when you really think about it, there is no such thing. It all boils down to a matter of taste. If you go to the movies for a good shock or scare, you probably think that movies like this are terrible. If you're going to see dimwitted or annoying people get killed and laugh at one-liners, then you'll love Sorority House Massacre. Before I mention the plot, if you know anything about this movie, you know that it has to do with a brother coming back to kill his sister after slaughtering the entire family. Many think of Halloween, just as you might have heard about its relation to dreams, which is linked with A Nightmare on Elm Street. If you've looked up this movie, or other slashers, only to find that people down it because it has elements of other horror movies, don't believe the hype. Every single genre in cinema will have elements of some other film, work of art, pop culture, you name it. Not that you shouldn’t praise what has been established as original, but don't get too hung up on it. This movie is terrible and it means to be. Everything is so over the top, particularly the fashion. The fact that nothing in the plot is believable and that there are so many pointless scenes only adds to how perfectly cheesy it is. The fact that the woman on the cover/posters is not even in the movie also adds to the cheese factor.
The plot is pretty straightforward: crazy older brother slaughters parents and three of his four sisters. Beth (Angela O'Neill), who was five years old at the time, escapes, is raised by others, forgets the incident, and joins a sorority in college. She does find a disturbing connection between her new sorority house and her childhood home where the murders happened. Of course, we discover that it's the same house. Meanwhile, her brother Bobby (John C. Russell) spends his time strapped to a bed in an institution. The center of the plot, besides people getting murdered, is her dreams. It is speculated earlier in the movie that brain waves can be transmitted through space just like waves of light and sound. Apparently her brother has got some pretty powerful brain waves and has filtered his way into her sleep. She begins to feel that he is after her and he eventually escapes - with stupendous ease - out of his mental institution. Thus, she and her sorority sisters are in for a big surprise when he comes home.Continue Reading