Escape from the Planet of the Apes
Once you can get past the absurdity of the set-up of Escape from the Planet of the Apes, the movie turns out to be the best of the sequels to the original brilliant sci-fi film Planet of the Apes. To recap, in that first film, an American astronaut, Taylor (Charlton Heston) traveled through space and returned to earth deep into the planet’s future where apes ruled and humans were just stinky wild mutes. In the less exciting but still watchable first sequel, Beneath The Planet of Apes, another astronaut, Brent (James Franciscus) follows Taylor into the future as ape hostility towards man is growing. Brent and Taylor finally meet up in an underground city where humanoids worship an atom bomb. Eventually apes attack and a dying Heston sets off the bomb, destroying earth and seemingly putting an end to the franchise. But, like Rocky III, the third film found a fresh take on the story and turns out to have a lot of fun on its own terms.
In this one, to the shock of the world, three apes in space suits land on present-day Earth (a very groovy early 1970s) in Taylor’s spacecraft. It turns out it’s archaeologist Cornelius (Roddy McDowall) and his wife, animal (human) psychologist Zira (Kim Hunter), the two apes who risked their careers to help Taylor in the first film, along with the brilliant Dr. Milo (Rebel Without a Cause’s Sal Mineo). (Okay, so get over the set-up.) The three apes somehow salvaged Taylor’s ship from the bottom of a lake, managed to re-blast-off, and while watching the earth’s destruction from the sky, were sent into a time warp back to modern day. Silly. But now the fun starts....Continue Reading
You Only Live Twice
It’s hard to pick a favorite of those first five James Bond films starring Sean Connery. Goldfinger and Thunderball have their fans. Dr. No is also a blast and the locations and Robert Shaw as the bad guy in From Russia With Love make it pretty special, but I would go with You Only Live Twice. It‘s the last of the 1960s Connery Bonds before he came back for the series' official jumping-of-the-shark four years later in the disappointing Diamonds Are Forever (in between being replaced by George Lazenby for one film, ironically, maybe the best Bond flick, On Her Majesty’s Secret Service). All of the Bond flicks of the period work as fascinating international travelogues (wow look at Istanbul in ’63!), butYou Only Live Twice’s Asian setting (mostly Japan), is particularly compelling. Besides Japan’s sexism matching and even topping Bond’s usual misogyny -- I point this out as an anthropologist, not a critic, and as a fan of Japanese cinema, especially Seijun Suzuki’s Yakuza flicks -- it’s fun seeing Connery walk (or run) through similarly blocky industrial locations, that look so familiar from other films. Though Twice’s fantastical centerpiece is its most dated aspect (a stolen rocketship from outer space), what works best is the pure procedural detective work Bond is forced to do and some of the best action set pieces of the franchise. Though Connery donning a bad haircut and slight eye makeup to go undercover as a Japanese man is less shocking then, say Marlon Brando actually playing Japanese in Teahouse of the August Moon and not as completely offensive as Mickey Rooney’s hateful caricature in Breakfast at Tiffany's, it still is a little off-putting, saved only because his eye makeup is less Japanese and more Vulcan.
In one of the more comprehensible Bond plots, the secret agent is forced to go poke around Tokyo, after an American and then a Soviet spaceship are hijacked. Only the British don’t get caught up in the Cold War politics, believing neither super power is responsible since they have reason to believe the ships touched down off the sea of Japan. Bond infiltrates corporate Japan aided by the very beautiful Aki (Akiko Wakabayashi) -- who more than once saves him in her bitchin’ convertible Toyota -- and a Japanese Secret Service man, Tiger Tanaka (Tetsurō Tamba), one of the rare second fiddles who seems to be an equal with Bond in both brains and chauvinism. With a script by the great Roald Dahl (most famous for his children’s books including Charlie and The Chocolate Factory, although he also had a background in Britain’s intelligence offices), this was apparently the first Bond script that veered strongly from Ian Fleming’s original source material, which may be why it plays so well. Eventually Bond's snooping leads him to a secret volcano base where the nasty head of SPECTRE, Ernst Blofeld, is stealing the rockets in an effort to start a world war. Along the way there are some classic moments, including a brutal fight between Bond and a sumo wrestler, a dog fight in Bond’s gyrocopter “Little Nellie” and a great attack on the volcano base by ninjas. The lair is as spectacular a set as ever was constructed at that point, complete with Blofeld’s escape monorail and a man-eating piranha pond. Along the way Aki is killed but Bond quickly replaces her with the equally cute Kissy Suzuki (in the book she gives birth to Bond's child); she seems uptight at first but loosens under Bond’s charm, even wearing a bikini while volcano climbing. Bond also has a great run-in with an evil businessman’s killer secretary, Helga Brandt (Karin Dor), who though assigned to kill Bond, first turns him into her boy-toy before leaving him to die in a plummeting airplane.Continue Reading