Before The Devil Knows You're Dead
Maybe it sounds odd to call a movie "great" if by the end it makes you feel like your soul was taken away, but Before The Devil Knows You're Dead is such a work. With an amazing ensemble cast and a non-linear script that reveals new facts about the characters all the way until the final shot--this is a film that reminds you how powerful dramatic fiction is supposed to work.
Through the different character's perspectives, the film is about the build-up and aftermath of a botched jewelry store robbery in the suburbs. Opening with the violent event, we soon find out afterwards that brothers Andy (Philip Seymour Hoffman) and Hank (Ethan Hawke) planned the robbery together as a victimless crime in response to some urgent needs for money. But these aren't your typical, slick movie heist-men whatsoever. Andy is a somewhat well-off business accountant seeking escape for a more fulfilling life, while Hank is a single father who's desperately behind on child support. Part of what makes the film work so well is how the script gradually unfolds and clues the audience into new details as it plays, so the only other plot point worth mentioning here is that the store they rip off happens to be owned by the men's parents, Charles (Albert Finney) and Martha (Amy Ryan).Continue Reading
Fast Food Nation
It stands to reason that if you can get people to eat s*** and like it you can pretty much get away with anything. This is the sentiment I took away from Eric Schlosser's devastating expose of the fast food industry, Fast Food Nation: The Dark Side of The American Meal (Houghton Mifflin Company, 2001). The book was compared to Upton Sinclair's The Jungle for its gritty glimpse into an industry that has a stranglehold over our agriculture, our declining health, and our government. (And he really does point out that because of the American beef industry's dedication to doing things as cheaply as possible sometimes feces make their way into hamburger patties. Seriously.) Eric Schlosser connected the dots as to why fast food is so cheap and omnipresent and what he discovered was a vast system of interrelated factors that have been set up to dominate and degrade almost every aspect of our society - from the disgusting ways in which cattle are treated, to the exploitation of undocumented workers, to the disease and obesity epidemics currently plaguing this country. Schlosser wrote the definitive account of why American ideals are so compromised by the dominance of fast food culture. Making a documentary based on the book seemed to be the most logical way to visually depict Schlosser's investigative findings but director Richard Linklater had a different approach. Instead of filming Fast Food Nation as a muckraking documentary he uses the general narrative structure of Steven Soderbergh's ensemble film about the international drug trade, Traffic, as a device for exploring the business of fast food and its negative effects on all of us from multiple viewpoints.
The film follows lots of different characters caught up within their own troubling relationship to fast food production. Greg Kinnear plays an executive for a fast food chain called Mickey's. We follow him as he meets different people affiliated with the hamburger chain. He's shocked when he's told by his superior that they have worries about public outcry over their product. "There's shit in the meat," he says. He talks to scientists paid by Mickey's to craft the taste of liquid smoke in test tubes. He meets the kids who work at a Mickey's in Colorado. A young idealist named Amber (Ashley Johnson) working at Mickey's after school starts to realize that she doesn't want to be a part of what Mickey's is selling. Bruce Willis has a cameo as a cynical meat processing plant owner who warns Kinnear's character about sticking his nose in their business when he hears rumors about mistreatment of workers at the plant. We follow the experiences of Mexicans who crossed the border illegally into Colorado and work in the factory who are taken advantage of at every turn. Some turn to drugs to cope with the long hours and brutal work. Patricia Arquette, Ethan Hawke, and even Avril Lavigne pop up in different roles. Amber meets up with a group of college students determined to raise public consciousness about fast food's toll on the environment but have their illusions shattered when they see it's more complicated than they realized.Continue Reading
Lord of War
Andrew Niccol (Gattaga) wrote and directed this darkly comic story of an international arms dealer. His screenplay is interesting, satirical, and well-paced. The film’s direction is stylish, quick, and greatly entertaining. Niccol has a sharp eye for details and finds the humor underlying the business of death -- or at least the irony of the lifestyle.Continue Reading