A Room With a View
There has never been a more perfect film than Merchant Ivory's lush and lavish, A Room with a View. Visually it offers more than a simple view; instead there is a grandiose explosion of natural and cultural beauty traveling from the historical vistas of Florence to the opulence of the English countryside. Adapted with wit and wisdom from E.M. Forster's novel of the same name, A Room with a View explores the mingling of Britain's emerging middle class with the slowly dying aristocracy during the picturesque Edwardian Age. Similar in theme, adaptation and age to the tragically redeeming Howard's End, View tenders a gentler more fairy tale touch.
Filled with immortal performances by actors who would soon dominate the cast of truly great films for the next twenty years and counting, we are treated to study after study of the pomposity and passion in human nature. Romance, humor and a sensitivity to our frailties permeate every frame. Whether it is a bloody crime of passion between unknown but unforgettable Italians in the square, the giggling girlish adventures of two aged maidens in a foreign city, a kiss among poppies (that might just be the best kiss in cinematic history) or the heartbreaking politeness of a rejected suitor in a drawing room each moment is filled with timeless, laughable, lovable humanity.Continue Reading
A Star is Born (1937)
A Star is Born. What a title. It promises greatness, wish fulfillment and a kind of immortality. What could sustain such a fire? What could possibly bring forth such legendary light? Even a star has humble beginnings and we meet our speck of star dust in a provincial home on a snowy day in Smalltown, USA. It is classic Americana movie making that marries depression era silents to the slow emerging prosperity of WWII America still harboring a romantic vision of manifest destiny.
There is an embittered aunt, a struggling pop, a bright but unformed kid brother, but most importantly and impressively a wise grandmother played with brilliance by May Robson. If you ever need inspiration watch her speech to Janet Gaynor's young and determined Esther, as she encourages her to follow her dreams of being an actress in Hollywood. It practically sings with the spirit of the wild west, not to mention female empowerment.Continue Reading
All The President’s Men
Watching the recent excellent documentary, Page One: Inside The New York Times, which questioned the potential end of print media and mature fact-based journalism, made me hanker to rewatch the greatest film about how journalists can seek the truth, and the standards and hoops they need to jump through in order to have their stories reported. Based on the true-story, autobiographical, political thriller by journalists Carl Bernstein and Bob Woodward, All The President’s Men details the young reporters' involvement in the Watergate scandal that worked its way through the cover-ups run by President Nixon’s staff, eventually reaching him and ending his presidency prematurely. All The President’s Men is a riveting account of the Watergate story from war zone reporters covering it, but today it’s also a reminder of the hard work and fact checking that goes into the coverage by these old dinosaurs, in this case the Washington Post, and the good that old media can sometimes bring to our democracy.
Aggressive young reporter Bob Woodward (Robert Redford) is put on the story of a small time, but suspicious burglary of the Democratic party headquarters at the Watergate Building in Washington DC. What makes the case more intriguing to Woodward and his superiors at the Washington Post is that the burglars all have pre-arranged high powered lawyers. He then discovers that the burglars have ties to the CIA and White House, meaning this wasn’t any old burglary; it was an attempt to bug the Democrats. Always poking his head in at the news room is the sloppier, but equally driven reporter, Carl Bernstein (Dustin Hoffman). He eventually gets himself teamed up with Woodward and as the t...
Animal Factory is the story of a young man (Furlong) who gets prosecuted for drug dealing. He is sent to a maximum-security prison, putting his life and soul at stake.
Edward Bunker and John Steppling’s screenplay is raw to the bone writing—not trying to spice up the dialogue, rather providing a very realistic cadence to the way these prisoners speak and interact. The screenplay is based on Bunker’s novel, which was inspired by his own stints in the penitentiary. Modern audiences mostly know the author as “Mr. Blue” in Quentin Tarantino’s debut Reservoir Dogs.Continue Reading
Family films are precious commodities. Slapstick plus smart humor have been winning combinations for many years now while the sentimental tearjerkers have taken a back seat. Lately, however there have been a few jewels emerging that are not only appropriate for young audiences but will entrance their parents as well. August Rush is a lovely music filled Orphan Annie/Oliver tale with sincere performances, intelligent, economical writing, a wonderful score and charming cinematography.
Two young and talented strangers meet and fall in love under a full moon in New York but are separated by fate and an overly controlling father the very next day. We learn that the young lady, an accomplished cellist named Lyla Novecek has become pregnant and that her star crossed lover, Louis Connelly, waits every night under the Washington Arch. After Lyla has an accident around her due date her father takes the opportunity to take the healthy newborn boy and put him up for adoption while telling Lyla that he didn't survive. Twelve years later we see the young and vibrant rock musician, Louis, has become a suit wearing businessman still stifling under a broken heart and broken dreams while Lyla is quietly teaching music without playing it herself.Continue Reading
After Sean Penn’s solid supporting performance in Taps (as the sensitive guy, opposite Tom Cruise’s hothead), his now legendary scene stealing turn as stoner Spicoli in Fast Times at Ridgemont High, and then his work as Chicago juvenile delinquent Mick O’Brien in Bad Boys, Rolling Stone Magazine put him on the cover at the age of 23 and called him, “the next James Dean.” Since Dean only starred in three features, it's his cultural impact and dying young status that still make him a household name today. Dean also showed himself to be a gifted actor and it’s fascinating to imagine what his career would have been like had he not died so young. Penn has lived past those three early films (to some people’s surprise). He has had a long and eclectic filmography, with moments of pure acting brilliance (Carlito’s Way, Dead Man Walking, Sweet and Lowdown), while some critics have accused him of sometimes being a hammy overactor (I Am Sam, All The King’s Men, Mystic River). Either way the guy is easily a first-ballet hall-of-famer.
In addition to being a good jumping off point for any study of the truth and beauty in Penn’s acting, director Rick Rosenthal's Bad Boys is, for my money, the best American juvenile detention center flick. (Internationally you would have to add the British film Scum and Brazil's Pixote.) By 1983 Hollywood had only a spotty record grappling with teen crime flicks (the best at this point was Over The Edge) and Bad Boys sometimes feels a little overwrought with its occasional After School Special moments. On the other-hand it’s shockingly bleak and the violence is pretty brutal. Both teen prisons and the mean streets of Chicago are places full of predators - kill or be killed. Though Bad Boys doesn’t hit the exploitation highs of Class of 1984, it’s certainty much harder hitting and believable than most of the other teen dramas of its era.Continue Reading
Bad Timing does more than paint a picture of obsession between two incompatible lovers. It explores the inevitable consequences that occur when two people don't know how to walk away from their doomed relationship.
Alex Linden (Art Garfunkel) is an American psychoanalyst and professor with a position in Vienna. He profiles powerful people for a living and interacts with commoners in a very pretentious and cold way. Milena (Theresa Russell) is the American wife of a Czech diplomat who approaches Alex at a party. Their story is told in two parts, beginning with Milena's attempt to commit suicide. After taking a large amount of pills she calls Alex to say goodbye. He goes to her apartment, calls an ambulance, and is questioned for several hours at the hospital by Inspector Netusil (Harvey Keitel) and his team. Alex can't seem to figure out why he's being interrogated about the lifestyle of a woman he claims to be merely friends with. It is announced that Milena has overdosed and is in a coma, and something about his story and her critical condition just doesn't add up. From the time he claims she called him in distress to the time it took for him to arrive at her home and call for help, there's a questionable series of hours that are unaccounted for. Through a series of flashbacks, the film goes through their toxic love affair, ending with the detective's efforts to try and figure out if her attempted suicide could have been prevented, or if it was an attempt at all.Continue Reading
Written by American poet of the gutter, Charles Bukowski (based on his own experiences), Barfly is an urban fairy tale of two wanderers who are always in search of the next bottle. “Henry” (Rourke) is a writer who spends all his time drinking and fighting, occasionally fitting in some poems here and there. “Wanda” (Dunaway) is a boozer who lives off the generosity of various old men. Once these two meet, it is one of cinema’s most wonderfully strange love stories.
Bukowski’s script is very slice of life, but not the lives of most. With colorful characters and exceptionally quotable dialogue, the screenplay is on par with any of his works of poetry, novels or short stories.Continue Reading
In Julian Schnabel’s intimate portrait of an artist, Jeffery Wright exploded on the film scene as Jean-Michel Basquiat, a graffiti artist turned international painter. The story is about his rise and fall amidst the New York elite, his friendship with Andy Warhol, and the women he loves.
After a successful painting career, Julian Schnabel (Oscar nominee for The Diving Bell and the Butterfly) made his feature debut as a writer-director in this tribute to the life of his friend. His screenplay is simple, but efficient and his direction is gentle and compassionate -- bringing out wonderful performances from a brilliantly cast group of actors. He also does a great job of incorporating the music to define the times and emotions of the moment.Continue Reading
Before The Devil Knows You're Dead
Maybe it sounds odd to call a movie "great" if by the end it makes you feel like your soul was taken away, but Before The Devil Knows You're Dead is such a work. With an amazing ensemble cast and a non-linear script that reveals new facts about the characters all the way until the final shot--this is a film that reminds you how powerful dramatic fiction is supposed to work.
Through the different character's perspectives, the film is about the build-up and aftermath of a botched jewelry store robbery in the suburbs. Opening with the violent event, we soon find out afterwards that brothers Andy (Philip Seymour Hoffman) and Hank (Ethan Hawke) planned the robbery together as a victimless crime in response to some urgent needs for money. But these aren't your typical, slick movie heist-men whatsoever. Andy is a somewhat well-off business accountant seeking escape for a more fulfilling life, while Hank is a single father who's desperately behind on child support. Part of what makes the film work so well is how the script gradually unfolds and clues the audience into new details as it plays, so the only other plot point worth mentioning here is that the store they rip off happens to be owned by the men's parents, Charles (Albert Finney) and Martha (Amy Ryan).Continue Reading