Children of Men

Dir: Alfonso Cuaron, 2006. Starring: Clive Owen, Julianne Moore, Michael Caine, Chiwetel Ejiofor, Clare-Hope Ashitey. Science-Fiction.

Can one really imagine a city underwater? A meteor penetrating the Earth's ozone layer after a team of rogues tries to stop it? Dormant aliens or complex thinking machines rising from the Earth's core? Zombies dressed like your neighbors who hunt down the fit and handsome last man on Earth? The answer is a resounding “no.” But infertility...inhumane policing of immigrants...turmoil and depravity...a civilized and desperate reach towards mankind's will to sustain and overcome—well, that's an apocalypse that is much more tangible. Alfonso Cuaron's slow burn to the end of mankind paints a poetic picture of biblical proportions. One that not only allows the viewer to sink into a mortifying suspense of disbelief, but also manages to exemplify a relevant and powerful social commentary; a science-fiction for realists.

Cuaron's name seems to be on a lot of people's tongues following the recent release and accolades of Gravity, but Children of Men is a masterpiece that, while commercially a success, fell short of the sort of interest and praise of his latest work. It's as though fans of the genre were still caught up in the thrill and evolution of robots and outdated imagination. Perhaps the grizzly immigration aspect struck a nerve or was regarded as too controversial.

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Posted by:
Edythe Smith
May 5, 2014 7:18pm

Dirty Pretty Things

Dir: Stephen Frears, 2002. Starring: Chiwetel Ejiofor, Audrey Tautou, Sophie Okonedo. Mystery/Thriller.

Who the hell is hounding you in the BMW
How the hell he find you, 147'd you
Feds gonna get you
Pull the strings on the hood
One paranoid youth blazin' thru the hood 

– M.I.A. “Galang”

In the introduction to his published screenplay of Chinatown Robert Towne considers the depressing state of contemporary cinema in a Hollywood decades removed from Chinatown and the New Hollywood of the 1970s. For him it's the overload of expository dialogue meant to move the plot along and wooden, one-dimensional quality of characters in current films that kills any suspense or drama.

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Posted by:
Jed Leland
Sep 10, 2013 8:26pm
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