Call me crazy, but recently I stumbled across the 1976 King Kong remake, the one that is now known as Jessica Lange’s first movie, and for some reason, I really enjoyed it. (I saw it years ago as a kid, but didn’t remember it too well.)
Don’t get me wrong—the original ’33 flick really is a classic, and if you have kids, it’s a great introduction to both older and adventure films. And everyone agrees, even with its archaic special effects, the film still holds up as a thing of beauty. Well, guess what—so does this version.Continue Reading
The massive career of Alfred Hitchcock can be broken down into three sections. There’s his early British career (that includes both silent films and talkies) that ends with Jamaica Inn in 1939. Then there’s the first half of his American period; he crossed the ocean and found instant success with Rebecca and continued to hone his craft and try out different genres during the 1940s and early ‘50s. And then finally there’s his most celebrated period beginning around ’54 with Rear Window and Dial M for Murder, where the name Hitchcock became a brand and most of his films were events in themselves. Of that middle period, besides Rebecca there are a number of celebrated and still admired flicks including Spellbound, Shadow of a Doubt, and Strangers on a Train. But one film that really stands out, less flashy than the others but more emotionally devastating, is Notorious. On paper it’s an espionage thriller, but it’s actually one of the great heartbreaking love stories of the era.
Just after WWII, Alicia Huberman (Ingrid Bergman), the party girl daughter of a convicted Nazi spy, is recruited by an American Intelligence agent, T. R. Devlin (Cary Grant), to prove her love to the red, white, & blue by infiltrating a group of Nazis who are hanging out in Brazil, planning a little postwar revenge against the USA. Things get complicated when, while waiting for the job to start, the two beautiful people fall in love. When the details arrive, ...