Handpicked By The Amoeba Staff

Films selected and reviewed by discerning movie buffs, television junkies, and documentary diehards (a.k.a. our staff).

Superfly

Dir: Gordon Parks Jr. 1972. Starring: Ron O'Neal, Carl Lee, Sheila Frazier. English. Black Cinema

Released in 1972, Gordon Park’s Superfly immediately became a classic of the “blaxploitation” genre. Sporting the most stylish pimp threads of the early seventies, Ron O’ Neal plays “Priest” — a smooth talking, high rolling, cocaine dealer with a steely gaze and a firm backhand.

As the story opens, Priest finds himself in a bit of a mid-life crisis. Realizing that his days in the business are numbered and that if he wants to make it off the streets alive, he needs to cash in with one big final score of the white. The problem is, the police want him in prison or dead, and the mafia have no intention of letting their top earner enjoy an early retirement.

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Posted by:
Seamus Smith
Feb 2, 2008 2:40pm

Players Club

Dir: Ice Cube. 1998. Starring: Ice Cube, Jamie Foxx, Bernie Mac. English. Black Cinema.

Ice Cube delivers in his directorial debut with Players Club, a fast paced drama that leaves plenty of room for action, comedy and some well-rounded camp. Many of the scenes resonate with the feel of a late 90's music video on MTV, filled with tons of grey and green hues, over-exposed camera shots, and quick-cut editing. Players Club contains elements of some of my favorite films within the past 20 or so years. Morals are lifted from movies like Showgirls (the passion to stop at nothing to find and finish your dreams) but without all the over-acting and ham-fisted directing. Or it could even be compared to a newer film like The Heart Is Deceitful Above All Things (the human spirit going to the darkest recesses of the mind to rise above the constraints of reality no matter what the cost).

How about we stop here to say I really do not want to turn this review into a serious critique on film and cinema by using these movies as examples of the human struggle in comparison to Players Club, but this movie has the goods and goes into situations all of us have to face in daily life. Showing us how our actions have consequences. With all that said, remember, this film has a strong "scent" of the movie Friday written all over it, so it's not all just drama and seriousness. Ice Cube hasn't forgotten that films are here to entertain us. ....STRAIGHT OUTTA COMPTON!!!

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Posted by:
Shawn Scarborough
Feb 2, 2008 2:30pm

Bone (1972)

Dir: Larry Cohen. 2003. Starring: Yaphet Kotto, Joyce Van Patten, Andrew Duggan, Jeannie Berlin. English. Black Cinema/Comedy

Replace the repressed white male anger of Fight Club with that of the repressed white housewife’s in order to explore the terrain of Jungle Fever and you get the gist of writer/director Larry Cohen’s debut. Instead of fitting squarely within the genre of blaxploitation, the film examines some of the stereotypical representations of the black male which helped make the genre possible to begin with.

Bernadette (Van Patten) is a bored Beverly Hills wife who lounges by the pool when she’s not spending her husband’s money. Her husband, Bill (Duggan), is the prototypical American salesman who’s invested so much of his life in the manufactured desires of advertising that he no longer remembers if there’s anything real behind the imagery. (We see him dreaming of selling junkyard cars filled with bloody corpses.) As George Costanza said, “it’s not a lie, if you believe it.”

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Posted by:
Charles Reece
Feb 2, 2008 12:33pm

Symbiopsychotaxiplasm: Take 1 ½

Dir: William Greaves. 1968.

My most favorite movie titles: (1) Garfield 2: A Tale of Two Kitties & (2) Symbiopsychotaxiplasm: Take 1 ½, directed by William Greaves. Greaves’ title refers to the term “symbiotaxiplasm,” a concept coined by social philosopher Arthur Bentley. This term describes the assimilated totality of a society and its affects by humans and to humans. Every person, place, object, and thing that a society creates, maintains, and destroys is accounted for in the word symbiotaxiplasm.

Greaves added the “psycho” to affirm how our creativity and psychology can affect our society, and in turn, how we affect it. Make sense? Good. Moving on…

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Posted by:
Joey Izzo
Feb 1, 2008 9:00am

Super Inframan

Dir: Shaw Bros. 1975. Starring: Danny Lee, Wang Hsieh, the almighty Bruce Le. English dub/Cantonese. Martial Arts/Hong Kong.

You call it Inframan. I call it the greatest thing ever made by man or god. I vainly attempted a good way to describe this movie’s overwhelming goodness but, failing that, will defer to Roger Ebert's review of it from way back when:

Within the first four minutes of Infra-Man, (a) a giant flying lizard attacks a school bus, (b) the Earth cracks open, (c) Hong Kong is destroyed by flames, (d) mountains disintegrate to reveal the forms of reptilian monsters with blinking yellow eyes, (e) a Professor announces that a twenty-million-year-old woman is unleashing the hibernating monsters upon civilization, (f) the Science Headquarters is shaken by a second quake, (g) the Mutants awake, and (h) the Professor, obviously shaken, informs a secret meeting of world leaders, "This situation is so bad that it is the worst that ever has been!" I'm a pushover for monster movies anyway, but Infra-Man has it all: Horrendous octopus men, skeleton storm-troopers, a gigantic beetle man with three eyes who sprays his victims with sticky cocoons, savage robots with coiled spring necks that can extend ten feet, elaborately staged kung fu fights, underground throne rooms, damsels in distress, exploding volcanoes, and a whip-cracking villainess named Princess Dragon Mom. It's a classy, slick production by the Shaw Brothers, the Hong Kong kung fu kings. When they stop making movies like Infra-Man, a little light will go out of the world.

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Posted by:
Eddie Vegas
Jan 31, 2008 3:40pm

Nosferatu

Dir: F.W. Murnau. 1922. Starring: Max Schreck, Gustav Von Wangenheim. Germany. Silent/Horror.

Yes, yes, we’ve all heard of the celebrated Nosferatu – its cinematic importance, the legendary back-story of how it was almost lost to the ages due to legal injunctions, blah blah blah – and some people, having watched the film, know how bad many of the available DVD releases have been cropped and look/sound terrible, so it’s good news for jaded movie/horror nuts that Kino Video not too long ago released a specially re-done single-DVD “Restored Authorized Edition” (authorized by the F.W. Murnau Foundation, natch, NOT Bram Stoker’s widow) and a genuinely deluxe “Ultimate DVD Edition” two-disc badboy.

Ordinarily, I’m not a sucker for “re-master & re-package” jobs but I sing the praises of whomever did the deed of remastering the film elements for the DVD transfer; the movie looks gorgeous and crisp with new tinting, as per the original studio intent, and with the hi def-ready transfer many of the scenes look as if they’d been filmed just recently, not 85 years and counting. The super-treat on the two-disc edition for me, however, was the triple-whammy of the original German version (as original and complete as we’ll probably get, anyways) and an Anglo-phile version with improved English title-cards. That, and a terrific near-hour-long documentary, The Language of Shadows, laden with neat behind-the-scenes details of F.W. Murnau’s wicked life and of the failure of the producers to win in court and at the almighty box-office, really gives us some bang for our greenbacks.

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Posted by:
Eddie Vegas
Jan 31, 2008 3:30pm

The Naked Prey

Dir: Cornel Wilde. 1966. Starring: Cornel Wilde, Ken Gampu. English. Action/Classics

Lean, intense and pictorially spectacular, The Naked Prey made a big impression when I saw it as a teenager in its original theatrical release. My high school buddy Todd McCarthy – today Variety’s chief film critic – saw it with me, and for years he called me “Gampu” in honor of Morrison Gampu, one of its leading native players.

The story is based on a true incident in which a member of Lewis and Clark’s expeditionary party was tracked by Blackfoot Indians in a tribal “run of the arrow.” Actor-director Cornel Wilde’s film transposes the tale to 19th-century Africa:  After the members of his safari are captured and brutally massacred by a native tribe, one courageous member of the party (Wilde) is given a fighting chance, and is released into the bush naked and unarmed, pursued by 10 fierce warriors. In the wild, he is imperiled by human and natural predators.

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Posted by:
Chris Morris
Jan 31, 2008 3:05pm

Volver

Dir: Pedro Almodovar. 2007. Starring: Penelope Cruz, Carmen Maura, Lola Duenas, Yohana Cobo. Spanish. Comedy/Drama.

Warm and wonderful, Pedro Almodovar's Volver resonates with his favorite subjects:  women, secrets and the transformative power of love. Framed with light suspense, rich imagery and sensuous color are amazing performances by the entire cast, most notably a voluptuous Penelope Cruz. Her courageous and spirited Raimunda is a struggling mother stuck in a bad marriage and bravely fulfilling the role of matriarch, not only to her sister and daughter but to a community of women loosely tied by tradition and committed through love. When her mother reappears as a ghost, Raimunda's life gets infinitely more complicated.

Violence and religious mysticism are catalysts and cards to the emotional evolution of all the characters but are hardly the point. As secrets are unveiled, the once shelled lives become full again with redemption and understanding and life seems to right itself, as if waiting for the perfect miracle. The weak become strong, the strong - weak, youth gains wisdom and age renews its joy for life.

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Posted by:
Jessica Kaman
Jan 28, 2008 3:29pm

3:10 To Yuma

Dir: James Mangold. 2007. Starring: Russell Crowe, Christian Bale. English. Westerns.

The Western is showing signs of regained life, and no picture is a better example of the renascent genre than 3:10 to Yuma. Inspired by an Elmore Leonard story and originally filmed in 1957 with Glenn Ford and Van Heflin, the remake sports compelling performances by its leads, Russell Crowe and Christian Bale.

The notorious murderer and robber Ben Wade (Crowe) is captured, and struggling farmer Dan Evans (Bale) accepts an offer of $200 to join a motley posse and pack the criminal onto a train to the state prison at Yuma. During an arduous, violent journey, the group is menaced by renegade Indians, rogue lawmen, and Wade’s gang, and the charismatic, deadly Wade presents a threat all by himself.

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Posted by:
Chris Morris
Jan 23, 2008 2:43pm

A Star is Born (1937)

Dir: William A. Wellman. 1937. Starring: Janet Gaynor, Norman Maine, May Robson. English. Drama.

A Star is Born. What a title. It promises greatness, wish fulfillment and a kind of immortality. What could sustain such a fire? What could possibly bring forth such legendary light? Even a star has humble beginnings and we meet our speck of star dust in a provincial home on a snowy day in Smalltown, USA. It is classic Americana movie making that marries depression era silents to the slow emerging prosperity of WWII America still harboring a romantic vision of manifest destiny.

There is an embittered aunt, a struggling pop, a bright but unformed kid brother, but most importantly and impressively a wise grandmother played with brilliance by May Robson. If you ever need inspiration watch her speech to Janet Gaynor's young and determined Esther, as she encourages her to follow her dreams of being an actress in Hollywood. It practically sings with the spirit of the wild west, not to mention female empowerment.

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Posted by:
Jessica Kaman
Jan 21, 2008 3:54pm
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