Jackie Brown (Grier) is a struggling middle-aged flight attendant who gets popped smuggling laundered cash into the country by a two eager-beaver cops (Keaton & Bowen). They give her two choices—prison or her help nabbing weapon’s dealer, Ordell Robbie (Jackson). But they don’t account for a third option—with the help of stand up bail bondsman, Max Cherry (Forster), Jackie plans to out con everyone one of them.

Based on Elmore Leonard’s Rum Punch, Jackie Brown is a beautifully woven intermixing of characters and styles of two very talented dark comedy writers. Tarantino’s most significant change was with the title character—making her a black woman, rather than Italian. I think this change made the film almost like a Blaxploitation movie for the modern age. It’s as if Grier’s character, “Coffy,” had to conform as she grew older, but was still not a woman to mess with. The plot is clever and the dialogue, razor sharp.