Director Quentin Tarantino’s Kill Bill: Vol. 1 is pop culture in a blender and on speed, particularly the culture of violent 1970s B Movies and exploitation films. It’s a comic book for movie nerds. It’s a who’s who, name the movie, appreciate the genre, video store game. More importantly it goes beyond its exploitation genre - it’s actually a mesmerizing, funny, elegant film. It all works beautifully, unlike its sequel Kill Bill: Vol 2, which was a mess. KB:V1 is an epic, bloody, action masterpiece.

KB:VI and KB:V2 were apparently intended to be one film, but they grew so big they were separated. Luckily the best stuff is in KB:V1. Both films jump around in sequence, but can be viewed and followed separately. Unfortunately for KB:V2 the late actor David Carradine as Bill is required to give long and tedious monologues. He was not a very good actor and long lines of dialogue were not his strong suit. (Imagine how interesting it would have been if Tarantino had gotten his first choice for the role, Warren Beatty?) Also where KB:V1 is clearly a riff on pop culture (films and television) of the '70s and early '80s, it’s sharp and focused. KB:V2 is all over the place, even adding Film Noir to the mix, not to mention the amount of minor characters with pointlessly long scenes of their own.

Director Lau Kar Leung is sort of a bridge from the hey-day of Shaw Brother kung-fu films to the new wave, hyper-stylized martial arts spearheaded by Tsui Hark. And I mean that  literally, since he worked with Shaw master Chang Cheh and then directed his own films at the end of their era, and then worked with Jackie Chan, Donnie Yen, and others of their ilk. I also mean figuratively, as his directing and choreography is pretty much solely responsible for moving things from chopsocky to the more modern approach. Unfortunately, he is pretty much only known for The 36th Chamber of Shaolin, an undeniable masterpiece, and maybe for quitting Chan’s Drunken Master 2. But just about any one of his films would stand out amongst the crowd were they to be discovered in the West. Even though Return To The 36th Chamber was a cheap, cash grab it remains both innovative and gasp-inducing to this day.