Some of the most daring romantic dramas are ones in which the lovers in question are total opposites, or with each other for reasons that don't have anything to do with love. While anticipating their breakup throughout the film's entirety, you take on the role of a mediator in your imagination. You notice the flaws in each lover, and how those very flaws attract the other person. You take sides in their disputes depending on whoever seems to be more tolerable. It's precisely this kind of intrusion—the ability to analyze and compare someone's circumstances with your own—that makes the story work and keeps you invested.In the film Gerard Depardieu plays Loulou, a penniless playboy and ex-con who prides himself on breaking girls' hearts by flaunting his unwillingness to be monogamous. His whipped ex-girlfriend Dominique follows him around like a sick puppy, giving us the perfect illustration of his effect on women and their willingness to be spat on while in or out of a relationship with him. At a discotheque he falls under the bewitching spell of Nelly (Isabelle Huppert), a married woman from an upscale background who's been followed to the club by her husband Andre (Guy Marchand). As he watches her dance and flirt with Loulou, he comes to the conclusion that she needs to be outed as a tramp in public. Following his verbal and physical abuse, Nelly decides to start her first extramarital affair with Loulou.
I must admit this is the first Chabrol film that I have seen, and what a delight it is! Browsing the racks of the Foreign DVDs I couldn’t help but notice how many of his films star the charming Isabelle Huppert (8 to be exact), whose performance as the Yin to Dustin Hoffman’s Yang in I Heart Huckabees took me aback. Coupled with Mark Wahlberg’s role, this was the most enjoyable factor of said film. Back to Merci...
