Movies We Like

Milk

Dir: Gus Van Sant, 2008. Starring: Sean Penn, Josh Brolin, James Franco, Diego Luna, and Emile Hirsch. Gay Cinema.
Milk DVDMilk is the true story of gay-rights activist Harvey Milk who was the first openly homosexual man elected to public office.

Dustin Lance Black won the Academy Award for his screenplay, which is tense with information, but never loses sight of its human content. The story has a dynamic structure and has many scenes that pack an emotional punch.

There are few modern directors who push the envelope of filmmaking more than Gus Van Sant (Drugstore Cowboy, Elephant). With Milk, all of his greatest strengths as a storyteller are at the forefront, creating perhaps his finest work so far. The film shines through on all levels, from the writing to the performance to the staging.

Harris Savide’s cinematography is stunning and really grasps the details of that time and place in the world. His use of reflections within glass and mirrors is particularly outstanding-- a good visual tool to express that these issues are ongoing ones and that we all must deal with.

Lords of Dogtown

Dir: Catherine Hardwicke, 2005. Starring: Heath Ledger, John Robinson, Emile Hirsch, Nikki Reed. English. Drama.
I'm slightly envious of Stacy Peralta for not only conquering the professional skateboarding world but also for his career as a filmmaker. These two industries, in the general sense, do not correlate, but he manages to find the bridge. The result? A fantastic documentary about the legendary Z-Boys skate team in 1970s Venice named Dogtown Z-Boys, a 2004 documentary chronicling the evolution of big wave surfing called Riding Giants, and a biographical feature film about the Z-Boys journey titled Lords of Dogtown. Peralta penned the screenplay himself, with Catherine Hardwicke (Thirteen and Twilight) directing.

The film, while written with obvious yet needed nostalgia, is action-packed full of skateboarding glamour, parties, competitions, strained friendships, and the intensity of male adolescent energy. The plot is loose and without any specific thread other than to chronicle the history of what happens to the Zephyr Skate Team from the beginning of their surfing days to the point where they meet again after the start of their separate careers. The lack of any overbearing plot creates an enjoyable, fast-paced energy that captures a certain spirit of the pioneering skate culture from the 70s.