Though that amazing string of performances in A Streetcar Named Desire, Viva Zapata!, Julius Caesar, and On the Waterfront earned Marlon Brando four straight Oscar nominations (finally winning for Waterfront) and made him the most celebrated acting talent of his generation, it’s actually his work as Johnny in The Wild One that made him an icon of rebellion and helped inspire the youth culture that was just beginning to emerge in America (and abroad). The Wild One was the first “biker picture” to penetrate mainstream consciousness, a genre that would become very popular in independent film ten lean years later.Though produced by issue-director/producer Stanley Kramer, giving the film an overly dramatic “this is important” vibe, it’s actually a really fun B-movie, carried by Brando’s cocky performance. His Johnny leads his biker gang almost like a cult leader. The gang, with their rowdy antics, tries to impress their messiah, but Johnny, with his southern/ be-bop accent, is a man of few words. Hitting the road looking for kicks, Brando and his gang stumble on a small town where they instantly catch the attention of the law and some uptight citizens, and a saloon owner invites them to stay for beer and sandwiches. The innocent young barmaid Kathie (the very beautiful Mary Murphy) catches Johnny’s eye. It doesn’t help when he declares “I don’t like cops,” even though her dad is the town’s sheriff (Robert Keith, father of Brian), and is actually very evenhanded and sympathetic to Johnny and his pals.
As a remake of Blackboard Jungle, with a lot of 
